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Chinese Sanqu Poetry
''Sanqu'' () is a fixed-rhythm form of Classical Chinese poetry or "literary song".Crump (1990), 125 Specifically ''sanqu'' is a subtype of the '' qu'' formal type of poetry. ''Sanqu'' was a notable Chinese poetic form, possibly beginning in the Jin dynasty (1115–1234), but especially associated with the Yuan (1271–1368), Ming (1368–1644) and Qing (1644–1912) dynasties. The tonal patterns modeled on tunes drawn from folk songs or other music. Overview The ''sanqu'' were literary lyrics directly related to the ''zaju'' arias: these were dramatic lyrics written to fixed musical modes or metrical forms and could contain several aria or lyric song segments in one suite. ''Sanqu'', however, could be composed in single discrete sections. It is often said that the ''sanqu'' verses tend to reflect excess energies and resentments of contemporary disenfranchised Chinese literati, due to contemporary Jurchen and Mongol political domination. Often the poetry could be humorous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Zhiyuan
Ma Zhiyuan (, 1250–1321), courtesy name Dongli (), Chinese dramatist, playwright, and poet during the Yuan dynasty.Cihai: Page 1132-1133. Among his achievements is the development and popularizing of the ''sanqu'' () lyric type of Classical Chinese poetry forms. The poem "Autumn Thoughts" () is the most widely known of his sanqu poems. His sanqu poems were collected in the book "Dongli Yuefu" (), where there were 104 single ''sanqu'' (Xiaoling 小令) and 17 song suites (Taoshu 套數). Works Poems Ma Zhiyuan's ''sanqu'' poem "Autumn Thoughts" (), composed to the metric pattern Tianjingsha (), uses ten images in twenty-two monosyllables to preamble a state of emotion, and is considered as the penultimate piece in Chinese poetry to convey the typical Chinese male literati's melancholy during late autumn: : ''Autumn Thoughts'' : Over old trees wreathed with rotten vines fly evening crows; : Under a small bridge near a cottage a stream flows; : On ancient road in the west wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuan Poetry
Yuan poetry refers to those types or styles of poetry particularly associated with the era of the Yuan dynasty (1271–1368), in China. Although the poetic forms of past literature were continued, the Yuan period is particularly known for the development of the poetic aspects included in the complex mix of different art forms which characterize Chinese opera, namely the '' qu'' or fixed-tone pattern type of verses that were delivered by the actors of these shows. Although the language of Yuan poetry is still generally considered to be Classical Chinese, a certain vernacular aspect reflecting linguistic changes can be seen in some of the fixed-rhythm verse forms, such as Yuan ''ci'' and ''qu''. Certain aspects of Yuan poetry can be understood in the context of the social and political changes which took place as part of the process of the Mongol conquest of the Jin and Song Dynasties and their subsequent establishment of the Yuan dynasty. History The history of Yuan poetry involves b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Poetry
Ming poetry refers to the poetry of or typical of the Ming dynasty (1368–1644). With over one million specimens of Ming poetry surviving today, the poetry of the Ming dynasty represents one of the major periods of Classical Chinese poetry, as well as an area of active modern academic research. Ming poetry (and Chinese art and literature in general) is marked by 2 transitional phases, the transition between the Yuan dynasty which was the predecessor to the Ming, and the Qing-Ming transition which eventually resulted in the succeeding Qing dynasty. Although in politico-dynastic terms, the dynastic leadership of China is historically relatively clear-cut, the poetic periods involved encompass the lifespans and works of poets whose lives and poetic output transcend both the end of one dynasty and the initiatory period of the next. Background Following the collapse of the Mongol Empire, Mongol-led Yuan dynasty, and upon its establishment, the Ming dynasty for much or most of its ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin Chinese
Mandarin ( ; zh, s=, t=, p=Guānhuà, l=Mandarin (bureaucrat), officials' speech) is the largest branch of the Sinitic languages. Mandarin varieties are spoken by 70 percent of all Chinese speakers over a large geographical area that stretches from Yunnan in the southwest to Xinjiang in the northwest and Heilongjiang in the northeast. Its spread is generally attributed to the greater ease of travel and communication in the North China Plain compared to the more mountainous south, combined with the relatively recent spread of Mandarin to frontier areas. Many varieties of Mandarin, such as Southwestern Mandarin, those of the Southwest (including Sichuanese dialects, Sichuanese) and the Lower Yangtze Mandarin, Lower Yangtze, are not mutually intelligible with the Beijing dialect (or are only partially intelligible). Nevertheless, Mandarin as a group is often placed first in lists of languages by number of native speakers (with nearly one billion). Because Mandarin originated in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese
Classical Chinese is the language in which the classics of Chinese literature were written, from . For millennia thereafter, the written Chinese used in these works was imitated and iterated upon by scholars in a form now called Literary Chinese, which was used for almost all formal writing in China until the early 20th century. Each written character corresponds to a single spoken syllable, and almost always to a single independent word. As a result, the characteristic style of the language is comparatively terse. Starting in the 2nd century CE, use of Literary Chinese spread to the countries surrounding China, including Vietnam, Korea, Japan, and the Ryukyu Islands, where it represented the only known form of writing. Literary Chinese was adopted as the language of civil administration in these countries, creating what is known as the Sinosphere. Each additionally developed systems of readings and annotations that enabled non-Chinese speakers to interpret Literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guan Hanqing
Guan Hanqing (, 1241–1320); sobriquet Yǐzhāi (已齋), Yīzhāi (一齋), Yǐzhāisǒu (已齋叟); was a Chinese dramatist, playwright, and poet during the Yuan Dynasty. He has been described as among the most prolific and highly regarded dramatists of the Yuan period. Life Guan Hanqing was undoubtedly the most productive and creative playwright of northern plays. Described by Jia Zhongming as “the leader of the Pear Garden” (liyuan lingxiu 梨園領袖), Guan was fully immersed in the theatrical scene of his time and was well known amongst both actors and his fellow peers. He is even said to have painted and powdered his face (mianfu fenmo 面傅粉墨) while acting on stage. He is credited with the writing of 68 plays, of which only 18 survive, three in fragments. These were written mostly in the vernacular of the time. In some cases, attribution is highly disputed. In addition to playwriting, Guan Hanqing is also said to be a master of songs (sanqu 散曲). 57 of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mongols
Mongols are an East Asian ethnic group native to Mongolia, China ( Inner Mongolia and other 11 autonomous territories), as well as the republics of Buryatia and Kalmykia in Russia. The Mongols are the principal member of the large family of Mongolic peoples. The Oirats and the Buryats are classified either as distinct ethno-linguistic groups or as subgroups of Mongols. The Mongols are bound together by a common heritage and ethnic identity, descending from the Proto-Mongols. Their indigenous dialects are collectively known as the Mongolian language. The contiguous geographical area in which the Mongols primarily live is referred to as the Mongol heartland, especially in discussions of the Mongols' history under the Mongol Empire. Definition Broadly defined, the term includes the Mongols proper (also known as the Khalkha Mongols), Buryats, Oirats, the Kalmyks and the Southern Mongols. The latter comprises the Abaga Mongols, Abaganar, Aohans, Arkhorchin, Asud, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qu (poetry)
The ''Qu'' form of poetry is a type of Classical Chinese poetry form, consisting of words written in one of a number of certain, set tone patterns, based upon the tunes of various songs. Thus ''Qu'' poems are lyrics with lines of varying longer and shorter lengths, set according to the certain and specific, fixed patterns of rhyme and tone of conventional musical pieces upon which they are based and after which these matched variations in lyrics (or individual ''Qu'' poems) generally take their name.Yip, 306-308 The fixed-tone type of verse such as the ''Qu'' and the '' ci'' together with the '' shi'' and '' fu'' forms of poetry comprise the three main forms of Classical Chinese poetry. Names and types In Chinese literature, the ''Qu'' () form of poetry from the Yuan Dynasty may be called ''Yuanqu'' (元曲 P: ''Yuánqǔ'', W: ''Yüan-ch'ü''). Qu may be derived from Chinese opera, such as the ''Zaju'' (雜劇), in which case these Qu may be referred to as '' sanqu'' (散曲). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jurchen People
Jurchen (, ; , ) is a term used to collectively describe a number of East Asian people, East Asian Tungusic languages, Tungusic-speaking people. They lived in northeastern China, also known as Manchuria, before the 18th century. The Jurchens were renamed Manchu people, Manchus in 1635 by Hong Taiji. Different Jurchen groups lived as hunter-gatherers, pastoralist semi-nomads, or sedentary agriculturists. Generally lacking a central authority, and having little communication with each other, many Jurchen groups fell under the influence of neighbouring dynasties, their chiefs paying tribute and holding nominal posts as effectively hereditary commanders of border guards. Han Chinese, Han officials of the Ming dynasty (1368–1644) classified them into three groups, reflecting relative proximity to the Ming: #Jianzhou Jurchens, Jianzhou (Chinese: 建州) Jurchens, some of whom were mixed with Chinese populations, lived in the proximity of the Mudan River, Mudan river, the Changbai Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arias
In music, an aria (, ; : , ; ''arias'' in common usage; diminutive form: arietta, ; : ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, ('Aria del Gran Duca'). By the early 16th century, it was in common use as meaning a simple setting of strophic poetry; melodic madrigals, free of c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
