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Chronica Albeldensia
The ''Codex Vigilanus'' or ''Codex Albeldensis'' (Spanish: ''Códice Vigilano'' or ''Albeldense'') is an illuminated compilation of various historical documents accounting for a period extending from antiquity to the 10th century in Hispania. Among the many texts brought together by the compilers are the canons of the Visigothic Councils of Toledo, the ''Liber Iudiciorum'', the decrees of some early popes and other patristic writings, historical narratives (such as the ''Crónica Albeldense'' and the '' Life of Mohammed''), various other pieces of civil and canon law, and a calendar. It is now in the library of El Escorial monastery, with the shelfmark D.I.2. The compilers were three monks of the Riojan monastery of San Martín de Albelda: Vigila, after whom it was named and who was the illustrator; Serracino, his friend; and García, his disciple. The first compilation was finished in 881, but was updated up to 976. The original manuscript is preserved in the library of El ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scribes Codex Vigilanus
A scribe is a person who serves as a professional copyist, especially one who made copies of manuscripts before the invention of automatic printing. The profession of the scribe, previously widespread across cultures, lost most of its prominence and status with the advent of the printing press. The work of scribes can involve copying manuscripts and other texts as well as secretarial and administrative duties such as the taking of dictation and keeping of business, judicial, and historical records for kings, nobles, temples, and cities. The profession has developed into public servants, journalists, accountants, bookkeepers, typists, and lawyers. In societies with low literacy rates, street-corner letter-writers (and readers) may still be found providing scribe service. Ancient Egypt One of the most important professionals in ancient Egypt was a person educated in the arts of writing (both hieroglyphics and hieratic scripts, as well as the demotic script from the sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reccesuinth
Recceswinth (died 1 September 672) was the Visigothic King of Hispania, and Septimania in 649–672. He ruled jointly with his father Chindaswinth until his father's death in 653. Name His Gothic name is believed to have been *𐍂𐌰𐌹𐌺𐌰𐍃𐍅𐌹𐌽𐌸𐍃 (*''Raikaswinþs''), from the roots ''reiks'' ("king") and ''swinþs'' ("strong"). His votive crown used the Latin spelling . Other Latin spellings include ''Recceswinthus'', ''Recesvindus''. In English his name is also spelled ''Reccesuinth'', ''Recceswint'', ''Reccaswinth''; Spanish ''Recesvinto''; Portuguese ''Recesvindo''; German ''Rekkeswint''; French ''Réceswinthe''. Reign Under Recceswinth, the Visigothic Kingdom enjoyed an unbroken peace for 19 years (653–672) — except for a brief rebellion of the Vascons, led by a noble named " Froya," an exiled Goth, who fleeing the monarch’s persecutions had settled, like many others, in Basque territory. Froya and the Vascons ravaged the lands of the Ebro V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carolingian Art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in quality of workmanship and sophistication of design. The art was produced in several centres in what are now France, Germany, Austria, northern Italy and the Low Countries, and received considerable influence, via continental mission centres, from the Insular art of the British Isles, as well as a number of Byzantine artists who appear to have been resident in Carolingian centres. There was for the first time a thoroughgoing attempt in Northern Europe to revive and emulate classical Mediterranean art forms and styles, that resulted in a blending of classical and Northern elements in a sumptu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozarabic
Mozarabic, also called Andalusi Romance, refers to the medieval Romance varieties spoken in the Iberian Peninsula in territories controlled by the Islamic Emirate of Córdoba and its successors. They were the common tongue for the majority of the population in Muslim Iberia initially; however, over time, these varieties receded in front of Andalusi Arabic in Al-Andalus, and, as the Reconquista progressed, merged with Spanish, Catalan and Portuguese in the Christian kingdoms. There is at least one area of Southern Iberia, the Emirate of Granada, where Mozarabic is thought to have disappeared altogether before the Christian conquest. The final disappearance of these varieties dates to around the thirteenth century. Names Although ''Mozarabic'' is today used as an umbrella term for any Romance variety spoken in medieval Al-Andalus—whether in modern day Portugal or Spain—its speakers would not have referred to it that way. They instead called it ''Latinus'' (and derivatives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visigothic Art
The Visigoths entered Hispania (modern Spain and Portugal) in 415 and they rose to be the dominant people there until the Umayyad conquest of Hispania of 711 brought their kingdom to an end. This period in Iberian art is dominated by their style. Visigothic art is generally considered in the English-speaking world to be a strain of Migration art, while the Portuguese- and Spanish-speaking worlds generally classify it as Pre-Romanesque. Branches of Visigothic art include their architecture, crafts (especially jewellery), and their script. Visigothic architecture The only remaining examples of Visigothic architecture from the 6th century are the church of San Cugat del Vallés in Barcelona, the hermitage and church of Santa Maria de Lara in Burgos, Saint Frutuoso Chapel in Braga, the church of São Gião in Nazaré and the few remnants of the church at Cabeza de Griego in Cuenca. However, their style developed over the next centuries, though the prime remaining exampl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabs
The Arabs (singular: Arab; singular ar, عَرَبِيٌّ, DIN 31635: , , plural ar, عَرَب, DIN 31635: , Arabic pronunciation: ), also known as the Arab people, are an ethnic group mainly inhabiting the Arab world in Western Asia, North Africa, the Horn of Africa, and the western Indian Ocean islands (including the Comoros). An Arab diaspora is also present around the world in significant numbers, most notably in the Americas, Western Europe, Turkey, Indonesia, and Iran. In modern usage, the term "Arab" tends to refer to those who both carry that ethnic identity and speak Arabic as their native language. This contrasts with the narrower traditional definition, which refers to the descendants of the tribes of Arabia. The religion of Islam was developed in Arabia, and Classical Arabic serves as the language of Islamic literature. 93 percent of Arabs are Muslims (the remainder consisted mostly of Arab Christians), while Arab Muslims are only 20 percent of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Europe
Western Europe is the western region of Europe. The region's countries and territories vary depending on context. The concept of "the West" appeared in Europe in juxtaposition to "the East" and originally applied to the ancient Mediterranean world, the Roman Empire (Western Roman Empire and Eastern Roman Empire), and medieval " Christendom" (Western Christianity and Eastern Christianity). Beginning with the Renaissance and the Age of Discovery, roughly from the 15th century, the concept of ''Europe'' as "the West" slowly became distinguished from and eventually replaced the dominant use of "Christendom" as the preferred endonym within the region. By the Age of Enlightenment and the Industrial Revolution, the concepts of " Eastern Europe" and "Western Europe" were more regularly used. Historical divisions Classical antiquity and medieval origins Prior to the Roman conquest, a large part of Western Europe had adopted the newly developed La Tène culture. As the Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Numerals
Arabic numerals are the ten numerical digits: , , , , , , , , and . They are the most commonly used symbols to write decimal numbers. They are also used for writing numbers in other systems such as octal, and for writing identifiers such as computer symbols, trademarks, or license plates. The term often implies a decimal number, in particular when contrasted with Roman numerals. They are also called Western Arabic numerals, Ghubār numerals, Hindu-Arabic numerals, Western digits, Latin digits, or European digits. The '' Oxford English Dictionary'' differentiates them with the fully capitalized ''Arabic Numerals'' to refer to the Eastern digits. The term numbers or numerals or digits often implies only these symbols, however this can only be inferred from context. It was in the Algerian city of Béjaïa that the Italian scholar Fibonacci first encountered the numerals; his work was crucial in making them known throughout Europe. European trade, books, and colonialism he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Of Viguera
The Kingdom of Viguera (Basque: ''Viguerako Erresuma'') was a small ephemeral subsidiary kingdom centered on the town of Viguera from 970 into the early 11th century. The kingdom was created by King García Sánchez I of Pamplona for the eldest son of his second marriage, Ramiro Garcés, who became the first king of Viguera. He was succeeded by two sons who ruled jointly, but on the death of the survivor of the two, sometime between 1005 and 1030, Viguera was reabsorbed into the main Pamplona kingdom. The kingdom was carved out of the south of the Kingdom of Pamplona. Its territory encompassed the valleys of the Iregua and Leza rivers in the heartland of the present-day Rioja. It probably also included Meltria. It was an artificial creation, lacking ethnic or geographical distinctness. The kings of Viguera were always subject to their superiors ruling in Pamplona. After 1005, the territory ceased to be a separate kingdom and became just another tenancy of the crown. In the y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramiro Garcés Of Viguera
Ramiro Garcés (Basque: ''Ramiro Gartzia''; died 9 July 981) was the first King of Viguera, since the establishment of the kingdom in 970 until his death in 981. He was the eldest son of García Sánchez I of Pamplona with his second wife, Teresa of León. It is suggested that while Teresa pushed for the disinheritance of García's eldest son Sancho II of Pamplona in favour of Ramiro, García compromised and willed the region of Viguera to Ramiro with the title of king. Ramiro was a ''subregulus'' and vassal of his brother. In 975 he tried to raid neighbouring Muslim territory, but was defeated in the Battle of Estercuel on 6 July. The precise date of his death is not recorded. A surviving document dated 981 reports that he had already died. Arabic sources report that he died in the Battle of Torrevicente in 981, where he and García Fernández of Castile fought Almanzur in support of Cordoban rebel Galib. He had two known children, Sancho The name Sancho is an Iberian name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urraca Fernández
Urraca Fernández (died 1007) was queen of León and Navarre as the wife of two kings of León and one king of Navarre between 951 and 994. She acted as regent for her son Gonzalo in the County of Aragon in circa 996-997, and served as co-regent of the Kingdom of Navarre, along with her daughter-in-law Jimena Fernández and the bishops of Navarre, during the minor regency of her grandson Sancho III in circa 1004-1010. Life She was ''infanta'' of Castile and daughter of Count Fernán González and queen Sancha Sánchez of Pamplona. She was first married by her father to Ordoño III of León in 951. By him she had one child: *Bermudo II of León, whose maternity is subject to scholarly debateAlfonso Ceballos-Escalera (p. 159 de su obra Reyes de León: Ordoño III (951–956), Sancho I (956–966), Ordoño IV (958–959), Ramiro III (966–985), Vermudo II (982–999), editorial La Olmeda, Burgos, 2000 ) In 958, after Ordoño's death, she was remarried to Ordoño IV. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
