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Celtic Art
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tène period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD. The Early Medieval art of Britain and Ireland, w ...
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Glauberg
The Glauberg is a Celtic oppidum in Hesse, Germany consisting of a fortified settlement and several burial mounds, "a princely seat of the late Hallstatt and early La Tène periods." Archaeological discoveries in the 1990s place the site among the most important early Celtic centres in Europe. It provides unprecedented evidence on Celtic burial, sculpture and monumental architecture. Location and topography Geologically, the Glauberg, a ridge (271 m asl) on the east edge of the Wetterau plain, is a basalt spur of the Vogelsberg range. Rising about 150 m above the surrounding areas, it is located between the rivers Nidder and Seeme and belongs to the community of Glauburg. The hilltop forms a nearly horizontal plateau of 800 by 80–200m. Its southwest promontory is known as Enzheimer Köpfchen. To the northwest, the Glauberg slopes steeply down towards the Nidder valley and, in the south, it is connected with undulating uplands. The plateau contained a small perennial pond, ...
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Edward Lhuyd
Edward Lhuyd FRS (; occasionally written Llwyd in line with modern Welsh orthography, 1660 – 30 June 1709) was a Welsh naturalist, botanist, linguist, geographer and antiquary. He is also named in a Latinate form as Eduardus Luidius. Life Lhuyd was born in 1660, in Loppington, Shropshire, England, the illegitimate son of Edward Lloyd of Llanforda, Oswestry, and Bridget Pryse of Llansantffraid, near Talybont, Cardiganshire in 1660. His family belonged to the gentry of south-west Wales. Though well-established, the family was not wealthy. His father experimented with agriculture and industry in a manner that impinged on the new science of the day. The son attended and later taught at Oswestry Grammar School and went up to Jesus College, Oxford in 1682, but dropped out before graduation. In 1684, he was appointed to assist Robert Plot, Keeper of the Ashmolean Museum (then in Broad Street), and replaced him as such in 1690, holding the post until his death in 1709. While ...
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Gauls
The Gauls ( la, Galli; grc, Γαλάται, ''Galátai'') were a group of Celtic peoples of mainland Europe in the Iron Age and the Roman period (roughly 5th century BC to 5th century AD). Their homeland was known as Gaul (''Gallia''). They spoke Gaulish, a continental Celtic language. The Gauls emerged around the 5th century BC as bearers of La Tène culture north and west of the Alps. By the 4th century BC, they were spread over much of what is now France, Belgium, Switzerland, Southern Germany, Austria, and the Czech Republic, by virtue of controlling the trade routes along the river systems of the Rhône, Seine, Rhine, and Danube. They reached the peak of their power in the 3rd century BC. During the 4th and 3rd centuries BC, the Gauls expanded into Northern Italy ( Cisalpine Gaul), leading to the Roman–Gallic wars, and into the Balkans, leading to war with the Greeks. These latter Gauls eventually settled in Anatolia, becoming known as Galatians. After the en ...
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Hallstatt Culture
The Hallstatt culture was the predominant Western and Central European culture of Late Bronze Age (Hallstatt A, Hallstatt B) from the 12th to 8th centuries BC and Early Iron Age Europe (Hallstatt C, Hallstatt D) from the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC ( Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic populations. Older assumptions of the early 20th century of Illyrians having been the bearers of especially the Eastern Hallstatt culture are indefensible and archeologically unsubstantiated. It is named for its type site, Hallstatt, a lakeside village in the Austrian Salzkammergut southeast of Salzburg, where there was a rich salt mine, and some 1,300 burials are known, many with fine artifacts. Material from Hallstatt has been classified into four periods, designated "Hallstatt A" to "D". Hallstatt A and B are regarded as Late Bronze Age and the ter ...
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Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Tattoo
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures. Tattoos may be decorative (with no specific meaning), symbolic (with a specific meaning to the wearer), or pictorial (a depiction of a specific person or item). Many tattoos serve as rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, marks of fertility, pledges of love, amulets and talismans, protection, and as punishment, like the marks of outcasts, slaves and convicts. Extensive decorative tattooing ...
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Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appar ...
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Celtic Cross
The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages. A type of ringed cross, it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelized by Irish missionaries, from the ninth through the 12th centuries. A staple of Insular art, the Celtic cross is essentially a Latin cross with a nimbus surrounding the intersection of the arms and stem. Scholars have debated its exact origins, but it is related to earlier crosses featuring rings. The form gained new popularity during the Celtic Revival of the 19th century; the name "Celtic cross" is a convention dating from that time. The shape, usually decorated with interlace and other motifs from Insular art, became popular for funerary monuments and other uses, and has remained so, spreading well beyond Ireland. Early history Ringed crosses similar to older Continental ...
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Celtic Nations
The Celtic nations are a cultural area and collection of geographical regions in Northwestern Europe where the Celtic languages and cultural traits have survived. The term ''nation'' is used in its original sense to mean a people who share a common identity and culture and are identified with a traditional territory. The six regions widely considered Celtic nations are Brittany (''Breizh''), Cornwall (''Kernow''), Ireland (''Éire''), the Isle of Man (''Mannin'', or ''Ellan Vannin''), Scotland (''Alba''), and Wales (''Cymru''). In each of the six nations a Celtic language is spoken to some extent: Brittonic languages, Brittonic or Brythonic languages are spoken in Brittany (Breton language, Breton), Cornwall (Cornish language, Cornish) and Wales (Welsh language, Welsh), whilst Goidelic languages, Goidelic or Gaelic languages are spoken in Scotland (Scottish Gaelic), Ireland (Irish language, Irish), and the Isle of Man (Manx language, Manx). Before the expansions of Ancien ...
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