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Connection (dance)
In partner dancing, connection is physical, non-verbal communication between dancers to facilitate synchronized or coordinated dance movements. Some forms of connection involve "lead/follow" in which one dancer (the "lead") directs the movements of the other dancer (the "follower") by means of non-verbal directions conveyed through a physical connection between the dancers. In other forms, connection involves multiple dancers (more than two) without a distinct leader or follower (e.g. contact improvisation). Connection refers to a host of different techniques in many types of partner dancing, especially (but not exclusively) those that feature significant physical contact between the dancers, including the Argentine Tango, Lindy Hop, Balboa, East Coast Swing, West Coast Swing, Salsa, and other ballroom dances. Other forms of communication, such as visual cues or spoken cues, sometimes aid in connecting with one's partner, but are often used in specific circumstances (e.g., pr ...
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Partner Dancing
Ballroom dancers performing the tango. file:dance-At-Bougival.jpg">upPartner dance, '' Pierre-Auguste_Renoir.html" ;"title="Dance at Bougival'' by Pierre-Auguste Renoir">Dance at Bougival'' by Pierre-Auguste Renoir, 1883 Partner dances are dances whose basic choreography involves coordinated dancing of two partners. As such it occupies a middle ground between Solo dance, individuals dancing alone or individually in a non-coordinated manner, and groups of people dancing simultaneously in a coordinated manner. United States dance history Prior to the 20th century, many ballroom dance and folk dances existed in America. As jazz music developed at the start of the 20th century, Black American communities in tandem developed the Charleston and eventually the Lindy Hop by the end of the 1920s. Many cities had regular local competitions such as the Savoy Ballroom which accelerated the development and popularization of the dance. The dances were introduced to wider public through mo ...
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Frame (dance)
In ballroom dancing and other dances, frame is the way the dancers' upper bodies are held when in dancing position. In swing and blues dances, frame is the body shape and muscle tone maintained by dancers, which allows the leader to communicate moves to the follower. Ballroom and other dances The frame is the way the dancers hold their hands, arms, shoulders, neck, head and upper torso. A good frame helps with balance and movement and also produces a good appearance of the dance couple. The correct way to hold a frame depends on the particular dance; it is different in International Standard, International Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ..., social Latin dances such as salsa, and others. Swing and blues dances The frame provides connection between the d ...
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Lead And Follow
In some types of partner dance, lead and follow are designations for the two dancers' roles in a dance pairing. The leader is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The leader communicates choices to the follower, and directs the follower by means of subtle physical and visual signals, thereby allowing the pair to be smoothly coordinated. The amount of direction given by the leader depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Traditionally, the male dance partner was the leader and the female dance partner was the follower. In the 21st century, it has become increasingly common to see partnerships that buck this dynamic, particularly in more socially progressive dance styles. Gender roles Traditionally, the male dance partner is the leader and the female dance partner is the follow ...
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Dance Move
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city t ...
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Frame (dance)
In ballroom dancing and other dances, frame is the way the dancers' upper bodies are held when in dancing position. In swing and blues dances, frame is the body shape and muscle tone maintained by dancers, which allows the leader to communicate moves to the follower. Ballroom and other dances The frame is the way the dancers hold their hands, arms, shoulders, neck, head and upper torso. A good frame helps with balance and movement and also produces a good appearance of the dance couple. The correct way to hold a frame depends on the particular dance; it is different in International Standard, International Latin Latin ( or ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally spoken by the Latins (Italic tribe), Latins in Latium (now known as Lazio), the lower Tiber area aroun ..., social Latin dances such as salsa, and others. Swing and blues dances The frame provides connection between the d ...
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Modern Jive
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and various other dance styles, the main difference being the simplification of footwork by removing syncopation such as chasse. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive. History Modern Jive was developed in the United Kingdom during the 1980s at three London clubs: Ceroc, LeRoc, and Cosmopolitan Jive. The style was based on a type of Jive that evolved in France after World War II when American dances such as the jitterbug were popular due to the presence of the American military. Modern Jive was not created in France, but its origin owes something to the French version of Le Bop. The dance commonly known as Modern Jive is different from Le Bop, a high tempo dance. Michel Ange Lau played a major role in the change from Le Bop to Modern Jive at a club called Cent ...
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Ballroom Dance
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance Council (WDC) and the World DanceSport Federation (WDSF), is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, Intern ...
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Closed Position
In partner dancing, closed position is a category of positions in which partners hold each other while facing at least approximately toward each other. Closed positions employ either body contact or body support, that is, holding each other is not limited to handhold. If the partners are comfortable with each other and the dance style allows it, body contact increases the connection between the partners. Some dances, such as Balboa and Collegiate Shag are only done in body contact. In waltz The most commonly used kind of closed position comes from the waltz, and is very commonly used in ballroom dance. The leader's right hand is on the follower's back (or, rarely, on the left upper arm near the shoulder); its exact placement on the back ranges from the waist to the left shoulder blade. The follower's left hand is on the leader's right shoulder, or the upper arm near the shoulder. The other two hands are clasped together at or near chest or shoulder height. Unlike the ballro ...
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Open Position
In partner dancing, an open position is a position in which partners are connected primarily at the hands. The connection is through the hands, wrists, and fingers, and relies heavily on frame and the compression and tension of both partners' arms. This is as opposed to a closed position, where partners are in closer body contact. Many forms of dancing use the open position. Modern Jive, East Coast Swing, West Coast Swing, Lindy Hop, and Latin are primary examples, but an open position is used in waltz The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the ..., country, and other styles at times. References Partner dance technique {{dance-stub ...
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Ilya Vidrin
Ilya Vidrin is an academic research-practitioner notable for his work on the theory and practice of partnering. He is Assistant Professor of Creative Practice Research and Core Faculty at the Institute of Experiential Robotics at Northeastern University and a Research Affiliate at Harvard MetaLab. Professional life Ilya pursued undergraduate studies in Cognitive Neuroscience and Rhetorical Theory at Northeastern University. Ilya completed three years of intensive clinical research training in the Neurology Department at Beth Israel Medical Deaconess Center, with a focus on non-pharmacological therapies for cognitive and neurodegenerative disorders. Ilya went on to graduate school at Harvard University, earning a Master’s Degree in Education with a focus on Human Development and Psychology. At Harvard, Ilya worked on experimental research projects investigating cognitive models of creative practice and empathy, including biofeedback technology, Therapeutically Active Digital Med ...
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Contact Improvisation
Contact Improvisation (CI) is a postmodern dance practice that explores movement through shared weight, touch, and physical awareness. Originating in the United States in 1972, contact improvisation was developed by dancer and choreographer Steve Paxton, drawing on influences from modern dance, aikido, and somatic practices. Contact Improvisation emphasizes the interplay of gravity, momentum, and improvisation, fostering an experimental approach to movement that invites both professional dancers and newcomers into its global community.Novack, Cynthia Jean., ''Sharing the dance'', Univ. Of Wisconsin Press, 1 January 1990 ( , read online), chapters 2, 3, and 4. The practice involves continuous physical touch between dancers, where gravity, momentum, inertia, and friction shape their interactions. The dance is further described by Paxton: "The exigencies of the form dictate a mode of movement which is relaxed, constantly aware and prepared, and onflowing". Known for its open ...
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Ballroom Dances
Ballroom dance is a set of European partner dances, which are enjoyed both socially and competitively around the world, mostly because of its performance and entertainment aspects. Ballroom dancing is also widely enjoyed on stage, film, and television. ''Ballroom dance'' may refer, at its widest definition, to almost any recreational dance with a partner. However, with the emergence of dance competition (now known as Dancesport), two principal schools have emerged and the term is used more narrowly to refer to the dances recognized by those schools. The International School, originally developed in EnglandFranks A.H. 1963. ''Social dance: a short history''. Routledge & Kegan Paul, London. and now regulated by the World Dance Council (WDC) and the World DanceSport Federation (WDSF), is most prevalent in Europe. It encompasses two categories, Standard and Latin, each of which consist of five dances—International Waltz, International Tango, International Viennese Waltz, Internati ...
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