Cello Concerto (Walton)
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Cello Concerto (Walton)
William Walton's Cello Concerto (1957) is the third and last of the composer's concertos for string instruments, following his Viola Concerto (Walton), Viola Concerto (1929) and Violin Concerto (Walton), Violin Concerto (1939). It was written between February and October 1956, commissioned by and dedicated to the cellist Gregor Piatigorsky, the soloist at the premiere in Boston on 25 January 1957. Initial responses to the work were mixed. Some reviewers thought the work old-fashioned, and others called it a masterpiece. Piatigorsky predicted that it would enter the international concert repertoire, and his recording has been followed by numerous others by soloists from four continents. Background and first performances Walton had been regarded as ''avant garde'' in his youth, but by 1957, when he was in his mid-fifties, he was seen as a composer in the romantic tradition, and some thought him old-fashioned by comparison with his younger English contemporary Benjamin Britten.Adams, ...
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William Walton
Sir William Turner Walton (29 March 19028 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include ''Façade'', the cantata '' Belshazzar's Feast'', the Viola Concerto, the First Symphony, and the British coronation marches ''Crown Imperial'' and ''Orb and Sceptre''. Born in Oldham, Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, ''Façade'', which at first brought him notoriety as a modernist, but later became a popular ballet score. In middle age, Walton left Britain and set up home with his young wife Susana on the Italian island of Ischia. By this time, he had ceased to be regarded as a moderni ...
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