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Dancehall
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. Initially, dancehall was a more sparse version of reggae than the roots reggae, roots style, which had dominated much of the 1970s.Barrow, Steve & Dalton, Peter (2004) "The Rough Guide to Reggae, 3rd edn.", Rough Guides, This music genre wasn't officially named until the 1980s, when the two words ''Dance'' and ''Hall'' (referring to the common venue) were joined to form ''Dancehall'', which was then promoted internationally for the first time. At that time digital instrumentation became more prevalent, changing the sound considerably, with digital dancehall (or "ragga") becoming increasingly characterized by faster rhythms. Key elements of dancehall music include its extensive use of Jamaican Patois rather than Jamaican English, Jamaican standard English and a focus on the track instrumentals (or "riddims"). Dancehall saw initial mainstream success in Jamaica in the 1980s; by the 1990s, it became i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae Fusion
Reggae fusion is a Music_genre#Subtypes, fusion genre of reggae that mixes reggae and/or dancehall with other genres, such as pop music, pop, rock music, rock, hip hop music, hip-hop/rap, Contemporary R&B, R&B, jazz, funk, soul music, soul, disco, electronic music, electronic, and Latin music, amongst others. Origin Artists have been mixing reggae with other genres from as early as the early 1970s, but initially they were described using terms that joined the various genres they performed (e.g. "reggae funk", "reggae pop", "reggae-disco"). It was not until the late 1990s that the term "reggae fusion" was coined. The subgenre predominantly evolved from late 1980s and early 1990s dancehall music which instrumentals or "riddims" contained elements from the R&B and hip hop genres. Due to this, some consider dancehall artists such as Mad Cobra, Shabba Ranks, Super Cat, Buju Banton and Tony Rebel as pioneers of reggae fusion. For some of these artists, among them Buju Banton, reggae fu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica during the late 1960s. The term also denotes the modern popular music of Jamaica and its Jamaican diaspora, diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word ''reggae'', effectively naming the genre and introducing it to a global audience. Reggae is rooted in traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento (a celebratory, rural folk form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the ''riddim'' plus the ''voicing'' (vocal part) sung by the deejay. A given riddim, if popular, may be used in dozens—or even hundreds—of songs, not only in recordings but also in live performances. Since the 1970s, riddims have accompanied reggae music and through the 1980s, more widely known as dancehall. As seen in dancehall music, there is a voicing part – sung by the DJ – over some riddim that has probably been widely used in many other songs. There is a unique establishment in the combination of riddims and voicing. By 1993, Jamaica finally established a copyright act, but producers still face difficulty in establishing profit. Through proper registration, many artists now work on negotiating their royalties and taking it more seriously. The unique nature of dancehall and riddims have be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggaeton
Reggaeton (, ) is a modern style of popular music, popular and electronic music that originated in Panamanian reggaetón, Panama during the late 1980s, and which rose to prominence in the late 1990s and early 2000s through a plethora of Puerto Ricans, Puerto Rican musicians. It has evolved from dancehall, with elements of Hip hop music, hip hop, Latin American music, Latin American, and Caribbean music. Vocals include Toasting (Jamaican music), toasting/rapping and singing, typically in Spanish. Reggaetón, today, is regarded as one of the most popular music genres worldwide; it is the top music genre among the Caribbean Spanish, Spanish-speaking Caribbean nations and one of the primary modern genres within the Spanish-language music industry. Seemingly endless artists from the Caribbean have risen to fame (Puerto Rico, Panama, Dominican Republic, Cuba, Colombia). Argentina has seen a modern surge in young artists inspired by the reggaetón style, fusing their music with Spani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afroswing
Afroswing, also known as Afrobashment, or less commonly Afrobbean or Afrowave, is a genre of music that developed in the UK during the mid-2010s, derivative of dancehall and afrobeats, with influences from trap, British hip hop, R&B, and grime. Commercially, the genre has been very successful, with many afroswing artists making it into the British charts. Characteristics Afroswing is largely defined by its melody rather than a specific tempo. Producer Steel Banglez stated the key elements of afroswing were happy or dark chords that "make you feel a certain way", and that "drum pattern is the most important thing about this whole sound, it's the snare that comes on the third. In hip-hop it comes on the fourth. Coming off the third beat comes from afrobeats." Martin Connor, an expert in vocal melodies and rap analysis, described the characteristics of the genre as being " .technically in 4/4, what you will hear over and over again is this recurring pattern made up of three ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound System (Jamaican)
In Jamaican popular culture, a sound system is a group of disc jockeys, sound engineers and MCs playing music such as ska, rocksteady, reggae, dub reggae, dancehall and ragga. Sound systems are an important part of Jamaican culture and history, especially with the Windrush generation in Britain. Sound clashes involve crew members from opposing sound systems pitting their DJing and MCing skills against each other in venues or at festivals. History The sound system concept first became popular in the 1940s, in the parish of Kingston. DJs would load up a truck with a generator, turntables, and huge speakers and set up street parties. Tom the Great Sebastian, founded by Chinese-Jamaican businessman Tom Wong, was the first commercially successful sound system and influenced many sound systems that came later. Gooden 2012 In the beginning, the DJs played American rhythm and blues music, but as time progressed and more local music was created, the sound migrated to a local f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roots Reggae
Roots reggae is a subgenre of reggae that deals with the everyday lives and aspirations of Ethnic groups of Africa, Africans and those in the African Diaspora, including the spiritual side of Rastafari, black liberation, revolution and the honouring of God, called Jah by Rastafarians.Thompson, Dave (2002) ''Reggae & Caribbean Music'', Backbeat Books, , p. 251-3 It is identified with the life of the ghetto sufferer,Barrow, Steve and Dalton, Peter: "Reggae: The Rough Guide", Rough Guides, 1997 and the rural poor. Lyrical themes include spirituality and religion, struggles by artists, poverty, black pride, social issues, resistance to fascism, capitalism, corrupt government and racial oppression. A spiritual repatriation to Africa is a common theme in roots reggae. History The increasing influence of the Rastafari movement after the visit of Haile Selassie to Jamaica in 1966 played a major part in the development of roots reggae, with spiritual themes becoming more common in regg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p. 2. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26–44, "Electronic Music in Jamaica" Wesleyan University Press. Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Osbourne "King Tubby" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tropical House
Tropical house, also known as trop house, is a subgenre of house music, and a derivation of tropical music, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Klangkarussell, Kygo, Klingande, Robin Schulz, Bakermat, Matoma, Lost Frequencies, Felix Jaehn, Seeb and Gryffin. Tropical house hits include Kygo's " Firestone", Klingande's " Jubel", Felix Jaehn's remix of "Cheerleader", Robin Schulz's remixes of "Waves" and " Prayer in C", and Lost Frequencies's remix of " Are You With Me". The term "Tropical House" began as a joke by Australian producer Thomas Jack, but has since gone on to gain popularity among listeners. The term "trouse" should not be confused with tropical house, as "trouse" is a genre that instead combines the feeling of trance and the beats of progressive house, using electro synths. Characteristics Tropical hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oldschool Jungle
Jungle is a genre of electronic music that developed in the 1990s out of the UK rave scene and Jamaican sound system culture. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s. Origins The breakbeat hardcore scene of the early 1990s was beginning to fragment by 1992 and 1993, with different influences becoming less common together in tracks. The piano and uplifting vocal style that was prevalent in breakbeat hardcore started to lay down the foundations of 4-beat/happy hardcore, whilst tracks with dark-themed samples and industrial-style stabs had emerged from late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragga
Raggamuffin music (or simply ragga) is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music with heavy use of sampling. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is a seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. Ragga spread to Europe, North America, and Africa, eventually spreading to Japan, India, and the rest of the world. Ragga heavily influenced early jungle music, and also spawned the syncretistic bhangragga style when fused with bhangra. In the 1990s, ragga and breakcore music fused, creating a style known as raggacore. The term "raggamuffin" is an intentional misspelling of " ragamu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
