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Cavetto Cornice
A cavetto is a concave moulding with a regular curved profile that is part of a circle, widely used in architecture as well as furniture, picture frames, metalwork and other decorative arts. In describing vessels and similar shapes in pottery, metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive of ''cave'', from the Latin for "hollow" (it is the same root as cave). A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements. The cavetto moulding is the opposite of the convex, bulging, ovolo, which is equally common in the tradition of Western classical architecture. Both bring the surface forward, and are often combined with other elements of moulding. Usually they include a curve through about a quarter-circle (90°). A concave moulding of about a full semi-ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cavetto Cornice
A cavetto is a concave moulding with a regular curved profile that is part of a circle, widely used in architecture as well as furniture, picture frames, metalwork and other decorative arts. In describing vessels and similar shapes in pottery, metalwork and related fields, "cavetto" may be used of a variety of concave curves running round objects. The word comes from Italian, as a diminutive of ''cave'', from the Latin for "hollow" (it is the same root as cave). A vernacular alternative is "cove", most often used where interior walls curve at the top to make a transition to the roof, or for "upside down" cavettos at the bases of elements. The cavetto moulding is the opposite of the convex, bulging, ovolo, which is equally common in the tradition of Western classical architecture. Both bring the surface forward, and are often combined with other elements of moulding. Usually they include a curve through about a quarter-circle (90°). A concave moulding of about a full semi-ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egyptian Building
The Egyptian Building is a historic college building in Richmond, Virginia, completed in 1845. It was the first permanent home of the Medical Department of Hampden-Sydney College (later renamed the Medical College of Virginia, MCV) and now is a part of Virginia Commonwealth University. It is considered by architectural scholars to be one of the finest surviving Egyptian Revival-style buildings in the nation. The Egyptian Building was added to the Virginia Landmarks Register on November 5, 1968, the National Register of Historic Places on April 16, 1969, and finally designated as a National Historic Landmark on November 11, 1971. History After several years in the Union Hotel, the board of the college decided they needed a space specifically created for medical education. Aid was sought to pay for the structure and the Commonwealth offered a $25,000 loan and Richmond donated $2,000. The board chose the noted Philadelphia architect, Thomas Somerville Stewart, who had just comple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Architecture
Etruscan architecture was created between about 900 BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. From about 630 BC, Etruscan architecture was heavily influenced by Greek architecture, which was itself developing through the same period. In turn it influenced Roman architecture, which in its early centuries can be considered as just a regional variation of Etruscan architecture. But increasingly, from about 200 BC, the Romans looked directly to Greece for their styling, while sometimes retaining Etruscan shapes and purposes in their buildings. The main monumental forms of Etru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymatium
Cymatium, the uppermost molding at the top of the cornice in the classical order, is made of the s-shaped cyma molding (either ''cyma recta'' or ''cyma reversa''), combining a concave cavetto with a convex ovolo. It is characteristic of Ionic columns and can appear as part of the entablature, the epistyle or architrave, which is the lintel or beam that rests on the capitals of columns, and the capital itself. Often the cymatium is decorated with a palmette or egg-and-dart ornament on the surface of the molding. The heights of the parts of the capital are to be so regulated that three of the nine parts and a half, into which it was divided, lie below the level of the astragal on the top of the shaft. The remaining parts are for the cymatium, abacus, and channel. The projection of the cymatium beyond the abacus is not to be greater than the size of the diameter of the eye f the voluteIn the case of a concave-convex profile, a distinction is made between cyma recta and cyma reve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Art Online
Oxford Art Online is an Oxford University Press online gateway into art research, which was launched in 2008. It provides access to several online art reference works, including Grove Art Online (originally published in 1996 in a print version, ''The Dictionary of Art''), the online version of the ''Benezit Dictionary of Artists The ''Benezit Dictionary of Artists'' (in French, ''Bénézit: Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs'') is an extensive publication of bibliographical information on painters, sculptors, designers and engravers create ...'', and ''The Oxford Companion to Western Art''. It also provides access to other Oxford art reference works, including the '' Encyclopedia of Aesthetics'' (2nd edition), and ''The Concise Oxford Dictionary of Art Terms''. The site was updated on 1 December 2017 to enhance page design, search tools, linking, and media capabilities. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sasanian Dynasty
The Sasanian dynasty was the house that founded the Sasanian Empire, ruling this empire from 224 to 651 AD in Persia (modern-day Iran). It began with Ardashir I, who named the dynasty as ''Sasanian'' in honour of his grandfather (or father), Sasan, and after the name of his tribe. The Shahanshah was the sole regent, head of state and head of government of the empire. At times, power shifted de facto to other officials, namely the spahbed. Upon the empire's conquest by the Islamic caliphate in 651, members of the imperial family fled in exile to China following the death of Yazdegerd III, where they would become accepted as members of the imperial court by Emperor Gaozong of Tang. Although there would be numerous attempts to invade Islamic Persia with Chinese support, this branch of Sasanids would remain in China indefinitely. Narsieh, grandson of Yazdegerd and last recorded Sasanid in China, would adopt the surname Li (李) in reminiscence with the Chinese imperial family. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardashir I
Ardashir I (Middle Persian: 𐭠𐭥𐭲𐭧𐭱𐭲𐭥, Modern Persian: , '), also known as Ardashir the Unifier (180–242 AD), was the founder of the Sasanian Empire. He was also Ardashir V of the Kings of Persis, until he founded the new empire. After defeating the last Parthian shahanshah Artabanus IV on the Hormozdgan plain in 224, he overthrew the Parthian dynasty and established the Sasanian dynasty. Afterwards, Ardashir called himself "shahanshah" and began conquering the land that he called Iran. There are various historical reports about Ardashir's lineage and ancestry. According to Al-Tabari's History of the Prophets and Kings, Ardashir was son of Papak, son of Sasan. Another narrative that exists in Kar-Namag i Ardashir i Pabagan and Ferdowsi's ''Shahnameh'' also states it says that Ardashir was born from the marriage of Sasan, a descendant of Darius III, with the daughter of Papak, a local governor in Pars. According to Al-Tabari's report, Ardashir was bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persepolis
, native_name_lang = , alternate_name = , image = Gate of All Nations, Persepolis.jpg , image_size = , alt = , caption = Ruins of the Gate of All Nations, Persepolis. , map = , map_type = Iran#West Asia , map_alt = , map_caption = , map_size = , altitude_m = , altitude_ref = , relief = yes , coordinates = , map_dot_label = , location = Marvdasht, Fars Province, Iran , region = , type = Settlement , part_of = , length = , width = , area = , volume = , diameter = , circumference = , height = , builder = , and , material = Limestone, mud-brick, cedar wood , built = 6th century BC , abandoned = , epochs = Achaemenid Empire , cultures = Persian , dependency_of = , occupants = , event = *Battle of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darius I
Darius I ( peo, 𐎭𐎠𐎼𐎹𐎺𐎢𐏁 ; grc-gre, Δαρεῖος ; – 486 BCE), commonly known as Darius the Great, was a Persian ruler who served as the third King of Kings of the Achaemenid Empire, reigning from 522 BCE until his death in 486 BCE. He ruled the empire at its territorial peak, when it included much of Western Asia, parts of the Balkans (Thrace– Macedonia and Paeonia) and the Caucasus, most of the Black Sea's coastal regions, Central Asia, the Indus Valley in the far east, and portions of North Africa and Northeast Africa including Egypt (), eastern Libya, and coastal Sudan. Darius ascended the throne by overthrowing the legitimate Achaemenid monarch Bardiya, whom he later fabricated to be an imposter named Gaumata. The new king met with rebellions throughout his kingdom and quelled them each time; a major event in Darius' life was his expedition to subjugate Greece and punish Athens and Eretria for their participation in the Ionian Revolt. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachara
The Tachara, or the Tachar Château, also referred to as the Palace of Darius the Great, was the exclusive building of Darius I at Persepolis, Iran. It is located 70 km northeast of the modern city of marvdasht in Fars Province. History and construction The construction dates back to the time of the Achaemenid Empire (550 BC–330 BC). The building has been attributed to Darius I, but only a small portion of it was finished under his rule. It was completed after the death of Darius I in 486, by his son and successor, Xerxes I, who called it a ''taçara'' in Old Persian, translated to "winter palace". It was then used by Artaxerxes I. Its ruins are immediately south of the Apadana. On the walls of its gates, there are carvings that shows one of the famous Achaemenids architecture motifs: the Battle of Shahriar and Lion. In the 4th century BC, following his invasion of Achaemenid Persia in 330 BC, Alexander the Great allowed his troops to loot Persepolis. This palace was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Iran
The history of Iran is intertwined with the history of a larger region known as Greater Iran, comprising the area from Anatolia in the west to the borders of Ancient India and the Syr Darya in the east, and from the Caucasus and the Eurasian Steppe in the north to the Persian Gulf and the Gulf of Oman in the south. Central to this area is Iran, commonly known until the mid-20th century as Persia in the Western world. Iran is home to one of the world's oldest continuous major civilizations, with historical and urban settlements dating back to 7000 BC.People, "New evidence: modern civilization began in Iran", 10 Aug 2007 , retrieved 1 October 2007 The south-western and western part of the |
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