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Chronological Classics Complete Discography
Chronological Classics was a French compact disc reissue label. Gilles Pétard, the original owner, intended to release the complete master takes of all jazz and swing recordings that were issued on 78 rpm. By the time the label suspended operations in July 2008, its scope had extended to LPs. Pétard also started the label R&B Classics to reissue postwar rhythm & blues recordings. An unaffiliated label, Neatworks, released alternate takes and misidentified master takes of jazz artists previously issued on Chronological Classics. In 1999, Chronological Classics issued a CD set that included tracks previously unavailable in the regular series and a bonus CD with corrected tracks from previous releases. The jazz series started with number 500 and includes the following albums: 500 – 599 * 24 Complementary Track (3 CDs) * 99 The Classics Collection (The Classics Sampler) A 20 Tracks*500 Ella Fitzgerald 1935–37 *501 Jimmie Lunceford 1930–34 *502 Chick Webb 1929–34 *503 C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chronological Classics
The Chronological Classics series consists of 965 jazz compact discs compiled by Gilles Pétard in France. Classics Records is a record company and label founded by Pétard in Paris in c. 1989. The company also reissued recording by Rhythm & blues artists in a series which ran to 190 CDs. The label set out to assemble comprehensive collections of jazz recordings by hundreds of artists previously issued on 78 rpm records, as European copyright laws allowed (issued recordings are protected for 50 years) and issue them on compact disc. The series was issued with discographical details and in colour-coordinated packaging. Classics largely concentrating on reissuing American jazz, while the American record companies were not producing their own editions of early jazz on anything like this scale. Classics had several European rivals in the early 1990s such as Masters of Jazz and Jazz Archives. The series was initially distributed by subscription, with five issues being released each month ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, arranger, bandleader, and composer. Biography Redman was born in Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become swing. A trademark of Redman's arrangem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
McKinney's Cotton Pickers
McKinney's Cotton Pickers were an American jazz band, founded in Detroit, Michigan, United States in 1926, and led by William McKinney, who expanded his Synco Septet to ten players. Cuba Austin took over for McKinney on drums, with the latter becoming the band's manager. Between 1927 and 1931, they were one of the most popular African American bands. Many of their records for Victor were bestsellers. In 1927, Fletcher Henderson's arranger and saxophone player Don Redman was invited to become the Cotton Pickers' musical director and he assembled a band. John Nesbitt helped Redman with arrangements and rehearsals. The band in 1928 included Cuba Austin (drums and vocals), Langston Curl (trumpet), Ralph Escudero (tuba), Claude Jones, Redman (clarinet, alto saxophone, baritone saxophone, vocals), Todd Rhodes (piano, celeste), Prince Robinson (clarinet, tenor saxophone), Milton Senior (trombone), George Thomas (clarinet, alto saxophone, tenor saxophone, vocals) and Dave Wilborn (b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmie Noone
Jimmie Noone (April 23, 1895 – April 19, 1944) was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his ''Boléro'' on an improvisation by Noone. At the time of his death Noone was leading a quartet in Los Angeles and was part of an all-star band that was reviving interest in traditional New Orleans jazz in the 1940s. Early life Jimmie Noone was born on April 23, 1895, on a farm in Cut Off, Louisiana, United States, to Lucinda (née Daggs)Ancestry.com. California, Death Index, 1940–1997 atabase on-line Provo, UT, USA: Ancestry.com Operations Inc, 2000. Original data: State of California. California Death Index, 1940-1997. Sacramento, CA, USA: State of California Department of Health Services, Center for Health Statistics. and James Noone. He grew up in Hammond, Louisiana, where he started ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Oliver
Joseph Nathan "King" Oliver (December 19, 1881 – April 8/10, 1938) was an American jazz cornet player and bandleader. He was particularly recognized for his playing style and his pioneering use of mutes in jazz. Also a notable composer, he wrote many tunes still played today, including "Dippermouth Blues", "Sweet Like This", "Canal Street Blues", and " Doctor Jazz". He was the mentor and teacher of Louis Armstrong. His influence was such that Armstrong claimed, "if it had not been for Joe Oliver, Jazz would not be what it is today." Biography Life Joseph Nathan Oliver was born in Aben, Louisiana, near Donaldsonville in Ascension Parish to Nathan Oliver and Virginia "Jinnie" Jones. He claimed 1881 as his year of birth in his draft registration in September 1918 (two months before the end of World War I) but that year is open to debate, with some census records and other sources suggesting 1884 or 1885 as his true year of birth. He moved to New Orleans in his youth. He f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Dodds
Johnny Dodds (; April 12, 1892 – August 8, 1940) was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of the drummer Warren "Baby" Dodds, one of the first important jazz drummers. They worked together in the New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Jazz Hall of Fame. He has been described as "a prime architect in the creation of the Jazz Age." Biography Dodds was born in Waveland, Mississippi. His childhood environment was a musical one. His father and uncle were violinists, his sister played a melodeon, and in adolescence Johnny sang high tenor in the family quartet. According to legend, his instrumental ski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Russell
Luis Russell (August 5, 1902 – December 11, 1963) was a pioneering Panamanian jazz pianist, orchestra leader, composer, and arranger. Career Luis Carl Russell was born on Careening Cay, near Bocas del Toro, Panama, in a family of African-Caribbean ancestry. His father was a music teacher, and Russell learned to play guitar, piano, and violin. He had begun playing professionally, accompanying silent films by 1917 and later at a casino in Colón, Panama. In 1919, he won $3,000 in a lottery and used it to move to the United States, with his mother and sister, settling in New Orleans, Louisiana, where he worked as a pianist. He moved to Chicago, Illinois, in 1925 and worked with Doc Cook and King Oliver. The Oliver band moved to New York City, and Russell left to form his own band. By 1929, Russell's band became one of the leading jazz groups in New York City. It had several former Oliver sidemen. Performers in his band included trumpeter Red Allen, trombonist J. C. Higginbotham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jelly-Roll Morton
Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre. Morton also wrote " King Porter Stomp", "Wolverine Blues", "Black Bottom Stomp", and "I Thought I Heard Buddy Bolden Say", the last being a tribute to New Orleans musicians from the turn of the 20th century. Morton's claim to have invented jazz in 1902 was criticized. Music critic Scott Yanow wrote, "Jelly Roll Morton did himself a lot of harm posthumously by exaggerating his worth...Morton's accomplishments as an early innovator are so vast that he did not really need to stretch the truth." Gunther Schuller ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important Solo (music), soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a Shoemaking, shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time Trombone, trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday had an innovative influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by producer John Hammond, who liked her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Kirk (musician)
Andrew Dewey Kirk (May 28, 1898 – December 11, 1992) was an American jazz saxophonist and tubist who led the Twelve Clouds of Joy, a band popular during the swing era. He was born in Newport, Kentucky, United States. Kirk grew up in Denver, Colorado, where he was tutored by Wilberforce Whiteman, Paul Whiteman's father. Kirk started his musical career playing with George Morrison's band, but then went on to join Terrence Holder's Dark Clouds of Joy. In 1929, he was elected leader after Holder departed. Renaming the band Clouds of Joy, Kirk also relocated the band from Dallas, Texas, to Kansas City, Missouri. Although named the Clouds of Joy, the band has also been known as the Twelve Clouds of Joy due to the number of musicians in the band. They set up in the Pla-Mor Ballroom on the junction of 32nd and Main in Kansas City and made their first recording for Brunswick Records that same year. Mary Lou Williams came in as pianist at the last moment, but she impressed Brunswick's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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