Chronotope
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Chronotope
In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse. The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature. The term itself comes from the Russian , which in turn is derived from the Greek ' ('time') and ' ('space'); it thus can be literally translated as "time-space." Bakhtin developed the term in his 1937 essay "Forms of Time and of the Chronotope in the Novel" («»). Here Bakhtin showed how different literary genres operated with different configurations of time and space, which gave each genre its particular narrative character. Overview For Bakhtin, chronotope is the conduit through which meaning enters the logosphere. Genre is rooted in how one perceives the flow of events and its representation of particular worldviews or ideologies. Bakhtin scholars Caryl Emerson and Michael Holquist s ...
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Chronotope And Heteroglossia
In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse. The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature. The term itself comes from the Russian , which in turn is derived from the Greek ' ('time') and ' ('space'); it thus can be literally translated as "time-space." Bakhtin developed the term in his 1937 essay "Forms of Time and of the Chronotope in the Novel" («»). Here Bakhtin showed how different literary genres operated with different configurations of time and space, which gave each genre its particular narrative character. Overview For Bakhtin, chronotope is the conduit through which meaning enters the logosphere. Genre is rooted in how one perceives the flow of events and its representation of particular worldviews or ideologies. Bakhtin scholars Caryl Emerson and Michael Holquist s ...
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Logosphere
Logosphere (Greek from logos / nous) (coined by Mikhail Bakhtin) is an adaptation of the concepts biosphere and noosphere: ''logosphere'' is derived from the interpretation of words' meanings, conceptualized through an abstract sphere. Overview The ''logosphere'' is not active like Vernadsky’s ''noosphere'', but still occupies a type of four-dimensional space. The chronotope is the conduit through which meaning enters the logosphere. Mikhail Bakhtin's ''chronotope'', or ''time-space'' (deterministic) makes outside-the-logosphere ( unintelligible) information relevant to the logosphere through narrative structure. Time takes on a protagonist's 'flesh'. Logosphere applications Technological conceptualizations The term was later taken up by virtual reality enthusiasts to describe the logical universe. Telecommunications The logosphere, in decades past, has been used in reference to the new world of communication created by the invention of the radio. French philosopher Gast ...
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Logosphere
Logosphere (Greek from logos / nous) (coined by Mikhail Bakhtin) is an adaptation of the concepts biosphere and noosphere: ''logosphere'' is derived from the interpretation of words' meanings, conceptualized through an abstract sphere. Overview The ''logosphere'' is not active like Vernadsky’s ''noosphere'', but still occupies a type of four-dimensional space. The chronotope is the conduit through which meaning enters the logosphere. Mikhail Bakhtin's ''chronotope'', or ''time-space'' (deterministic) makes outside-the-logosphere ( unintelligible) information relevant to the logosphere through narrative structure. Time takes on a protagonist's 'flesh'. Logosphere applications Technological conceptualizations The term was later taken up by virtual reality enthusiasts to describe the logical universe. Telecommunications The logosphere, in decades past, has been used in reference to the new world of communication created by the invention of the radio. French philosopher Gast ...
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The Dialogic Imagination
''The Dialogic Imagination'' (full title: ''The Dialogic Imagination: Four Essays by M. M. Bakhtin'') is a book on the nature and development of novelistic prose, comprising four essays by the twentieth century Russian philosopher and literary theorist Mikhail Bakhtin. It was edited and translated into English by Michael Holquist and Caryl Emerson, who gave the work its English title. Holquist and Emerson chose the essays from a collection of six essays by Bakhtin published in Moscow under the title Вопросы литературы и естетиҡи (''Voprosy literatury i estetiki''; Problems of Literature and Aesthetics). According to Holquist, the unifying theme of the essays is "the novel and its relation to language." The title refers to the central place of the concept of dialogue in Bakhtin's theory of the novel. The novel, unlike other literary forms, embraces heterogeneity in discourse and meaning: it re-creates a reality that is based on the interactions of a variety o ...
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Mikhail Bakhtin
Mikhail Mikhailovich Bakhtin ( ; rus, Михаи́л Миха́йлович Бахти́н, , mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin; – 7 March 1975) was a Russian philosopher, literary critic and scholar who worked on literary theory, ethics, and the philosophy of language. His writings, on a variety of subjects, inspired scholars working in a number of different traditions (Marxism, semiotics, structuralism, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology. Although Bakhtin was active in the debates on aesthetics and literature that took place in the Soviet Union in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s. Early life Bakhtin was born in Oryol, Russia, to an old family of the nobility. His father was the manager of a bank and worked in several cities. For this reason Bakhtin spent his early childhood ...
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Literary Theory
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Culler 1997, p.1 Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social prophecy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Searle, John. (1990)"The Storm Over the University" ''The New York Review of Books'', December 6, 1990. Consequently, the word ''theory'' became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy. History The practice of literary theory became a profession in the 20th century, but it has historical roots that run as far back as ancient Greece (Aristotle's '' Poetics'' is an often cited early ...
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Keith Basso
Keith Hamilton Basso (March 15, 1940 – August 4, 2013) was a cultural and linguistic anthropologist noted for his study of the Western Apaches, specifically those from the community of Cibecue, Arizona. Basso was professor emeritus of anthropology at the University of New Mexico and earlier taught at the University of Arizona and Yale University. After first studying Apache culture in 1959, Basso completed a bachelor's degree at Harvard University (B.A., 1962) and then took the doctorate at Stanford University (Ph.D., 1967). He was the son of novelist Hamilton Basso. A classic contribution to ethnopoetics and the ethnography of speaking, Basso's 1979 book ''Portraits of the Whiteman'' examines complex cultural and political significance of jokes as a form of verbal art. Basso was awarded the Victor Turner Prize for Ethnographic Writing in 1997 for his ethnography, ''Wisdom Sits in Places: Landscape and Language Among the Western Apache''. The work was also the 1996 Western St ...
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Time In Linguistics
Time is the continued sequence of existence and events that occurs in an apparently irreversible succession from the past, through the present, into the future. It is a component quantity of various measurements used to sequence events, to compare the duration of events or the intervals between them, and to quantify rates of change of quantities in material reality or in the conscious experience. Time is often referred to as a fourth dimension, along with three spatial dimensions. Time has long been an important subject of study in religion, philosophy, and science, but defining it in a manner applicable to all fields without circularity has consistently eluded scholars. Nevertheless, diverse fields such as business, industry, sports, the sciences, and the performing arts all incorporate some notion of time into their respective measuring systems. 108 pages. Time in physics is operationally defined as "what a clock reads". The physical nature of time is addr ...
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Philosophy Of Language
In analytic philosophy, philosophy of language investigates the nature of language and the relations between language, language users, and the world. Investigations may include inquiry into the nature of meaning, intentionality, reference, the constitution of sentences, concepts, learning, and thought. Gottlob Frege and Bertrand Russell were pivotal figures in analytic philosophy's "linguistic turn". These writers were followed by Ludwig Wittgenstein ('' Tractatus Logico-Philosophicus''), the Vienna Circle, logical positivists, and Willard Van Orman Quine. In continental philosophy, language is not studied as a separate discipline. Rather, it is an inextricable part of many other areas of thought, such as phenomenology, structural semiotics, language of mathematics, hermeneutics, existentialism, deconstruction and critical theory. History Ancient philosophy In the West, inquiry into language stretches back to the 5th century BC with Socrates, Plato, Aristotl ...
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Literary Theory
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Culler 1997, p.1 Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social prophecy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Searle, John. (1990)"The Storm Over the University" ''The New York Review of Books'', December 6, 1990. Consequently, the word ''theory'' became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of semiotics, cultural studies, philosophy of language, and continental philosophy. History The practice of literary theory became a profession in the 20th century, but it has historical roots that run as far back as ancient Greece (Aristotle's '' Poetics'' is an often cited early ...
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Four Essays By M
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other han ...
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Peter Renshaw
Peter Renshaw (born 1936) is a British creative learning consultant and researcher with a special interest in institutional change and lifelong learning. Biography Peter Renshaw was lecturer in Philosophy of Education at the University of Leeds Institute of Education (1970–75) and Principal of the Yehudi Menuhin School (1975–84). He became the Head of Research and Development at the Guildhall School of Music and Drama in 1984, a position which he held until his retirement in 2001. During his time at Guildhall, together with Peter Wiegold, Renshaw created a masters' programme in music performance and communication skills at the school, which is now known as the Masters in Leadership. He was also the Gresham Professor of Music between 1986 and 1993, and a moderator for ''Sound Links'', an EU Socrates project on cultural diversity in music education. In 2006, he became a mentor at the Practitioner Development Programme at The Sage Gateshead in North East England. He is a b ...
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