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Caravaggio - The Incredulity Of Saint Thomas
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottavio Leoni
Ottavio Leoni (1578 – 1630) was an Italian painter and printmaker of the early-Baroque, active mainly in Rome. Life Ottavio Leoni (sometimes spelled 'Lioni'), draughtsman and engraver was in his day the most fashionable portraitist in Rome. He is sometimes also referred to as the Cavaliere Ottavio, il Padovano, il Padovanino or Cavaliere Padovano . He was born in Rome, where he first trained with his father, Lodovico Leoni. He painted altarpieces for churches in Rome such as an ''Annunciation'' for Sant'Eustachio and a ''Virgin and child with St. Giacinto'' for Santa Maria della Minerva, and a ''Saints Charles, Francis, & Nicholas'' for Sant’ Urbano. He became a member, and later president, of the Accademia di San Luca and a Cavalieri of the Order of Christ, on which occasion he presented the church of the Academy the ''Martyrdom of St. Martina''. He died in Rome. Ottavio Leoni was also the engraver of a set of portraits of painters. His portrait of Michelangelo Merisi Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiaroscuro
Chiaroscuro ( , ; ), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, Caravaggio Rembrandt, Vermeer and Goya, and Georges de La Tour. History Origin in the chiaroscuro drawing The ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titian
Tiziano Vecelli or Vecellio (; 27 August 1576), known in English as Titian ( ), was an Italians, Italian (Republic of Venice, Venetian) painter of the Renaissance, considered the most important member of the 16th-century Venetian school (art), Venetian school. He was born in Pieve di Cadore, near Belluno. During his lifetime he was often called ''da Cadore'', 'from Cadore', taken from his native region. Recognized by his contemporaries as "The Sun Amidst Small Stars" (recalling the final line of Dante Alighieri, Dante's ''Paradiso (Dante), Paradiso''), Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exercised a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colonna Family
The House of Colonna, also known as ''Sciarrillo'' or ''Sciarra'', is an Italian noble family, forming part of the papal nobility. It was powerful in medieval and Renaissance Rome, supplying one pope ( Martin V) and many other church and political leaders. The family is notable for its bitter feud with the Orsini family over influence in Rome, until it was stopped by papal bull in 1511. In 1571, the heads of both families married nieces of Pope Sixtus V. Thereafter, historians recorded that "no peace had been concluded between the princes of Christendom, in which they had not been included by name". History Origins According to tradition, the Colonna family is a branch of the Counts of Tusculum — by Peter (1099–1151) son of Gregory III, called Peter "de Columna" from his property the Columna Castle in Colonna, in the Alban Hills. Further back, they trace their lineage past the Counts of Tusculum via Lombard and Italo-Roman nobles, merchants, and clergy through the Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Sforza
The House of Sforza () was a ruling family of Renaissance Italy, based in Milan. They acquired the Duchy of Milan following the extinction of the Visconti family in the mid-15th century, Sforza rule ending in Milan with the death of the last member of the family's main branch in 1535. History The first son of Muzio Attendolo Sforza, Francesco I Sforza, married Bianca Maria (1425–1468) in 1441. She was the daughter and only heir of the last Duke of Milan, ( Filippo Maria Visconti). He thus acquired the title of Duke of Milan (1450–1466), ruled Milan for 16 years, and made the Sforzas the heirs of the house of Visconti. The family also held the seigniory of Pesaro, starting with Muzio Attendolo's second son, Alessandro (1409–1473). The Sforza held Pesaro until 1512, after the death of Costanzo II Sforza. Muzio's third son, Bosio (1411–1476), founded the branch of Santa Fiora, who held the title of count of Cotignola; the Sforza ruled the small county of Santa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bergamo
Bergamo (; lmo, Bèrghem ; from the proto- Germanic elements *''berg +*heim'', the "mountain home") is a city in the alpine Lombardy region of northern Italy, approximately northeast of Milan, and about from Switzerland, the alpine lakes Como and Iseo and 70 km (43 mi) from Garda and Maggiore. The Bergamo Alps (''Alpi Orobie'') begin immediately north of the city. With a population of around 120,000, Bergamo is the fourth-largest city in Lombardy. Bergamo is the seat of the Province of Bergamo, which counts over 1,103,000 residents (2020). The metropolitan area of Bergamo extends beyond the administrative city limits, spanning over a densely urbanized area with slightly less than 500,000 inhabitants. The Bergamo metropolitan area is itself part of the broader Milan metropolitan area, home to over 8 million people. The city of Bergamo is composed of an old walled core, known as ''Città Alta'' ("Upper Town"), nestled within a system of hills, and the modern ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio, Lombardy
Caravaggio (; lmo, label= Bergamasque, Careàs ) is a town and '' comune'' in the province of Bergamo, in Lombardy, Italy, east of Milan. History The town received the honorary title of city with a presidential decree on December 22, 1954. Geography Caravaggio borders with the municipalities of Bariano, Brignano Gera d'Adda, Calvenzano, Capralba ( CR), Fornovo San Giovanni, Misano di Gera d'Adda, Morengo, Mozzanica, Sergnano (CR) and Treviglio. Its ''frazioni'' are Masano and Vidalengo. Main sights The city is best known for the Sanctuary (15th century). Other sights include: *The Gallavresi Palace (or the Marchioness Palace), now the Town Hall. It dates to the second half of the 13th century. *Church of ''San Fermo e Rustico'', in Lombard-Gothic style, built in the 13th century over a pre-existing holy edifice. The two aisles were added in 1429. It has a façade in brickwork with a marble central portal, surmounted by a large rose window. It is flanked by a high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggisti
The Caravaggisti (or the "Caravagesques") were stylistic followers of the late 16th-century Italian Baroque painter Caravaggio. His influence on the new Baroque style that eventually emerged from Mannerism was profound. Caravaggio never established a workshop as most other painters did, and thus had no school to spread his techniques. Nor did he ever set out his underlying philosophical approach to art, the psychological realism which can only be deduced from his surviving work. But it can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt. Famous while he lived, Caravaggio himself was forgotten almost immediately after his death. Many of his paintings were reascribed to his followers, such as '' The Taking of Christ'', which was attributed to the Dutch painter Gerrit van Honthorst until 1990. It wasn't until the 20th century that his importance to the development of Western art was rediscovered. In the 1920s Roberto Longhi once more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jusepe De Ribera
Jusepe de Ribera (1591 – 1652) was a painter and printmaker, who along with Francisco de Zurbarán, Bartolomé Esteban Murillo, and the singular Diego Velázquez, are regarded as the major artists of Spanish Baroque painting. Referring to a series of Ribera exhibitions held in the late 20th century, Philippe de Montebello wrote "If Ribera's status as the undisputed protagonist of Neapolitan painting had ever been in doubt, it was not longer. Indeed, to many it seemed that Ribera emerged from these exhibitions as not simply the greatest Neapolitan artist of his age but one of the outstanding European masters of the seventeenth century."Pérez-Sánchez, Alfonso E., and Nicola Spinosa. 1992. Jusepe de Ribera 1519–1652'. The Metropolitan Museum of Art/Harry N. Abrams, Inc. New York. 290 pp, Jusepe de Ribera () has also been referred to as José de Ribera, Josep de Ribera, and Lo Spagnoletto ("the Little Spaniard") by his contemporaries, early historians, and biographers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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