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Curve (theatre)
Curve, also known as Curve Theatre, is a theatre in Leicester, England, based in the cultural quarter in Leicester City Centre. Previously, it had been called Leicester Performing Arts Centre. It is adjacent to the Leicester Athena conference and banqueting centre. Overview Curve Theatre was designed by the architect Rafael Viñoly in association with the scenographers ducks scéno and Charcoalblue and the acousticians Kahle Acoustics; Adams Kara Taylor engineered the project, which stands in the centre of what the City Council calls the new "Cultural Quarter" on Rutland Street. It features two auditoria, one with 970 seats (referred to as the Theatre) while a 350-seat auditorium (referred to as the Studio) provides a smaller space with its own power flying system. The Theatre, Studio and their stages can also be opened up to create one large space with a capacity of 1,300. When the 2 18 tonne steel walls separating the stage and the foyer are lifted, the stage is visible ...
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Leicester
Leicester ( ) is a city status in the United Kingdom, city, Unitary authorities of England, unitary authority area, and the county town of Leicestershire in the East Midlands of England. It is the largest city in the East Midlands with a population of in . The greater Leicester urban area had a population of 559,017 in 2021, making it the 11th most populous in England, and the List of urban areas in the United Kingdom, 13th most populous in the United Kingdom. A 2023 report ranked Leicester 16th out of the 50 largest UK cities on a range of economic measures, and the first of seven East Midlands cities. The city lies on the River Soar and is approximately north-northwest of London, east-northeast of Birmingham and northeast of Coventry. Nottingham and Derby lie around to the north and northwest respectively, whilst Peterborough is located to the east. Leicester is close to the eastern end of the National Forest, England, National Forest. Leicester has a long history exten ...
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Akram Khan (dancer)
Akram Hossain Khan, MBE () (born 29 July 1974) is an English dancer and choreographer of Bangladeshi descent. His background is rooted in his classical Kathak training and contemporary dance. Career Khan was born in Lambeth, London, England, into a family from Dhaka, Bangladesh. He began dancing and trained in the classical South Asian dance form Kathak at the age of seven. He studied with Pratap Pawar, later becoming his disciple. He began his stage career in the ''Adventures of Mowgli'' tour 1984–1985 produced by the Academy of Indian Dance, now Akademi South Asian Dance. At the age of 13, he was cast in Peter Brook's Shakespeare Company production of ''Mahabharata'', touring the world between 1987 and 1989 and appearing in the televised version of the play broadcast in 1988. Following later studies in Contemporary Dance at De Montfort University Akram Khan and Performing Arts at the Northern School of Contemporary Dance and a period working with Anne Teresa De Keersmaeke ...
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Gypsy (musical)
''Gypsy: A Musical Fable'' is a musical theatre, musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. It is loosely based on the Gypsy: A Memoir, 1957 memoirs of striptease artist Gypsy Rose Lee, and focuses on her mother, Rose Thompson Hovick, Rose, whose name has become synonymous with "the ultimate stage mother, show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc. The musical contains many songs that became popular standards, including "Everything's Coming Up Roses", "Rose's Turn", "Small World", "Together (Wherever We Go)", "You Gotta Get a Gimmick (song), You Gotta Get a Gimmick", and "Let Me Entertain You (Gypsy), Let Me Entertain You". It is frequently considered one of the crowning achievements ...
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Hello, Dolly! (musical)
''Hello, Dolly!'' is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce '' The Merchant of Yonkers'', which Wilder revised and retitled '' The Matchmaker'' in 1954. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. ''Hello, Dolly!'' debuted at the Fisher Theater in Detroit on November 18, 1963, directed and choreographed by Gower Champion and produced by David Merrick. It starred stage performer Carol Channing as Dolly Gallagher Levi, a role theatrical audiences of the world would forever associate with her. The show moved to Broadway in 1964, winning 10 Tony Awards, including Best Musical and Best Actress in a Musical for Channing. The awards earned set a record which the play held for 37 years. The show album ''Hello, Dolly! An Original Cast ...
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42nd Street (musical)
''42nd Street'' is a 1980 stage musical with a book by Michael Stewart and Mark Bramble, lyrics by Al Dubin and Johnny Mercer and music by Harry Warren. The 1980 Broadway production won the Tony Awards for Best Musical and Best Choreography and it became a long-running hit. The show was also produced in London in 1984 (winning the Olivier Award for Best Musical) and its 2001 Broadway revival won the Tony Award for Best Revival. Based on the 1932 novel by Bradford Ropes and the subsequent 1933 Hollywood film adaptation, this backstage musical follows the rehearsal process of a Broadway show staged during the height of the Great Depression. The show is a jukebox musical of sorts, in that, in addition to songs from the 1933 film ''42nd Street'', it includes songs that Dubin and Warren wrote for many other films at around the same time, including ''Gold Diggers of 1933'', '' Roman Scandals'', '' Dames'', ''Gold Diggers of 1935'', '' Go into Your Dance,'' '' Gold Diggers of ...
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Alan Ayckbourn
Sir Alan Ayckbourn (born 12 April 1939) is a prolific British playwright and director. As of 2025, he has written and produced 90 full-length plays in Scarborough and London and was, between 1972 and 2009, the artistic director of the Stephen Joseph Theatre in Scarborough, where all but four of his plays have received their first performance. More than 40 have subsequently been produced in the West End, at the Royal National Theatre or by the Royal Shakespeare Company since his first hit '' Relatively Speaking'' opened at the Duke of York's Theatre in 1967. Major successes include '' Absurd Person Singular'' (1972), '' The Norman Conquests'' trilogy (1973), '' Absent Friends'' (1974), ''Bedroom Farce'' (1975), ''Just Between Ourselves'' (1976), '' A Chorus of Disapproval'' (1984), '' Woman in Mind'' (1985), '' A Small Family Business'' (1987), '' Man of the Moment'' (1988), ''House'' & ''Garden'' (1999) and '' Private Fears in Public Places'' (2004). His plays have won numer ...
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Absurd Person Singular
''Absurd Person Singular'' is a 1972 play by Alan Ayckbourn. Divided into three acts, it documents the changing fortunes of three married couples. Each act takes place at a Christmas celebration at one of the couples' homes on successive Christmas Eves. Production history The play made its world premiere at the Library Theatre, Scarborough on 26 June 1972 and its London début at the Criterion Theatre on 4 July 1973, transferring to the Vaudeville Theatre in September 1974, completing a run of 973 performances. Its official New York Broadway début was at the Music Box Theatre on 8 October 1974. It ran for 591 performances in its first run on Broadway (through March 1976). It starred Richard Kiley, Geraldine Page, Sandy Dennis, Carole Shelley, Larry Blyden, and Tony Roberts. It was revived on Broadway on 18 October 2005 at the Biltmore Theatre, for 56 performances. In 1994 James Maxwell directed a production for the Royal Exchange, Manchester with Trevor Cooper, Margo Gunn, ...
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Rodgers And Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their musical theater writing partnership has been called the greatest of the 20th century. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma!''. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', '' Carousel'', '' South Pacific'', '' The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows the pair produced on Broadway during their lifetimes, '' Flower Drum Song'' was well-received, and none was a critical or commercial flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the ...
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The King And I
''The King and I'' is the fifth musical by the team of Rodgers and Hammerstein. It is based on Margaret Landon's novel '' Anna and the King of Siam'' (1944), which is in turn derived from the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. The musical's plot relates the experiences of Anna, a British schoolteacher who is hired as part of the King's drive to modernize his country. The relationship between the King and Anna is marked by conflict through much of the piece, as well as by a love to which neither can admit. The musical premiered on March 29, 1951, at Broadway's St. James Theatre. It ran for nearly three years, making it the fourth-longest-running Broadway musical in history at the time, and has had many tours and revivals. In 1950, theatrical attorney Fanny Holtzmann was looking for a part for her client, veteran leading lady Gertrude Lawrence. Holtzmann realized that Landon's book would provide an ideal vehic ...
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Brian Friel
Brian Patrick Friel (c. 9 January 1929 – 2 October 2015) was an Irish dramatist, short story writer and founder of the Field Day Theatre Company. He had been considered one of the greatest living English-language dramatists. (subscription required). He has been likened to an "Irish Anton Chekhov, Chekhov" and described as "the universally accented voice of Ireland". His plays have been compared favourably to those of contemporaries such as Samuel Beckett, Arthur Miller, Harold Pinter and Tennessee Williams. Recognised for early works such as ''Philadelphia, Here I Come!'' and ''Faith Healer'', Friel had 24 plays published in a career of more than a half-century. He was elected to the honorary position of Saoi of Aosdána. His plays were commonly produced on Broadway in New York City throughout this time, as well as in Ireland and the UK. In 1980 Friel co-founded Field Day Theatre Company and his play ''Translations (play), Translations'' was the company's first production. With ...
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Translations (play)
''Translations'' is a three-act play by Irish playwright Brian Friel, written in 1980. It is set in Baile Beag (Ballybeg), a County Donegal village in 19th-century Ireland. Friel has said that ''Translations'' is "a play about language and only about language", but it deals with a wide range of issues, stretching from language and communication to Irish history and cultural imperialism. Friel said that his play "should have been written in Irish" but, despite this fact, he carefully crafted the verbal action in English, bringing the political questions of the play into focus. Baile Beag ("Small Town") is a fictional village, created by Friel as a setting for several of his plays, although there are many real places called Ballybeg throughout Ireland. Performance and publication ''Translations'' was first performed at the Guildhall, Derry, Northern Ireland, on Tuesday, 23 September 1980. It was the first production by the Field Day Theatre Company founded by Friel and Steph ...
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Molly Sweeney
''Molly Sweeney'' is a two-act play by Brian Friel. It tells the story of its title character, Molly, a woman blind since infancy who undergoes an operation to try to restore her sight. Like Friel's ''Faith Healer'', the play tells Molly's story through monologues by three characters: Molly, her husband Frank, and her surgeon, Mr. Rice. It enjoyed considerable success on the stage, but attracted little critical interest, perhaps because of its superficial similarities to ''Faith Healer'' (1979), another play composed of a series of monologues delivered on an empty stage by characters who have no interaction. This play is about a blind woman in Ballybeg who constructed for herself an independent life rich in friendships and sensual fulfillment, and her ill-fated encounter with two men who destroy it and cause her madness: Frank, the man she marries who becomes convinced that she can only be complete when her vision is restored, and Mr. Rice, a once-renowned eye surgeon who uses M ...
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