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Cha-cha-chá (music)
Cha-cha-chá () is a genre of Cuban music. It has been a popular dance music which developed from the Danzón-mambo in the early 1950s, and became widely popular throughout the entire world. Origin The creation of cha-cha-chá has been traditionally attributed to Cuban composer and violinist Enrique Jorrín, who began his career playing for the charanga band Orquesta América. According to the testimony of Enrique Jorrín, he composed some '' danzones'' in which musicians of the orchestra had to sing short refrains, and this style was very successful. In the danzón "Constancia", he introduced some montunos and the audience was motivated to join in singing the refrains. Jorrín also asked the members of the orchestra to sing in unison so the lyrics might be heard more clearly and achieve a greater impact in the audience. That way of singing also helped to mask the poor singing skills of the orchestra members. In 1948, Jorrín changed the style of a Mexican song by Gut ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-Cha Dance Pattern
Cha-Cha, Cha Cha, ChaCha or Chacha may refer to: Music * Cha-cha-cha (dance), a dance of Cuban origin * Cha-cha-cha (music), a genre of Cuban music * ''Cha Cha'' (album), a 1978 album by Herman Brood & His Wild Romance * ''Cha Cha'' (soundtrack), the soundtrack for the 1979 film * "Cha Cha" (song), a 2006 song by Latin artist, Chelo *"Cha Cha Slide", a 2000 dance song by DJ Casper *Cha Cha Cohen, 1990s band name People *Jawaharlal Nehru (1889–1964), also known as Chacha Nehru or Chacha Pandit *Yodo-dono (1569–1615), also known as Lady Chacha, a concubine of Hideyoshi Toyotomi *Shirley Muldowney (born June 19, 1940), former top fuel drag racer often referred to by the nickname "Cha Cha" * Chacha Cricket (born 1949), famous Pakistani cricket fan, literally "Uncle Cricket" *Cha Cha (rapper), American rapper * Chacha Cañete (born 2004), Filipino actress *Cha Cha Namdar (born 1956), nickname of Asghar Shadin Namdar, Iranian-American soccer player * Cha Cha Malone (born 1987), nick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monodic
In music, monody refers to a solo vocal style distinguished by having a single melodic line and instrumental accompaniment. Although such music is found in various cultures throughout history, the term is specifically applied to Italian song of the early 17th century, particularly the period from about 1600 to 1640. The term is used both for the style and for individual songs (so one can speak both of monody as a whole as well as a particular monody). The term itself is a recent invention of scholars. No composer of the 17th century ever called a piece a monody. Compositions in monodic form might be called madrigals, motets, or even concertos (in the earlier sense of "concertato", meaning "with instruments"). In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death. (In the context of ancient Greek literature, monody, , could simply refer to lyric poetry sung by a single performer, rather than by a chorus.) History Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha
Cha cha cha may refer to: * ''Cha-cha-chá'' (music), a style of Cuban dance music * Cha-cha-cha (dance), a Latin American dance accompanying the music Film and television * ''Cha Cha Cha'' (film), a 2013 Italian crime film * ''Cha Cha Cha'' (1964 film), a 1964 Indian film * ''Cha Cha Cha'' (TV series), a TV show from Argentina * Cha Cha Cha Films, a film production company Music * ''Cha Cha Cha'' (album), a 1995 album by EMF * ''Cha Cha Cha'', 1955 album by Monchito and the Mambo Royals * ''Cha Cha Cha'', 1982 album by Anne Linnet Band * ''Cha Cha Cha'', 1977 album by Irwin Goodman * ''Cha Cha Cha'', 2014 album by Abelardo Barroso * "Cha Cha Cha" (MC Lyte song), 1989 * "Cha Cha Cha" (Käärijä song), 2023, the Finnish entry in the Eurovision Song Contest 2023 * "The Bear Cha Cha Cha", a song from Bear in the Big Blue House * "The Cha-Cha-Cha", a 1962 song by Bobby Rydell * "Cha Cha Cha", by The Little Ones, 2006 Other * Cha Cha Cha Township, a shopping centre in rural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Pacheco
Juan Pablo Knipping Pacheco (25 March 1935 – 15 February 2021), known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer who in the 1970s became one of the leading exponents of salsa as well in the late 1950s called the pachanga, a blend of Cuban rhythms and Dominican merengue, which propelled him to worldwide fame and had an important role in the evolution of Latin music. As the founder and musical director of Fania Records, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s. He popularized the use of the term "salsa" and established the Fania All-Stars to showcase the leading artists of the genre. Pacheco was a nine-time Grammy nominee and was awarded the Latin Grammy Lifetime Achievement Award by the Latin Recording Academy in 2005. Early life and family Juan Pablo Pacheco Knipping was born on 25 March 1935 in Santiago de los Caballeros, a city in the Dominican Republic. He inherited his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Fajardo (musician)
José Antonio Fajardo (October 18, 1919 – December 11, 2001) was a Cuban charanga bandleader and flautist, who played the traditional five-keyed wooden flute. Born in Pinar del Río, Cuba, Fajardo after performing with the band of Antonio María Romeu, formed his own charanga band in 1949. Fajardo died in December 2001, at the age of 82. References 1919 births 2001 deaths Cuban bandleaders Cuban flautists Cuban composers Male composers Mambo musicians Cha-cha-cha musicians Danzón musicians People from Pinar del Río Cuban charanga musicians Cuban male musicians 20th-century flautists {{Cuba-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orquesta Aragón
Orquesta Aragón is a Cuban musical band formed on 30 September 1939, by Orestes Aragón Cantero in Cienfuegos, Cuba. The band originally had the name ''Ritmica 39'', then ''Ritmica Aragón'' before settling on its final form. Though they did not create the ''Cha-cha-cha'', they were arguably the best charanga in Cuba during the 1950s and 1960s. Their trade-marks included high-class instrumentalists playing in tight ensemble style, and rhythmical innovations which kept their sound up to date. Over the years they progressed from their start as a danzoneria to play a wider variety of styles, danzón, then cha-cha-cha, then onda-cha, pachanga and son fusions. They still perform today, based in Havana. History Originally, the orchestra consisted of eight musicians: Orestes Aragon (double bass), Filiberto Depestre (first violin), Hilario René González (second violin) Rufino Roque (piano), Efraín Loyola (flute), Orestes Varona (timbales), Noelio Morejon (güiro) & Pablo Romay (voca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Egües
Richard Egües, nicknamed "la flauta mágica" (the magic flute), (October 26, 1923 - September 1, 2006) was a Cuban flautist and musician, one of the country's most famous artists. Egües was a member of the Orquesta Aragón band which he joined in 1955. He was also a strong supporter of the Cuban Revolution. A few days before he died, Richard Egües stated "I would give my life for him", referring to the Cuban President Fidel Castro, who was very sick at the time. Egües composed what are today classics of salsa, such as "Sabrosona", "Bombón cha", "Asi Es Mejor", "La Muela", "Gladys", "El cerquillo", "El Cuini" and his most well-known song, "El bodeguero", which became part of Nat King Cole Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued f ...'s repertoire. Egües was born in the to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Reina
Félix Rafael Herrera Altuna (May 21, 1921 – February 10, 1998), better known as Félix Reina, was a Cuban violinist, arranger, music director and composer. Since the mid-1940s, he was a member of many popular charangas, including Arcaño y sus Maravillas, Orquesta América and Fajardo y sus Estrellas. In 1959, after Fajardo went into exile, he became the leader of his orchestra, the Estrellas Cubanas, which he directed until his death. A prolific composer, his most performed danzones include "Angoa", "Los jóvenes del silencio" and "El niche". In the 1950s, he primarily wrote chachachás and his bolero "Si te contara" became a standard of the genre. Life and career Born in Trinidad, Sancti Spíritus, Cuba, Félix Reina began his musical studies with his father and with violin teacher Isidro Cintra. After playing in local orchestras for some time, he moved to Havana in 1946, joining the charanga directed by flutist José Antonio Díaz. Soon, he joined Arcaño y sus Maravillas, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son (music)
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' ( sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Cell
The 1957 ''Encyclopédie Larousse''quoted in Nattiez, Jean-Jacques (1990). ''Music and Discourse: Toward a Semiology of Music'' (''Musicologie générale et sémiologue'', 1987). Translated by Carolyn Abbate (1990). . defines a cell in music as a "small rhythmic and melodic design that can be isolated, or can make up one part of a thematic context". The cell may be distinguished from the figure or motif: the 1958 ''Encyclopédie Fasquelle'' defines a cell as "the smallest indivisible unit", unlike the motif, which may be divisible into more than one cell. "A cell can be developed, independent of its context, as a melodic fragment, it can be used as a developmental motif. It can be the source for the whole structure of the work; in that case it is called a generative cell." A rhythmic cell is a cell without melodic connotations. It may be entirely percussive or applied to different melodic segments. History The term "cell" (German: ''Keim'') derives from organic music theorists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
