|
Chandos Anthems
''Chandos Anthems'', Händel-Werke-Verzeichnis, HWV 246–256, is the common name of a set of anthems written by George Frideric Handel. These sacred choral compositions number eleven; a twelfth of disputed authorship is not considered here. The texts are psalms and combined psalm verses in English. Handel wrote the anthems as composer in residence at Cannons (house), Cannons, the court of James Brydges, 1st Duke of Chandos, James Brydges, who became the First Duke of Chandos in 1719. His chapel was not yet finished, and services were therefore held at St. Lawrence's church, Whitchurch, St Lawrence in Whitchurch, London, Whitchurch. The scoring is intimate, in keeping with the possibilities there. Some of the anthems rely on earlier works, and some were later revised for other purposes. Ten of the anthems were published in 1748. With a leading ''Jubilate'', an additional closing anthem in different scoring, and in different order, they were published in the Samuel Arnold (compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel ( ; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concerti. Born in Halle, Germany, Handel spent his early life in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical breakdown, c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Chrysander
Karl Franz Friedrich Chrysander (8 July 1826 – 3 September 1901) was a German music historian, critic and publisher, whose edition of the works of George Frideric Handel and authoritative writings on many other composers established him as a pioneer of 19th-century musicology. Biography Born at Lübtheen, in Mecklenburg-Schwerin, Chrysander was the son of a miller. He earned a Doctorate in Philosophy from the University of Rostock in 1853. He then focused his studies on music, and in an obituary for Chrysander in October 1901, the '' Musical Times'' said of him that :"From the beginning he assumed the role of an historian in rigorously defending the right and claims of musical masterpieces of a distant past to a legitimate and faithful reproduction, i.e., without modernising, and without instrumental or vocal additions." Chrysander is also credited with rediscovering the autograph score of Johann Sebastian Bach's '' Mass in B Minor,'' which he then sold to the Royal Libra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utrecht Jubilate
''Utrecht Te Deum and Jubilate'' is the common name for a sacred choral composition in two parts, written by George Frideric Handel to celebrate the Treaty of Utrecht, which established the Peace of Utrecht in 1713, ending the War of the Spanish Succession. He composed a Te Deum, HWV 278, and a ''Jubilate Deo'' (Psalm 100), HWV 279. The combination of the two texts in English follows earlier models. The official premiere of the work was on 13 July 1713 in a service in St Paul's Cathedral in London. History Handel's composition was written to celebrate the Peace of Utrecht in 1713.HHA church music handel-edition.com It has been described as his first commission from the British royal family, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chandos Jubilate
Chandos Jubilate, HWV246, is a common name for a choral composition by George Frideric Handel. It was published as the first of the Chandos Anthems, and is known also as ''Chandos Anthem'' No. 1 and as Jubilate in D Major. A setting of Psalm 100, "O, be joyful in the Lord", it is the first in a series of church anthems that Handel composed between 1717 and 1718, when he was composer in residence to James Brydges, later 1st Duke of Chandos. The anthem was probably first performed at St. Lawrence's church, Whitchurch, near Brydges' country house. The work is written for a small ensemble of instrumentalists, solo singers and choir, and is approximately twenty minutes in length. Background Handel, born in 1685 in what is now Germany, had spent several years as a young composer in Italy. From 1712 he was resident in London and was mostly focused on composing Italian operas. In 1717 he joined the household of James Brydges, later 1st Duke of Chandos, at his palatial estate, Cannons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 100
Psalm 100 is the 100th psalm in the Book of Psalms in the Tanakh. In English, it is translated as "Make a joyful noise unto the Lord, all ye lands" in the King James Version (KJV), and as "O be joyful in the Lord, all ye lands" in the Book of Common Prayer (BCP). Its Hebrew name is and it is subtitled a "Psalm of gratitude confession". In the slightly different numbering system in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 99. In the Vulgate, it begins Jubilate Deo (alternatively: "Iubilate Domino"), or Jubilate, which also became the title of the BCP version. People who have translated the psalm range from Martin Luther to Catherine Parr, and translations have ranged from Parr's elaborate English that doubled many words, through metrical hymn forms, to attempts to render the meaning of the Hebrew as idiomatically as possible in a modern language (of the time). The psalm, being a Psalms#Primary types, hymn psalm, has been paraphrase ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tate & Brady
Tate and Brady refers to the collaboration of the poets Nahum Tate and Nicholas Brady, which produced one famous work, ''New Version of the Psalms of David'' (1696). This work was a metrical version of the Psalms, and largely ousted the old version of T. Sternhold and J. Hopkins' Psalter. Still regularly sung today is their version of Psalm 34, "Through all the changing scenes of life" (which was improved in the second edition of 1698). As well as the 150 Psalms they also wrote metrical versions of the Lord's Prayer and the Apostles' Creed. It was dedicated to King William III who also gave his royal allowance for its use in such churches as would, "think fit to receive it." Because of the association between the authors and the collection, the work itself is often referred to as "Tate and Brady". Tate's well-known Christmas carol " While Shepherds Watched Their Flocks by Night" was first printed in ''A Supplement to the New Version of the Psalms by Dr Brady and Mr Tate'', pu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Brady (poet)
Nicholas Brady (28 October 165920 May 1726), Anglican divine and poet, was born in Bandon, County Cork, Ireland. He was the second son of Irishman Major Nicholas Brady (Ó Brádaigh or Mac Brádaigh) and his wife Martha Gernon, daughter of the English-born judge and author Luke Gernon (little is known of her mother); his great-grandfather was Hugh Brady, the first Protestant Bishop of Meath. He received his education at Westminster School and at Christ Church, Oxford; he had degrees from Trinity College, Dublin (BA 1685, MA 1686, BD & DD 1699)Burtchaell, George Dames; Sadleir, Thomas Ulick (eds), Alumni Dublinenses: a register of the students, graduates, professors and provosts of Trinity College in the University of Dublin(1593-1860)'', p. 93: Dublin, Alex Thom and Co, 1935. Brady was a zealous promoter of the Glorious Revolution and suffered for his beliefs in consequence. When war broke out in Ireland in 1690, Brady, by his influence, thrice prevented the burning of the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nahum Tate
Nahum Tate ( ; 1652 – 30 July 1715) was an Anglo-Irish poet, hymnist, and lyricist, who became Poet Laureate in 1692. Tate is best known for '' The History of King Lear'', his 1681 adaptation of Shakespeare's ''King Lear'', and for his libretto for Henry Purcell's opera, ''Dido and Aeneas''. He also wrote the lyrics to a Christmas carol, " While shepherds watched their flocks". Life Nahum Tate was born in Dublin and came from a family of Puritan clerics. He was the son of Faithful Teate, an Irish cleric whose father, also Faithful, had been rector of Castleterra, Ballyhaise, until his house was burnt and his family attacked during the Irish Rebellion of 1641. After living at the provost's lodgings in Trinity College Dublin, Faithful Teate moved to England. He was the incumbent at East Greenwich around 1650, and "preacher of the gospel" at Sudbury from 1654 to 1658. He had returned to Dublin by 1660. He published a poem on the Trinity entitled ''Ter Tria'', as well as s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Common Prayer
The ''Book of Common Prayer'' (BCP) is the title given to a number of related prayer books used in the Anglican Communion and by other Christianity, Christian churches historically related to Anglicanism. The Book of Common Prayer (1549), first prayer book, published in 1549 in the reign of King Edward VI of England, was a product of the English Reformation following the break with Catholic Church, Rome. The 1549 work was the first prayer book to include the complete forms of service for daily and Sunday worship in English. It contains Morning Prayer (Anglican), Morning Prayer, Evening Prayer (Anglican), Evening Prayer, the Litany, Holy Communion, and occasional services in full: the orders for Baptism, Confirmation, Marriage, "Anointing of the Sick, prayers to be said with the sick", and a funeral service. It also sets out in full the "propers" (the parts of the service that vary weekly or daily throughout the Church's Year): the introits, collects, and epistle and gospel rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manual (music)
The word "manual" is used instead of the word "keyboard" when referring to any hand-operated keyboard on a keyboard instrument that has a Pedal keyboard, pedalboard (a keyboard on which notes are played with the feet), such as an organ; or when referring to one of the keyboards on an instrument that has more than one hand-operated keyboard, such as a two- or three-manual harpsichord. (On instruments that have neither a pedalboard nor more than one hand-operated keyboard, the word "manual" is ''not'' a synonym for "keyboard".) Music written to be played only on the manuals (and not using the pedals) can be designated by the word manualiter (first attested in 1511, but particularly common in the 17th and 18th centuries). Overview Organs and synthesizers can, and usually do, have more than one manual; most home instruments have two manuals, while most larger organs have two or three. Elaborate pipe organs and theater organs can have four or more manuals. The manuals are set into th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical East And West
Liturgical east and west is a concept in the orientation of churches. It refers to the fact that the end of a Church (building), church which has the altar, for symbolic religious reasons, is traditionally on the east side of the church (to the right in a diagram). Traditionally churches are constructed so that during the celebration of the morning liturgy the priest and congregation face towards the rising sun, a symbol of Christ and the Second Coming. However, frequently the building cannot be built to match liturgical direction. In parish churches, liturgical directions often do not coincide with geography; even in cathedrals, liturgical and geographic directions can be in almost precise opposition (for example, at St. Mark's Episcopal Cathedral, Seattle, liturgical east is nearly due west). For convenience, churches are always described as though the end with the main altar is at the east, whatever the reality, with the other ends and sides described accordingly. Therefor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
