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Claude Abromont
Claude Abromont (born 1955 in Paris) is a French musicologist, essayist and writer. He is mostly known for his ''Guide de la théorie de la musique''. Biography After studying the history of music, harmony and counterpoint at the Conservatoire national supérieur de musique et de danse de Paris (CNSMDP), Abromont studied musical composition with Max Deutsch at the École normale de musique de Paris. He obtained a 1st Prize in musical analysis at the CNSMDP in 1986 (Claude Ballif's class). Publications Articles * ''Enseigner la composition musicale ?'', in collaboration with François Leclère, in ''Musique en jeu'' n°29, November 1977, * ''À propos de Farben : invention et figuration dans la pensée musicale de Schoenberg'', ''Analyse musicale'' n°3, April 1986, * ''Le chant de Linos by André Jolivet'', Traversières magazine n°19/53-20/54, Spring/Summer 1996, * ''La Musique complète ; Berlioz, 1844,'' in ''Wagner m'a tué !, les enjeux de la musique en 25 citation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Music
Although definitions of music vary wildly throughout the world, every known culture partakes in it, and it is thus considered a cultural universal. The origins of music remain highly contentious; commentators often relate it to the origin of language, with much disagreement surrounding whether music arose before, after or simultaneously with language. Many theories have been proposed by scholars from a wide range of disciplines, though none have achieved broad approval. Most cultures have their own mythical origins concerning the invention of music, generally rooted in their respective mythological, religious or philosophical beliefs. The music of prehistoric cultures is first firmly dated to BP of the Upper Paleolithic by evidence of bone flutes, though it remains unclear whether or not the actual origins lie in the earlier Middle Paleolithic period (300,000 to 50,000 BP). There is little known about prehistoric music, with traces mainly limited to some simple ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony (melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire National Supérieur De Musique Et De Danse De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an Originality, original piece or work of music, either Human voice, vocal or Musical instrument, instrumental, the musical form, structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music, sheet music "score," which is then performed by the composer or by other musicians. In popular music and Folk music, traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Deutsch
Max Deutsch (17 November 1892 – 22 November 1982) was an Austrian-French composer, conductor, and academic teacher. He studied with Arnold Schönberg and was his assistant. Teaching at the Sorbonne and the École Normale de Musique de Paris, he influenced notable students such as Philippe Capdenat, Donald Harris, György Kurtág and Philippe Manoury. Career Born in Vienna, Deutsch was a pupil of and assistant to Arnold Schoenberg. He studied under him in Vienna before the First World War; and followed Schönberg as his assistant to Amsterdam in 1921. Deutsch was a Fellow and taught at UNESCO, and taught at the Sorbonne (Paris IV) from 1970 to 1971, and finally, from 1972 to the École Normale de Musique de Paris. He founded in Paris the theater ' (''The Jewish Mirror''), where many works of composers such as Schönberg, Anton Webern and Alban Berg were first performed. Konstantin Stanislavsky commissioned a work which was to become the opera ' (Chess). His "film symphony" ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
École Normale De Musique De Paris
The École Normale de Musique de Paris "Alfred Cortot" (ENMP) is a leading conservatoire located in Paris, Île-de-France, France. At the time of the school's foundation in 1919 by Auguste Mangeot, Alfred Cortot. The term ''école normale'' (English: normal school) meant a teacher training institution, and the school was intended to produce music teachers as well as concert performers. Located in the 17th arrondissement of Paris, it was founded by Auguste Mangeot and pianist Alfred Cortot. It is officially recognised by the Ministry of Culture and Communication and is under the patronage of the Ministry of Foreign Affairs. The school is not recognised by the Bologna Process. History The École was founded on 6 October 1919 as a private institution by French pianist Alfred Cortot and Auguste Mangeot, director of the magazine ''Le Monde musical''. In 1927, the school moved from a building in the rue Jouffroy-d'Abbans to 114 bis boulevard Malesherbes, a Belle Époque mansi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Analysis
Musical analysis is the study of musical structure in either compositions or performances. According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Bent, "its emergence as an approach and method can be traced back to the 1750s. However it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, "to explain by means of nalysisis to decompose, to mutilate the spirit of a work". Analyses Some analysts, such as Donald Tovey (whose ''Essays in Musical Analysis'' are among the most accessible musical analyses) have presented their analyses in prose. Others, such as Hans Keller (who devise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Ballif
Claude Ballif (22 May 1924 – 24 July 2004) was a French composer, writer, and pedagogue. He worked at a number of institutions throughout more than 40 years of teaching, one of which he had attended as a student. Among his pupils were Raynald Arseneault, Nicolas Bacri, Gérard Buquet, Joseph-François Kremer, Philippe Manoury, Serge Provost, Mehmet Okonsar, Simon Bertrand, Alexandre Desplat, and Claude Abromont. He was described as a French modernist and as "the product of the exciting and turbulent post World War II years of the Western avant-garde" alongside composers Pierre Boulez and Karlheinz Stockhausen. Biography Ballif was born in Paris on 22 May 1924, the fifth of ten children. He grew up in a bourgeois family but did not recognize the privilege of his childhood as a rarity until much later. His mother Odette was from the Festugière family, forgemasters and owners of the Château de Poissons in Haute-Marne. Her brother was André-Jean Festugière and her fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Groupe Flammarion
Groupe Flammarion () is a French publishing group, comprising many units, including its namesake, founded in 1876 by Ernest Flammarion, as well as units in distribution, sales, printing and bookshops (La Hune and Flammarion Center). Flammarion became part of the Italian media conglomerate RCS MediaGroup in 2000. Éditions Gallimard acquired Flammarion from RCS MediaGroup in 2012. Subsidiaries include Casterman. Its headquarters in Paris are in the building that was the former Café Voltaire (named in honour of the writer and philosopher Voltaire), located on the Place de l'Odeon in the current 6th arrondissement of Paris. Flammarion is a subsidiary of Groupe Madrigall, the third largest French publishing group. History Ernest Flammarion successfully launched his family publishing venture in 1875 with the ''Treaty of Popular Astronomy'' of his brother, the astronomer Camille Flammarion. The firm published Émile Zola, Maupassant, and Jules Renard, as well as Hector Malo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fayard
Fayard (complete name: ''Librairie Arthème Fayard'') is a French Paris-based publishing house established in 1857. Fayard is controlled by Hachette Livre. In 1999, Éditions Pauvert became part of Fayard. Claude Durand was director of Fayard from 1980 until his retirement in 2009. He was replaced by Olivier Nora, previously head of Éditions Grasset & Fasquelle another division of the Hachette group. On 6 November 2013, Nora was replaced by Sophie de Closets, who officially took over at the beginning of 2014. In December 2009, Hachette Littérature (publisher of the ''Pluriel'' pocket collection) was absorbed by Fayard. Isabelle Seguin, the director of Hachette Littérature, became literary director of Fayard. Imprints Fayard has three imprints: * Editions Mille et Une Nuits * Editions Mazarine * Pauvert Works published Works published by Editions Fayard include: *''Dictionnaire de la France médiévale'' by French historian Jean Favier * ''Les Égarés'' by French writer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
