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Cinema Of Mexico
Mexican cinema dates to the late nineteenth century during the rule of President Porfirio Díaz. Seeing a demonstration of short films in 1896, Díaz immediately saw the importance of documenting his presidency in order to present an ideal image of it. With the outbreak of the Mexican Revolution in 1910, Mexican and foreign makers of silent films seized the opportunity to document its leaders and events. From 1915 onward, Mexican cinema focused on narrative film. During the Golden Age of Mexican cinema from 1936 to 1956, Mexico all but dominated the Latin American film industry. The Guadalajara International Film Festival is the most prestigious Latin American film festival and is held annually In Guadalajara, Mexico. Mexico has twice won the highest honor at the Cannes Film Festival, having won the ''Grand Prix du Festival International du Film'' for '' María Candelaria'' in 1946 and the Palme d'Or in 1961 for '' Viridiana'', more than any other Latin American nation. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porfirio Díaz
José de la Cruz Porfirio Díaz Mori ( or ; ; 15 September 1830 – 2 July 1915), known as Porfirio Díaz, was a Mexican general and politician who served seven terms as President of Mexico, a total of 31 years, from 28 November 1876 to 6 December 1876, 17 February 1877 to 1 December 1880 and from 1 December 1884 to 25 May 1911. The entire period from 1876 to 1911 is often referred to as Porfiriato and has been characterized as a ''de facto'' dictatorship. A veteran of the War of the Reform (1858–1860) and the French intervention in Mexico (1862–1867), Díaz rose to the rank of general, leading republican troops against the French-backed rule of Maximilian I. He subsequently revolted against presidents Benito Juárez and Sebastián Lerdo de Tejada on the principle of no re-election. Díaz succeeded in seizing power, ousting Lerdo in a coup in 1876, with the help of his political supporters, and was elected in 1877. In 1880, he stepped down and his political ally Manu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedric Gibbons
Austin Cedric Gibbons (March 23, 1890 – July 26, 1960) was an Irish-American art director for the film industry. He also made a significant contribution to motion picture theater architecture from the 1930s to 1950s. Gibbons designed the Oscar statuette in 1928, but tasked the sculpting to George Stanley, a Los Angeles artist. He was nominated 39 times for the Academy Award for Best Production Design and won the Oscar 11 times, both of which are records. Early life Cedric Gibbons was born in Ireland in 1890 to Irish architect Austin P. Gibbons and American Veronica Fitzpatrick Simmons. The family moved to Manhattan after the birth of their third child. Cedric studied at the Art Students League of New York in 1911. He began working in his father's office as a junior draftsman, then in the art department at Edison Studios under Hugo Ballin in New Jersey in 1915. He was drafted and served in the US Navy Reserves during World War I at Pelham Bay in New York. Career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillermo Becerril
Guillermo () is the Spanish form of the male given name William. The name is also commonly shortened to 'Guille' or, in Latin America, to nickname 'Memo'. People *Guillermo Amor (born 1967), Spanish football manager and former player *Guillermo Arévalo (born 1952), a Shipibo shaman and ''curandero'' (healer) of the Peruvian Amazon; among the Shipibo he is known as Kestenbetsa *Guillermo Barros Schelotto (born 1973), Argentine former football player *Guillermo Bermejo (born 1975), Peruvian politician * Guillermo C. Blest (1800–1884), Anglo-Irish physician settled in Chile * Guillermo Cañas, Argentine tennis player *Guillermo Chong, Chilean geologist *Guillermo Coria, another Argentine tennis player *Guillermo Dávila, Venezuelan actor and singer * Guillermo Díaz (actor) (born 1975), American actor of Cuban descent *Guillermo Diaz (basketball), Puerto Rican basketball player for the Los Angeles Clippers *Guillermo del Toro, Mexican filmmaker, screenwriter, producer, author, actor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro De Los Insurgentes
Teatro de los Insurgentes ( en, Theater of the Insurgents) is a theater located on Mexico City's Avenida de los Insurgentes. It was built by José María Dávila in 1953 as part of President Miguel Alemán's program of urban renewal. Dávila commissioned muralist Diego Rivera to paint ''La historia del teatro'', a visual history of the theatre in Mexico on the building's façade. The Marxist artist placed the character of Cantinflas in the center of the mural in the form of a Robin Hood figure, distributing the wealth of the rich to the poor. The theater's inaugural performance was Cantinflas' elaborate return to the stage after considerable success in films. The work, ''Yo, Colón'', placed Cantinflas in the role of the Paseo de la Reforma statue of Christopher Columbus, who came to life and made candid "discoveries" about contemporary Mexican society. It hosted the weightlifting competitions for the 1968 Summer Olympics. American Latin rock band Santana played here on Sept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arrivée D'un Train En Gare De La Ciotat
''L'arrivée d'un train en gare de La Ciotat'' (translated from French into English as ''The Arrival of a Train at La Ciotat Station'', ''Arrival of a Train at La Ciotat'' (US) and ''The Arrival of the Mail Train'', and in the United Kingdom as ''Train Pulling into a Station'') is an 1895 French short documentary film directed and produced by Auguste and Louis Lumière. Contrary to myth, it was not shown at the Lumières' first public film screening on 28 December 1895 in Paris, France: the programme of ten films shown that day makes no mention of it. Its first public showing took place in January 1896. It is indexed as Lumière No. 653. Synopsis This 50-second silent film shows the entry of a train pulled by a steam locomotive into the gare de La Ciotat, the train station of the French southern coastal town of La Ciotat, near Marseille. Like most of the early Lumière films, ''L'arrivée d'un train en gare de La Ciotat'' consists of a single, unedited view illustrating an asp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madero Street
Francisco I. Madero Avenue, commonly known as simply Madero Street, is a geographically and historically significant pedestrian street of Mexico City and a major thoroughfare of the historic city center. It has an east–west orientation from Zócalo to the Eje Central. From that point the street is called Avenida Juárez and becomes accessible to one-way traffic from one of the city's main boulevards, the Paseo de la Reforma. It was named in honour of one of the most important figures in the Mexican Revolution – Francisco I. Madero, a leader of the Anti-Re-election Movement and who was briefly President of Mexico before his assassination in 1913. Description This street has always been one of the most popular and busiest roads since colonial times and was designed by Spaniard Alonso Garcia Bravo. It was one of the first streets to be drawn of the new Spanish city on the ruins of the Aztec capital Tenochtitlan. In the nineteenth century, Madero was already one of the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapultepec Castle
Chapultepec Castle ( es, Castillo de Chapultepec) is located on top of Chapultepec Hill in Mexico City's Chapultepec park. The name ''Chapultepec'' is the Nahuatl word ''chapoltepēc'' which means "on the hill of the grasshopper". The castle has such unparalleled views and terraces that explorer James F. Elton wrote they “can't be surpassed in beauty in any part of the world." It is located at the entrance to Chapultepec Park at a height of 2,325 meters above sea level. The site of the hill was a sacred place for Aztecs, and the buildings atop it have served several purposes during its history, including those of Military Academy, Imperial residence, Presidential residence, observatory, and since the 1940s, the National Museum of History. Chapultepec Castle, along with Iturbide Palace, also in Mexico City, are the only royal palaces in North America which were inhabited by monarchs. It was built during the Viceroyalty of New Spain as a summer house for the highest colonial ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvador Toscano C 1921
Salvador, meaning "salvation" (or "saviour") in Catalan, Spanish, and Portuguese may refer to: * Salvador (name) Arts, entertainment, and media Music *Salvador (band), a Christian band that plays both English and Spanish music ** ''Salvador'' (Salvador album), 2000 * ''Salvador'' (Ricardo Villalobos album), 2006 * ''Salvador'' (Sega Bodega album) 2020 *"Salvador", a song by Jamie T from the 2007 album ''Panic Prevention'' Other uses in arts, entertainment, and media * ''Salvador'' (book), a 1983 book by Joan Didion * Salvador (character), a fictional character from the ''Borderlands'' video game series * ''Salvador'' (film), a 1986 motion picture about the Salvadoran civil war of the 1980s *''Salvador (Puig Antich)'', a 2006 Spanish film about Salvador Puig Antich * "Salvador" (short story), a 1984 science fiction short story by Lucius Shepard Places El Salvador * El Salvador, a Central American country ** San Salvador, the capital of El Salvador Philippines * El Salvador, Mis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized Sound recording and reproduction, recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of intertitle, title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a piano, pianist, theatre organ, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or musical improvisation, improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Veyre
Gabriel Veyre was an early film director and photographer born in France, but mainly known for his work in Mexico, Indochina and Morocco. Biography Veyre graduated in pharmacy from Lyon University. In 1896, he traveled along with Claude Ferdinand Bon Bernard to Latin America, in order to show the early films made by the Lumière Brothers and to exploit the cinematograph. Between 1896 and 1897, he directed and produced 35 films in Mexico, with Von Bernard as the camera operator. Many of those films feature the Mexican president Porfirio Díaz in daily activities. After leaving Mexico, he continued touring Canada, Japan, China and Indochina. His films and autochromes were presented in Paris in the 1900 Exposition Universelle. He continued his work in Morocco where he also worked as a correspondent for '' L'Illustration''. He published the book ''Dans l'intimité du Sultan'' in 1905. Veyre remained in Casablanca until his death in 1936. Some of his work is preserved at the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Lumière
Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) was a French engineer, industrialist, biologist, and illusionist. During 1894–1895, he and his brother Louis invented an animated photographic camera and projection device, the cinematograph, which met with worldwide success. Lumière was born in Besançon. He attended the Martinière Technical School and worked as a manager at the photographic company of his father, Claude-Antoine Lumière. He was invited to attend a demonstration of the Kinetoscope invented by Thomas Edison, which inspired his and his brother's work on the cinematograph. The brothers screened their first film using this device in December 1895, and following the success of this initial venture opened a number of cinemas worldwide. However, Auguste was skeptical of the potential of the device, remarking "My invention can be exploited... as a scientific curiosity, but apart from that it has no commercial value whatsoever". After h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematographe
Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière). History A device by this name was invented and patented as the "Cinématographe Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Abel, Richard. Encyclopedia of Early Cinema. 1st ed. London: Routledge, 2004. Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name. In 1895, they applied it to a device that was mostly their own invention. The Lumière brothers made their first film, ''Workers Leaving the Lumière Factory'' (''Sortie de l'usine Lumière de Lyon''), that same year. The first commercial, public screening of cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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