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Comedy Films
The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue. Comedy, compared with other film genres, places more focus on individual star actors, with many former stand-up comics transitioning to the film industry due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Times Poster
Modern may refer to: History *Modern history ** Early Modern period ** Late Modern period *** 18th century *** 19th century *** 20th century ** Contemporary history * Moderns, a faction of Freemasonry that existed in the 18th century Philosophy and sociology * Modernity, a loosely defined concept delineating a number of societal, economic and ideological features that contrast with "pre-modern" times or societies ** Late modernity Art * Modernism ** Modernist poetry * Modern art, a form of art * Modern dance, a dance form developed in the early 20th century * Modern architecture, a broad movement and period in architectural history ** Moderne, multiple architectural styles ** Modernisme a.k.a. Catalan Modernism * Modern music (other) Geography * Modra, a Slovak city, referred to in the German language as "Modern" Typography * Modern (typeface), a raster font packaged with Windows XP * Another name for the typeface classification known as Didone (typography) * M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arroseur Arrosé
''Watering the Flowers'' () was an 1896 French silent short comedy film directed by Georges Méliès. It was released by Méliès's company Star Film and is numbered 6 in its catalogues. The film was made in imitation of the more famous Louis Lumière film '' L'Arroseur Arrosé''. It is currently presumed lost. See also *List of lost films For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films. Reas ... References External links * ''L'Arroseur'' at SilentEra 1896 films 1896 comedy films 1896 short films 1890s French films 1890s lost films Films directed by Georges Méliès French black-and-white films Lost comedy short films Lost French films Silent French comedy short films Lost silent films {{1890s-France-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carry On (franchise)
''Carry On'' is a British comedy franchise comprising 31 films, four Christmas specials, a television series and stage shows produced between 1958 and 1992. Produced by Peter Rogers, the ''Carry On'' films were directed by Gerald Thomas and starred a regular ensemble that included Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Kenneth Connor, Peter Butterworth, Hattie Jacques, Terry Scott, Bernard Bresslaw, Barbara Windsor, Jack Douglas, and Jim Dale. The humour of ''Carry On'' was in the British comic tradition of music hall and bawdy seaside postcards. The success of the films led to several spin-offs, including four Christmas television specials (1969–1973), a 1975 television series of 13 episodes, a West End stage show and two provincial summer shows. The ''Carry On'' series contains the largest number of films of any British film franchise, and is the second longest running, albeit with a 14-year gap (1978–1992) between the 30th and 31st entrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camp (style)
Camp is an Aesthetics, aesthetic and sensibility that regards something as appealing or amusing because of its heightened level of artifice, affectation and exaggeration, especially when there is also a playful or Irony, ironic element. ''Camp'' is historically associated with LGBTQ culture and especially gay men. Camp aesthetics disrupt modernism, modernist understandings of high art by inverting traditional aesthetic judgements of beauty, value, and taste, and inviting a different kind of aesthetic engagement. Camp art is distinct from but often confused with kitsch''.'' The American writer Susan Sontag emphasized its key elements as embracing frivolity, excess and artifice.'''' Art historian David Carrier notes that, despite these qualities, it is also subversive and political. ''Camp'' may be sophisticated, but subjects deemed ''camp'' may also be perceived as being dated, offensive or in Bad taste (aesthetics), bad taste.Babuscio (1993, 20), Feil (2005, 478), Morrill (1994 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanny Hill (1964 Film)
''Fanny Hill'' is a 1964 American-West German historical comedy film directed by Russ Meyer, and starring Letícia Román, Miriam Hopkins and Ulli Lommel. Filmed at the Spandau Studios in Berlin, the film is an adaptation of the 1748 John Cleland novel of the same name. Plot Young, pretty and innocent Fanny Hill has lost her parents and must find her way in life amidst the perils of turbulent 18th-century London. She is lucky enough to quickly find a place as a waitress for the effusive Mrs. Brown. Mrs. Brown lives in a big house full of women in negligees and with very relaxed manners. She also insists that Fanny meet various gentlemen who show a fervent interest in Fanny. Cast * Letícia Román as Fanny Hill * Miriam Hopkins as Mrs. Brown * Walter Giller as Hemmingway * Ulli Lommel as Charles * Chris Howland as Mr. Norbert * Helmut Weiss as Mr. Dinklespieler * Karin Evans as Martha * Alexander D'Arcy as Admiral * Christiane Schmidtmer as Fiona Production Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob & Carol & Ted & Alice
''Bob & Carol & Ted & Alice'' is a 1969 American comedy-drama film directed by Paul Mazursky, written by Mazursky and Larry Tucker (screenwriter), Larry Tucker, who also produced the film, and starring Natalie Wood, Robert Culp, Elliott Gould, and Dyan Cannon. The original music score was composed by Quincy Jones. The cinematography for the film was by Charles Lang. The film received four Academy Award nominations, including ones for Gould and Cannon. Patricia Welles wrote the paperback novel from Mazursky and Tucker's screenplay. Plot After a weekend of emotional honesty at an Esalen Institute, Esalen-style retreat, Los Angeles sophisticates Bob and Carol Sanders return home determined to embrace complete openness. They share their enthusiasm and excitement over their new-found philosophy with their more conservative friends Ted and Alice Henderson, who remain doubtful. Soon after, filmmaker Bob has an affair with a young production assistant on a film shoot in San Francisco. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sexual Revolution
The sexual revolution, also known as the sexual liberation, was a social movement that challenged traditional codes of behavior related to sexuality and interpersonal relationships throughout the Western world from the late 1950s to the early 1970s. Sexual liberation included increased acceptance of sexual intercourse outside of traditional heterosexual, monogamous relationships, primarily marriage. The legalization of the pill as well as other forms of contraception, public nudity, pornography, premarital sex, homosexuality, masturbation, alternative forms of sexuality, and abortion all followed. The term “first sexual revolution” is used by scholars to describe different periods of significant change in Western sexual norms, including the Christianization of Roman sexuality, the decline of Victorian morals, and the cultural shifts of the Roaring Twenties. Sexual revolution most commonly refers to the mid-20th century, when advances in contraception, medicine, and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Graduate
''The Graduate'' is a 1967 American independent romantic comedy-drama film directed by Mike Nichols and written by Buck Henry and Calder Willingham, based on the 1963 novella by Charles Webb. It stars Dustin Hoffman as Benjamin Braddock, a recent college graduate who is seduced by an older married woman, Mrs. Robinson ( Anne Bancroft), but falls for her daughter, Elaine ( Katharine Ross). The soundtrack was recorded by Simon & Garfunkel, and featured the hit single " Mrs Robinson". ''The Graduate'' was released December 21, 1967. It grossed $104.9million in the United States and Canada, making it the highest-grossing film of 1967 in North America. Adjusted for inflation (as of 2021), its gross is $857 million, making it the 22nd-highest-grossing film in the United States and Canada. It received seven nominations at the 40th Academy Awards, and won for Best Director. In 1996, ''The Graduate'' was selected for preservation in the U.S. National Film Registry as "cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guess Who's Coming To Dinner
''Guess Who's Coming to Dinner'' is a 1967 American romantic comedy drama film produced and directed by Stanley Kramer, and written by William Rose. It stars Spencer Tracy (in his final role), Sidney Poitier, and Katharine Hepburn, and features Hepburn's niece Katharine Houghton. The film was one of the few of the time to depict an interracial marriage in a positive light, as interracial marriage historically had been illegal in many states of the United States. It was still illegal in 17 states, until June 12, 1967, six months before the film was released, and scenes were filmed just before anti-miscegenation laws were struck down by the Supreme Court in '' Loving v. Virginia''. The film was the ninth and final on-screen pairing of Tracy and Hepburn. Tracy was very ill during filming but insisted on continuing. Filming of his role was completed just 17 days before his death in June 1967. Hepburn never saw the completed film, saying it would be too painful for her. The fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Film
A sound film is a Film, motion picture with synchronization, synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of Short film, short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buster Keaton
Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian and filmmaker. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face". Keaton was a child vaudeville star, performing as part of his family's traveling act. As an adult, he began working with independent producer Joseph M. Schenck and filmmaker Edward F. Cline, with whom he made a series of successful two-reel comedies in the early 1920s, including ''One Week (1920 film), One Week'' (1920), ''The Playhouse (film), The Playhouse'' (1921), ''Cops (1922), Cops'' (1922), and ''The Electric House'' (1922). He then moved to feature-length films; several of them, such as ''Sherlock Jr.'' (1924), ''The General (1926 film), The General'' (1926), ''Steamboat Bill, Jr.'' (1928), and ''The Camerama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Lloyd
Harold Clayton Lloyd Sr. (April 20, 1893 – March 8, 1971) was an American actor, comedian, and stunt performer who appeared in many Silent film, silent comedy films.Obituary ''Variety'', March 10, 1971, page 55. One of the most influential film comedians of the silent film, silent era, Lloyd made nearly 200 comedy films, both silent and Sound film, talkies, from 1914 to 1947. His bespectacled "glasses character" was a resourceful, ambitious go-getter who reflected the zeitgeist of the 1920s-era United States. His films frequently contained "thrill sequences" of extended chase scenes and daredevil physical feats. Lloyd hanging from the hands of a clock high above the street (dangerous, but risk exaggerated by camera angles) in ''Safety Last!'' (1923) is considered one of the more enduring images in cinema. Lloyd performed lesser stunts himself despite having injured himself in August 1919 while doing publicity pictures for the Roach studio. An accident with a bomb mistake ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
