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Cello Sonata No. 3 (Beethoven)
The Cello Sonata No. 3 in A major, Opus number, Op. 69, is the third of five cello sonatas by Ludwig van Beethoven. He composed it in 1807–08, during his productive Ludwig van Beethoven#The middle period, middle period. It was first performed in 1809 by cellist Nikolaus Kraft and pianist Dorothea von Ertmann, a student of Beethoven. Published by Breitkopf & Härtel the same year, it was dedicated to Freiherr Ignaz von Gleichenstein, Beethoven's friend and an amateur cellist. The Sonata#Classical period, sonata was successful with audiences from the beginning. An early print of the composition titled it "Sonata / per il / Clavicembalo con Violoncello / composta / dal Sig=r / Luigi van Beethoven". Beethoven's two early sonatas were, as usual at the time, virtuoso concert pieces for the piano, with the string instrument playing a supporting role. The third sonata has been described as the first cello sonata to give the two instruments equal importance. A model for later composition ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Fantasy (Beethoven)
The ''Fantasy'' for piano, vocal soloists, mixed chorus, and orchestra, Op. 80, usually called the ''Choral Fantasy'', was composed in 1808 by then 38-year-old Ludwig van Beethoven. Beethoven intended the ''Fantasy'' to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists, mixed chorus, an orchestra, and Beethoven himself as piano soloist. The ''Fantasy'' was designed to include all the participants in the program and thus unites all of these musical forces. The work is noted as a precursor to the later Ninth Symphony. Background, composition, and premiere The ''Fantasia'' was first performed at the ''Akademie'' of 22 December 1808, a benefit concert which also saw the premieres of the Fifth and Sixth Symphonies and the Fourth Piano Concerto as well as a performance of excerpts of the Mass in C major. To conclude this memorable concert program, Beethoven wanted a "brilliant finale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Czerny
Carl Czerny (; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His parents were of Czech origin; his mother was Moravian. His parents spoke Czech with him. Czerny came from a musical family: his grandfather was a violinist at Nymburk, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child prodigy, Czerny began pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Razumovsky Quartet
The House of Razumovsky or Rozumovsky (, Ukrainian: ''Розумовський'', German: ''Razumofsky'') is the name Imperial Russian noble family of Zaporozhian Cossack origin from Siveria. The main family line became extinct in the 19th century, while its Austrian branch exists to this day. The Austrian branch was started by Grigory Razumovsky, who was forced to relocate to the Austrian Empire in 1816, after he received the hereditary title of Prince in 1815 from Francis I, Emperor of Austria. History The family traces its origin to a khutir called Lemeshi (today a village in Chernihiv Raion, Chernihiv Oblast). Yakiv Rozum and his son Hryhoriy were registered Cossacks of the Kiev Regiment.Rozumovsky at the |
Joseph Linke
Joseph Linke (also spelled Joseph Lincke, Josef Linke; 8 June 1783 – 26 March 1837) was a cellist and composer who had a distinguished career in Vienna, as a soloist and as a member of the Schuppanzigh Quartet. He took part in the first performances of string quartets and other chamber works of Ludwig van Beethoven. Early life and career Linke was born in Trachenberg in Silesia (now Żmigród in Poland). His father, a violinist at the chapel of Prince Hatzfeld, taught him the violin. He was an orphan at the age of ten, and supported himself by copying music. In 1800 he became violinist in the Dominican convent at Breslau; he studied cello with Lose, the first cellist of the Breslau Opera House, where Carl Maria von Weber was the conductor. On Lose's departure, Linke succeeded him in the theatre orchestra. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triple Concerto (Beethoven)
Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. 56, commonly known as the ''Triple Concerto'', was composed in 1803 and published in 1804 by Breitkopf & Härtel. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than one solo instrument. A typical performance takes approximately thirty-seven minutes. History Beethoven's early biographer Anton Schindler claimed that the ''Triple Concerto'' was written for Beethoven's royal pupil, the Archduke Rudolf of Austria.Steinberg, Michael (1996), ''The Concerto: A Listener's Guide'', Oxford University Press, p. 76. The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that would be backed up by two more mature and skilled soloists. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archduke Rudolf Of Austria
Rudolph Johann Joseph Rainier, Archduke of Austria, Prince Royal of Hungary and Bohemia, Cardinal-Archbishop of Olomouc (8 January 1788 – 24 July 1831), was a member of the House of Habsburg-Lorraine, and an Austrian clergyman and noble. He was consecrated as Archbishop of Olomouc (Olmütz) in 1819 and became cardinal in the same year. Rudolph is known for his patronage of the arts, most notably as sponsor of Ludwig van Beethoven, who dedicated several of his works to him. Biography Born in the Pitti Palace in Florence, Tuscany, he was the youngest son of Emperor Leopold II and Maria Louisa of Spain. In 1803 or 1804, Rudolph began taking lessons in piano and composition from Ludwig van Beethoven. The two became friends, and Rudolph became a supporter and patron of Beethoven; their meetings continued until 1824. Beethoven dedicated 14 compositions to Rudolph, including the ''Archduke'' Trio, the ''Hammerklavier'' Sonata, the ''Emperor'' Concerto and the '' Missa Solemnis' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annuity
In investment, an annuity is a series of payments made at equal intervals.Kellison, Stephen G. (1970). ''The Theory of Interest''. Homewood, Illinois: Richard D. Irwin, Inc. p. 45 Examples of annuities are regular deposits to a savings account, monthly home mortgage payments, monthly insurance payments and pension payments. Annuities can be classified by the frequency of payment dates. The payments (deposits) may be made weekly, monthly, quarterly, yearly, or at any other regular interval of time. Annuities may be calculated by mathematical functions known as "annuity functions". An annuity which provides for payments for the remainder of a person's lifetime is a life annuity. Types Annuities may be classified in several ways. Timing of payments Payments of an ''annuity-immediate'' are made at the end of payment periods, so that interest accrues between the issue of the annuity and the first payment. Payments of an ''annuity-due'' are made at the beginning of payment p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiherr
(; male, abbreviated as ), (; his wife, abbreviated as , literally "free lord" or "free lady") and (, his unmarried daughters and maiden aunts) are designations used as titles of nobility in the German-speaking areas of the Holy Roman Empire and in its various successor states, including Austria, Prussia, Bavaria, Liechtenstein, Luxembourg, etc. Traditionally, it denotes the titled rank within the nobility above ' (knight) and ' (nobility without a specific title) and below ' ( count, earl). The title superseded the earlier medieval form, '. It corresponds approximately to the English ''baron'' in rank. The Duden orthography of the German language references the French nobility title of '' Baron'', deriving from the latin-germanic combination ''liber baro'' (which also means "free lord"), as corresponding to the German "Freiherr"; and that ''Baron'' is a corresponding salutation for a ''Freiherr''.Duden; Definition of ''Baron, der'' (in German)/ref> ' in the feudal system Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autograph Manuscript
An autograph or holograph is a manuscript or document written in its author's or composer's hand. The meaning of autograph as a document penned entirely by the author of its content, as opposed to a typeset document or one written by a copyist or scribe other than the author, overlaps with that of holograph. Autograph manuscripts are studied by scholars, and can become collectable objects. Holographic documents have, in some jurisdictions, a specific legal standing. Terminology According to ''The Oxford English Minidictionary'', an autograph is, apart from its meaning as a signature, a "manuscript in the author's handwriting," while a holograph is a "(document) written wholly in the handwriting of the person in whose name it appears." In the 1911 edition of the ''Encyclopædia Britannica'', Edward Maunde Thompson gives two common meanings of the word autograph as it applies to documents: "a document signed by the person from whom it emanates" and "one written entirely in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Concerto (Beethoven)
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn. Joachim would later claim it to be the "greatest" German violin concerto. Since then it has become one of the best-known and regularly performed violin concertos. Genesis Beethoven had previously written a number of pieces for violin and orchestra. At some point in 1790–2, before his musical maturity, he began a Violin Concerto in C, of which only a fragment of the first movement survives. Whether the work, or even the first movement, had ever been completed is not known. In any event, it was neither performed nor published. Later in the 1790s, Beethoven had completed two Romances for violin – first the Romance in F and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
