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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconology
Iconology is a method of interpretation in cultural history and the history of the visual arts used by Aby Warburg, Erwin Panofsky and their followers that uncovers the cultural, social, and historical background of themes and subjects in the visual arts. Though Panofsky differentiated between iconology and iconography, the distinction is not very widely followed, "and they have never been given definitions accepted by all iconographers and iconologists". Few 21st-century authors continue to use the term "iconology" consistently, and instead use iconography to cover both areas of scholarship. To those who use the term, iconology is derived from synthesis rather than scattered analysis and examines symbolic meaning on more than its face value by reconciling it with its historical context and with the artist's body of work – in contrast to the widely descriptive iconography, which, as described by Panofsky, is an approach to studying the content and meaning of works of art th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, Catholic Church, Catholic, and Lutheranism, Lutheran churches. The most common subjects include Jesus, Mary, mother of Jesus, Mary, saints, and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most of the religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal or carved in stone or embroidered on cloth or done in mosaic or fresco work or printed on paper or metal, etc. Comparable images from Western Christianity may be classified as "icons", although "iconic" may also be used to describe the static style of a devotional image. In the Greek language, the term for icon painting uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art History
Art history is the study of Work of art, artistic works made throughout human history. Among other topics, it studies art’s formal qualities, its impact on societies and cultures, and how artistic styles have changed throughout history. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, art history examines broader aspects of visual culture, including the various visual and conceptual outcomes related to art. Art history is a broad discipline encompassing many branches. Some focus on specific time periods, while others concentrate on particular geographic regions, such as the Art of Europe, art of Art of Europe, Europe. Thematic categorizations include feminist art history, iconography, the analysis of symbols, and Design history, design history. Studying the history of art emerged as a means of documenting and critiquing artistic works, with influential historians and methods originating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Panofsky
Erwin Panofsky (March 30, 1892 – March 14, 1968) was a German-Jewish art historian whose work represents a high point in the modern academic study of iconography, including his hugely influential ''Renaissance and Renascences in Western Art'' and his seminal '' Early Netherlandish Painting''.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', chapter 7. London: Thames & Hudson, 2013. Panofsky's ideas were highly influential in intellectual history in general,Chartier, Roger. ''Cultural History'', pp. 23–24 (from "Intellectual History and the History of ''Mentalités''"). Ithaca: Cornell University Press, 1988 particularly in his use of historical ideas to interpret artworks and vice versa. Many of his books are still in print, including ''Studies in Iconology: Humanist Themes in the Art of the Renaissance'' (1939), ''Meaning in the Visual Arts'' (1955), and his 1943 study ''The Life and Art of Albrecht Dürer''. His academic career was pursue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emblem Book
An emblem book is a book collecting emblems (allegorical illustrations) with accompanying explanatory text, typically morals or poems. This category of books was popular in Europe during the 16th and 17th centuries. Emblem books are collections of sets of three elements: an icon or image, a motto, and text explaining the connection between the image and motto. The text ranged in length from a few lines of verse to pages of prose. Emblem books descended from medieval bestiaries that explained the importance of animals, proverbs, and fables. In fact, writers often drew inspiration from Greek and Roman sources such as Aesop's Fables and Plutarch's Lives. Definition Scholars differ on the key question of whether the actual emblems in question are the visual images, the accompanying texts, or the combination of the two. This is understandable, given that first emblem book, the '' Emblemata'' of Andrea Alciato, was first issued in an unauthorized edition in which the woodcuts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Mâle
Émile Mâle (; 2 June 1862 – 6 October 1954) was a French art historian, one of the first to study medieval, mostly sacral French art and the influence of Eastern European iconography thereon. He was a member of the Académie française, and a director of the Académie de France à Rome. Biography Mâle was born in Commentry, Auvergne. A pupil at the École normale supérieure, he received his degree in 1886. He taught rhetoric at Saint-Étienne, then at the University of Toulouse. He received his doctorate in 1899. Having taught a course in the history of Christian art at the Sorbonne since 1906, he held the chair in history of art there from 1912. He was the successor to Louis Duchesne as head of the French Academy in Rome, 1923–1937. Among Mâle's many contributions to the understanding of the art of bygone eras were his explanations of iconography and the use of allegory in religious art.Mâle, Émile, ''Religious Art from the Twelfth to the Eighteenth Century'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupid
In classical mythology, Cupid ( , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor (Latin: ', "love"). His Greek counterpart is Eros.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons, he experiences the ordeal of love. Although other extended stories are not told about hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome, decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Eastern Roman (Byzantine) Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included Kievan Rus', as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Norman-Arab-Byzantine culture, Kingdom o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aby Warburg
Aby Moritz Warburg (June 13, 1866 – October 26, 1929) was a German art historian and cultural theorist who founded the ''Kulturwissenschaftliche Bibliothek Warburg'' (Warburg Library for Cultural Studies), a private library, which was later moved to the Warburg Institute, London. At the heart of his research was the legacy of the classical world, and the transmission of classical representation, in the most varied areas of Western culture through to the Renaissance. Warburg described himself as: "''Amburghese di cuore, ebreo di sangue, d'anima Fiorentino''" ('Hamburger at heart, Jew by blood, Florentine in spirit'). Early life and education Aby Warburg was born in Hamburg into the wealthy Warburg family of German Jewish bankers. His ancestors had come to Germany from Italy in the 17th century and settled in the town of Warburg in Westphalia, taking on the town's name as their family name. In the 18th century the Warburgs moved to Altona near Hamburg. Two brothers Warburg f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germany
Germany, officially the Federal Republic of Germany, is a country in Central Europe. It lies between the Baltic Sea and the North Sea to the north and the Alps to the south. Its sixteen States of Germany, constituent states have a total population of over 84 million in an area of , making it the most populous member state of the European Union. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, and France, Luxembourg, Belgium, and the Netherlands to the west. The Capital of Germany, nation's capital and List of cities in Germany by population, most populous city is Berlin and its main financial centre is Frankfurt; the largest urban area is the Ruhr. Settlement in the territory of modern Germany began in the Lower Paleolithic, with various tribes inhabiting it from the Neolithic onward, chiefly the Celts. Various Germanic peoples, Germanic tribes have inhabited the northern parts of modern Germany since classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Heinrich Springer
Anton Heinrich Springer (13 July 182531 May 1891) was a German art historian and writer. Early life Springer was born in Prague, where he studied philosophy and history at Charles University, earning a Ph.D. Taking an interest in art, he made several educational journeys, travelling to Munich, Dresden and Berlin, and spent some months in Italy. After his Ph.D. he addressed himself to art history. He wrote a second Ph.D. thesis on Hegel's theory of history in Tübingen, where he also was involved in the political activities of the Revolution of 1848. Work He settled at Tübingen, but in 1848 returned to Prague and began to lecture at the university on the history of the revolutionary epoch. The liberal tone of these lectures brought him into disfavour with the ruling authorities, and in 1849 he left Bohemia and passed some time in England, France and the Netherlands. In 1852 he settled at Bonn, where he was lecturer and professor (from 1860) for art history. In 1872 he went t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia
An encyclopedia is a reference work or compendium providing summaries of knowledge, either general or special, in a particular field or discipline. Encyclopedias are divided into article (publishing), articles or entries that are arranged Alphabetical order, alphabetically by article name or by thematic categories, or else are hyperlinked and searchable. Encyclopedia entries are longer and more detailed than those in most dictionary, dictionaries. Generally speaking, encyclopedia articles focus on ''factual information'' concerning the subject named in the article's title; this is unlike dictionary entries, which focus on Linguistics, linguistic information about words, such as their etymology, meaning, pronunciation, use, and grammar, grammatical forms.Béjoint, Henri (2000)''Modern Lexicography'', pp. 30–31. Oxford University Press. Encyclopedias have existed for around 2,000 years and have evolved considerably during that time as regards language (written in a major inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
