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Caprichos
''Los caprichos'' (''The Caprices)'' is a set of 80 prints in aquatint and etching created by the Spanish artist Francisco Goya in 1797–1798, and published as an album in 1799. The prints were an artistic experiment: a medium for Goya's condemnation of the universal follies and foolishness in the Spanish society in which he lived. The criticisms are far-ranging and acidic; the images expose the predominance of superstition, the ignorance and inabilities of the various members of the ruling class, pedagogical short-comings, marital mistakes and the decline of rationality. Some of the prints have anticlerical themes. Goya described the series as depicting "the innumerable foibles and follies to be found in any civilized society, and from the common prejudices and deceitful practices which custom, ignorance or self-interest have made usual". Goya added brief explanations of each image to a manuscript, now in the Museo del Prado, which help explain his often cryptic intentions, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Francisco Goya
The following is an incomplete list of works by the Spanish painter and printmaker Francisco Goya. Paintings (1763–1774) Paintings (1775–1792) ''see also: List of Francisco Goya's tapestry cartoons'' Paintings (1793–1807) Paintings (1808–1818) Paintings (1819–1828) Prints (Los Caprichos) As well as paintings Goya was also one of the greatest ever printmaking, printmakers. He produced several sets of prints using the relatively new technique of aquatint. Towards the end of his life Goya also began to experiment with lithography. The dimensions given refer to the size of the printed image rather than the paper that the image is printed on. Prints (Disasters of War) Prints (La Tauromaquia) Prints (Los disparates) Prints (Bulls of Bordeaux) Prints (Other prints) See also * List of Francisco Goya's tapestry cartoons * Black paintings Notes References External links Catalogue at University of ZaragossaGoya at the Prado {{Lists of pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleep Of Reason Produces Monsters
''The Sleep of Reason Produces Monsters'' or ''The Dream of Reason Produces Monsters'' ( es, El sueño de la razón produce monstruos) is an aquatint by the Spanish painter and printmaker Francisco Goya. Created between 1797 and 1799 for the , it is the 43rd of the 80 aquatints making up the satirical . Subject is a series of 80 etchings published in 1799 wherein Goya criticized the rampant political, social, and religious abuses of the time period. In this series of etchings, Goya heavily utilized the popular technique of caricature, which he enriched with artistic innovation. Goya’s usage of the recently-developed technique of aquatint (i.e., a method of etching a printing plate so that tones similar to watercolor washes can be reproduced) gave pronounced tonal effects and spirited contrast that made them a major achievement in the history of engraving. Of the 80 aquatints, number 43, "The Sleep of Reason Produces Monsters", can be viewed as Goya’s personal manifesto; man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Goya
Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. Goya was born to a middle-class family in 1746, in Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Their life was characterised by a series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Disasters Of War
''The Disasters of War'' ( es, Los desastres de la guerra) is a series of 8280 prints in the first published edition (1863), for which the last two plates were not available. See "Execution". prints created between 1810 and 1820 by the Spanish painter and printmaker Francisco Goya (1746–1828). Although Goya did not make known his intention when creating the plates, art historians view them as a visual protest against the violence of the 1808 Dos de Mayo Uprising, the subsequent Peninsular War of 1808–1814 and the setbacks to the liberal cause following the restoration of the Bourbon monarchy in 1814. During the conflicts between Napoleon's French Empire and Spain, Goya retained his position as first court painter to the Spanish crown and continued to produce portraits of the Spanish and French rulers.Wilson-Bareau, 45 Although deeply affected by the war, he kept private his thoughts on the art he produced in response to the conflict and its aftermath.Sayre, 129 He was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aquatint
Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone. It has also been used historically to print in colour, both by printing with multiple plates in different colours, and by making monochrome prints that were then hand-coloured with watercolour. It has been in regular use since the later 18th century, and was most widely used between about 1770 and 1830, when it was used both for artistic prints and decorative ones. After about 1830 it lost ground to lithography and other techniques. There have been periodic revivals among artists since then. An aquatint plate wears out relatively quickly, and is less easily reworked than other intaglio plates. Many of Goya's plates were reprinted too often posthumously, giving very poor impressions. Among the most famous prints using the aquatint technique are the major s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Inquisition
The Tribunal of the Holy Office of the Inquisition ( es, Tribunal del Santo Oficio de la Inquisición), commonly known as the Spanish Inquisition ( es, Inquisición española), was established in 1478 by the Catholic Monarchs of Spain, Catholic Monarchs, King of Spain, King Ferdinand II of Aragon and Queen of Spain, Queen Isabella I of Castile. It began toward the end of the Reconquista and was intended to maintain Catholic Church, Catholic orthodoxy in their kingdoms and to replace the Medieval Inquisition, which was under Pope, Papal control. It became the most substantive of the three different manifestations of the wider Inquisition, Catholic Inquisition along with the Roman Inquisition and Portuguese Inquisition. The "Spanish Inquisition" may be defined broadly as operating in Spain and in all Spanish colonies and territories, which included the Canary Islands, the Kingdom of Naples, and all Spanish possessions in North, Central, and South America. According to modern esti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
And So Was His Grandfather
''And so was his grandfather'' ( es, Hasta su abuelo) is an aquatint by the Spanish painter and printmaker Francisco Goya. Created between 1797 and 1799 for the ''Diario de Madrid'', it is the 39th of the 80 aquatints making up the satirical '' Los caprichos''. The print is a satire on the Spanish nobility's obsession with ancestry and genealogical trees, and suggests that foolishness rather than nobility is hereditary. In particular, some have suggested that the print is aimed at the infamous politician Manuel Godoy, the '' prince of peace'', who justified his rapid climb through the Spanish establishment by claiming descent from the Gothic kings of Spain. The use of a donkey to satirize the aristocracy was used on several of the ''Los caprichos'' prints. It is one of only two prints in ''Los caprichos'' that was made purely by aquatint, without the use of etching. Preparatory drawings Goya produced three preparatory drawings for ''And so was his grandfather'', two in pencil an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goyescas
''Goyescas'', Op. 11, subtitled ''Los majos enamorados'' (''The Gallants in Love''), is a piano suite written in 1911 by Spanish composer Enrique Granados. It was inspired by the work of the Spanish artist Francisco Goya. The piano pieces have not been authoritatively associated with any particular paintings with two exceptions: *''El amor y la muerte'' (Love and death) shares its title with one of Goya's prints from the series called ''Los caprichos'' *''El pelele'' (The straw man) is one of Goya's tapestry cartoons This piano suite is usually considered Granados's crowning creation. It forms part of the standard Romantic piano repertoire and is sometimes recorded by pianists who are not particularly associated with Spanish music. Writing of the ''Goyescas'' The piano writing of ''Goyescas'' is highly ornamented and extremely difficult to master, requiring both subtle dexterity and great power. Some of them have a strong improvisational feel, the clearest example of this bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capriccio (painting)
In painting, a capriccio (, plural: ''capricci'' ; in older English works often anglicized as "caprice") means an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often fantastical combinations. These paintings may also include staffage (figures). Capriccio falls under the more general term of landscape painting. This style of painting was introduced in the Renaissance and continued into the Baroque. By the late 18th century the term, had expanded to mean any image with an equivalent degree of fantasy, for example as used in the titles of print series by Giovanni Battista Tiepolo and Goya, both of which focus on figures rather than architecture. The term is also used for other types of art with an element of fantasy (as capriccio in music). Capriccio Style There are several etymologies that have been put forward for "capriccio", one of which being derived from the Italian word "capretto" which roughly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Chicago Press
The University of Chicago Press is the largest and one of the oldest university presses in the United States. It is operated by the University of Chicago and publishes a wide variety of academic titles, including '' The Chicago Manual of Style'', numerous academic journals, and advanced monographs in the academic fields. One of its quasi-independent projects is the BiblioVault, a digital repository for scholarly books. The Press building is located just south of the Midway Plaisance on the University of Chicago campus. History The University of Chicago Press was founded in 1890, making it one of the oldest continuously operating university presses in the United States. Its first published book was Robert F. Harper's ''Assyrian and Babylonian Letters Belonging to the Kouyunjik Collections of the British Museum''. The book sold five copies during its first two years, but by 1900 the University of Chicago Press had published 127 books and pamphlets and 11 scholarly journals, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Del Prado - Goya - Caprichos - No
Museo may refer to: * Museo, 2018 Mexican drama heist film *Museo (Naples Metro) Museo is a station on line 1 of the Naples Metro. It was opened on 5 April 2001 as the eastern terminus of the section of the line between Vanvitelli and Museo. On 27 March 2002 the line was extended to Dante Dante Alighieri (; – 14 S ..., station on line 1 of the Naples Metro * Museo, Seville, neighborhood of Seville, Spain {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn Museum
The Brooklyn Museum is an art museum located in the New York City borough of Brooklyn. At , the museum is New York City's second largest and contains an art collection with around 1.5 million objects. Located near the Prospect Heights, Crown Heights, Flatbush, and Park Slope neighborhoods of Brooklyn, the museum's Beaux-Arts building was designed by McKim, Mead and White. The Brooklyn Museum was founded in 1898 as a division of the Brooklyn Institute of Arts and Sciences and was planned to be the largest art museum in the world. The museum initially struggled to maintain its building and collection, only to be revitalized in the late 20th century, thanks to major renovations. Significant areas of the collection include antiquities, specifically their collection of Egyptian antiquities spanning over 3,000 years. European, African, Oceanic, and Japanese art make for notable antiquities collections as well. American art is heavily represented, starting at the Colonial p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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