Claude Cahun
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Claude Cahun
Claude Cahun (, born Lucy Renee Mathilde Schwob; 25 October 1894 – 8 December 1954) was a French surrealist photographer, sculptor, and writer. Schwob adopted the pseudonym Claude Cahun in 1914. Cahun is best known as a writer and self-portraitist, who assumed a variety of performative personae. In her writing, Cahun mostly referred to herself with grammatically feminine words, but she also said that her actual gender was fluid. For example, in ''Disavowals'', Cahun writes: "Masculine? Feminine? It depends on the situation. is the only gender that always suits me." Cahun is most well known for her androgynous appearance, which challenged the strict gender roles of her time. During World War II, Cahun was also active as a resistance worker and propagandist, founding the leftist group Contre Attaque, a union of communist writers, artists and workers, alongside André Breton and Marcel Moore. Early life Cahun was born in Nantes in 1894, into a well-off literary Jewish family ...
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Nantes
Nantes (, ; ; or ; ) is a city in the Loire-Atlantique department of France on the Loire, from the Atlantic Ocean, Atlantic coast. The city is the List of communes in France with over 20,000 inhabitants, sixth largest in France, with a population of 320,732 in Nantes proper and a metropolitan area of nearly 1 million inhabitants (2020). With Saint-Nazaire, a seaport on the Loire estuary, Nantes forms one of the main north-western French metropolitan agglomerations. It is the administrative seat of the Loire-Atlantique Departments of France, department and the Pays de la Loire Regions of France, region, one of 18 regions of France. Nantes belongs historically and culturally to Brittany, a former Duchy of Brittany, duchy and Province of Brittany, province, and Reunification of Brittany, its omission from the modern administrative region of Brittany is controversial. Nantes was identified during classical antiquity as a port on the Loire. It was the seat of a bishopric at the ...
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David Léon Cahun
David (; , "beloved one") was a king of ancient Israel and Judah and the third king of the United Monarchy, according to the Hebrew Bible and Old Testament. The Tel Dan stele, an Aramaic-inscribed stone erected by a king of Aram-Damascus in the late 9th/early 8th centuries BCE to commemorate a victory over two enemy kings, contains the phrase (), which is translated as " House of David" by most scholars. The Mesha Stele, erected by King Mesha of Moab in the 9th century BCE, may also refer to the "House of David", although this is disputed. According to Jewish works such as the ''Seder Olam Rabbah'', '' Seder Olam Zutta'', and ''Sefer ha-Qabbalah'' (all written over a thousand years later), David ascended the throne as the king of Judah in 885 BCE. Apart from this, all that is known of David comes from biblical literature, the historicity of which has been extensively challenged,Writing and Rewriting the Story of Solomon in Ancient Israel; by Isaac Kalimi; page 32; Cam ...
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Photomontage
Photomontage is the process and the result of making a composite photograph by cutting, gluing, rearranging and overlapping two or more photographs into a new image. Sometimes the resulting composite image is photographed so that the final image may appear as a seamless physical print. A similar method, although one that does not use film, is realized today through image-editing software. This latter technique is referred to by professionals as " compositing", and in casual usage is often called " photoshopping" (from the name of the popular software system). A composite of related photographs to extend a view of a single scene or subject would not be labeled as a montage, but instead a stitched image or a digital image mosaic. History Author Oliver Grau in his book, ''Virtual Art: From Illusion to Immersion'', notes that the creation of an artificial immersive virtual reality, arising as a result of technical exploitation of new inventions, is a long-standing human practice ...
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Aveux Non Avenus
''Disavowals or cancelled confessions'' () is an anti-realist, surrealist autobiography by Claude Cahun. It was created to serve as a critique of the dominant cultural conservatism in France through the subversion of traditional autobiography with the use of illustrated photomontages alongside the artist's own aphorisms in the aftermath of World War I. Publication Adrienne Monnier rejected the book after Cahun presented to her in 1928 after Monnier had recommended they write a confessional. Cahun responded: ''"You have told me to write a confession because you know only too well that this is currently the only literary task that might seem to me first and foremost realizable, where I feel at ease, permit myself a direct link, contact with the real world, with the facts."''In May 1930, Cahun succeeded in publication despite Adrienne's rejection with a limited edition of 500 by the anti-nazi publication house, Éditions Carrefour of Paris the same publisher of Max Ernst Ma ...
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