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Compositions By Sergei Prokofiev
This is a list of musical compositions by the 20th-century Russian composer Sergei Prokofiev. By genre Operas *'' The Giant'' (1900) *'' On Desert Islands'' (1900; unfinished) *''A Feast in Time of Plague'' (1903, rev. 1908–09; unfinished) *'' Undina'' (1904–07) *'' Maddalena'', Op. 13 (1911–13; unfinished) *'' Igrok'' ''(The Gambler)'', Op. 24 (1915–16, rev. 1927); after Fyodor Dostoevsky *''The Love for Three Oranges'', Op. 33 (1919) *'' The Fiery Angel'', Op. 37 (1919–27) *'' Semyon Kotko'', Op. 81 (1939) *''Betrothal in a Monastery'', Op. 86 (1940–41) *''War and Peace'', Op. 91 (1941–52); after Leo Tolstoy *'' Khan Buzay'' (1942; unfinished) *'' The Story of a Real Man'', Op. 117 (1947–48) *'' Distant Seas'' (1948; unfinished) Ballets * '' Ala i Lolli'', Op. 20 (1914–15), mostly incorporated into ''Scythian Suite'' (see below) * ''Chout / The Tale of the Buffoon'', Op. 21 (1915, rev. 1920) * ''Trapeze'', Op. 39 (1924), mostly incorporated into Quintet, Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Prokofiev 04
Sergius is a male given name of Ancient Roman origin after the name of the Latin ''gens'' Sergia or Sergii of regal and republican ages. It is a common Christian name, in honor of Saint Sergius, or in Russia, of Saint Sergius of Radonezh, and has been the name of four popes. It has given rise to numerous variants, present today mainly in the Romance (Serge, Sergio, Sergi) and Slavic languages (Serhii, Sergey, Serguei). It is not common in English, although the Anglo-French name Sergeant is possibly related to it. Etymology The name originates from the Roman ''nomen'' (patrician family name) ''Sergius'', after the name of the Roman ''gens'' of Latin origins Sergia or Sergii from Alba Longa, Old Latium, counted by Theodor Mommsen as one of the oldest Roman families, one of the original 100 ''gentes originarie''. It has been speculated to derive from a more ancient Etruscan name but the etymology of the nomen Sergius is problematic. Chase hesitantly suggests a connection with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ala I Lolli (Prokofiev)
The ''Scythian Suite'', Op. 20 is an orchestral suite by Sergei Prokofiev written in 1915. Background Prokofiev originally wrote the music for the ballet ''Ala i Lolli'', the story of which takes place among the Scythians. Commissioned by Sergei Diaghilev, the ballet was written to a scenario by Russian poet Sergey Gorodetsky. But when Diaghilev rejected the score even before its completion, the composer reworked the music into a suite for concert performance. The suite was premiered on 16/29 January 1916 at the Mariinsky Theatre in St. Petersburg, conducted by the composer. A scheduled Moscow performance of the suite that December was cancelled at the last minute due to the difficulty of finding musicians to play the piece; it called for an enlarged orchestra and, as many performers had been mobilized due to World War I, enough players could not be found. Nevertheless, the Moscow music critic Leonid Sabaneyev gave the music a scathing review.Prokofiev "Autobiography": p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tale Of The Stone Flower (Prokofiev)
''The Tale of the Stone Flower'', Op. 118 (), is Sergei Prokofiev's eighth and last ballet, written between 1948 and 1953. It is based on the Russian Ural folk tale '' The Stone Flower'' by Pavel Bazhov and is also the last of the trilogy of ballets Prokofiev wrote in the Russian ballet tradition. It was premiered posthumously in 1954, conducted by Yuri Fayer. Numbers ;Prologue: ::1 The Mistress of the Copper Mountain ::2 Danila and his work ;Act I: :Scene 1 ::3 Danila in search of the flower ::4 Danila meets some fellow villagers ::5 Scene and Duet of Katerina and Danila ::6 Interlude :Scene 2 ::7 Round Dance ::8 Katerina dances with her friends ::9 The Peasant Girls' Dance ::10 Danila's and Katerina's Dance ::11 The unmarried men's dance ::12 Severyan's Dance ::13 Altercation over the malachite vase ::14 Scene of Katerina and Danila ::15 Danila's Meditation :Scene 3 ::16 Danila e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinderella (Prokofiev)
''Cinderella'' (russian: Золушка, tr. ''Zolushka''; french: Cendrillon) Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944. Part way through writing it Prokofiev broke off to write his opera ''War and Peace''. The premiere of ''Cinderella'' was conducted by Yuri Fayer on 21 November, 1945, at the Bolshoi Theatre, with choreography by Rostislav Zakharov and Galina Ulanova in the title role. ''Cinderella'' is notable for its jubilant music, lush scenery, and for the comic double-roles of the stepmother and the two stepsisters (which can be performed in travesti), more mad than bad in this treatment. Story Act I Cinderella, a young woman whose domineering stepmother forces her to act as a servant in her own home, helps her stepmother and two stepsisters to prepare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Montagues And Capulets
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
On The Dnieper
''On the Dnieper (На Днепре)'', Op. 51, is a ballet in two scenes with prelude and epilogue by Sergei Prokofiev. Composed in 1931 as his fourth work in the genre, it resulted from a commission by the Ballet de l'Opéra National de Paris after the unexpected death in 1929 of Ballets Russes choreographer Sergei Diaghilev and after the success of ''The Prodigal Son''. The premiere took place in 1932; a year later Prokofiev extracted an orchestral suite from the work, Op. 51 bis, using six of its twelve movements. Background Sergei Diaghilev, the impresario who had led Ballets Russes to distinguished success, died suddenly in 1929, hence ending Prokofiev's collaboration with the troupe. ( ''The Prodigal Son'' was the last such collaboration.) Seeing the success of the work, the Paris Opéra commissioned Prokofiev to write another ballet. Serge Lifar, formerly a close associate with Diaghilev, was responsible for creating the setting and choreography. However, he did not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Prodigal Son (ballet)
''Prodigal Son'', or ''Le Fils prodigue'', Op. 46 (russian: Блудный сын) is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29). The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return. Susan Au writes in ''Ballet and Modern Dance'' that the ballet was the last of the Diaghilev era, choreographed the year the great impresario died. She continues: "Adapted from the biblical story, it opens with the prodigal's rebellious departure from home and his seduction by the beautiful but treacherous siren, whose followers rob him. Wretched and remorseful, he drags himself back to his forgiving father." History Serge Lifar created the role.Villella, E., "Prodigal Son," University of Pittsburgh Press, 1998, p. 80. , The premiere took place on Tuesday, 21 May 1929 at the Théâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Sergei Prokofiev
This is a list of musical compositions by the 20th-century Russian composer Sergei Prokofiev. By genre Operas *'' The Giant'' (1900) *'' On Desert Islands'' (1900; unfinished) *''A Feast in Time of Plague'' (1903, rev. 1908–09; unfinished) *''Undina'' (1904–07) *'' Maddalena'', Op. 13 (1911–13; unfinished) *'' Igrok'' ''(The Gambler)'', Op. 24 (1915–16, rev. 1927); after Fyodor Dostoevsky *''The Love for Three Oranges'', Op. 33 (1919) *'' The Fiery Angel'', Op. 37 (1919–27) *''Semyon Kotko'', Op. 81 (1939) *''Betrothal in a Monastery'', Op. 86 (1940–41) *'' War and Peace'', Op. 91 (1941–52); after Leo Tolstoy *'' Khan Buzay'' (1942; unfinished) *''The Story of a Real Man'', Op. 117 (1947–48) *'' Distant Seas'' (1948; unfinished) Ballets * '' Ala i Lolli'', Op. 20 (1914–15), mostly incorporated into '' Scythian Suite'' (see below) * ''Chout / The Tale of the Buffoon'', Op. 21 (1915, rev. 1920) * '' Trapeze'', Op. 39 (1924), mostly incorporated into Quintet, Op. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintet (Prokofiev)
Sergei Prokofiev's Quintet in G minor, Op. 39 is a piece of chamber music for oboe, clarinet, violin, viola and double bass, written in 1924. The quintet, closely related to Prokofiev's ballet, '' Trapèze'', contains six movements and lasts 20–25 minutes. Background In 1924, when Prokofiev was staying in Paris, a travelling troupe commissioned a chamber ballet from him. However, the ensemble that provided music accompaniment to the troupe only contained five members. This provided Prokofiev an opportunity to write more chamber music. His most recent chamber piece had been the ''Overture on Hebrew Themes'', Op. 34 (1919). Later, Prokofiev incorporated the ballet music into two pieces: Quintet, Op. 39 (1924) and Divertissement Op. 43 (1925–29). Movements #Tema con variazioni # Andante energico # Allegro sostenuto, ma con brio # Adagio pesante # Allegro precipitato, ma non troppo presto # Andantino The related ballet, '' Trapèze'', reconstructed in 2002, is in five movements: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
