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Candid Records
Candid Records was a jazz record label first established in New York City. Early Candid Records The CANDID jazz label was founded in New York City in 1960 as a subsidiary of Cadence Records, owned by Archie Bleyer. The jazz writer and civil rights activist Nat Hentoff was the label's (A&R) director and, consequently, he attempted to create a catalog that represented the prevalent jazz music of the day. Hentoff also worked with the graphic designer and photographer Frank Gauna to create Candid's distinctive album covers. Candid's catalog included Don Ellis, Abbey Lincoln, Booker Little, Charles Mingus, and Cecil Taylor. Later, the label was acquired by pop singer Andy Williams, who either reissued the catalog on his own Barnaby label or licensed them to foreign record companies into the 1970s and late 1980s. The Cadence-era Discography The 34 Cadence-era LPs In 1964, due to its financial difficulties, Archie Bleyer opted to shut down Cadence Records, parent company of Cand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence Magazine
''Cadence: The Independent Journal of Creative Improvised Music'' is a quarterly review of jazz, blues and improvised music. The magazine covers a range of styles, from early jazz and blues to the avant-garde. Critic and historian Bob Rusch founded the magazine as a monthly in 1976 and served as publisher and coordinating editor through 2011. Musician David Haney became editor and publisher in 2012. History and profile ''Cadence'' began publication in 1976. The magazine's original parent company, Cadnor, Ltd. (based in Redwood Sequoioideae, commonly referred to as redwoods, is a subfamily of Pinophyta, coniferous trees within the family (biology), family Cupressaceae, that range in the Northern Hemisphere, northern hemisphere. It includes the List of superlative tree ..., New York), also owns a pair of jazz record labels ( CIMP and Cadence Jazz), a record distributorship (Cadence/North Country), and an audio equipment retailer (Northcountry Audio). The magazine was publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barnaby Records
Barnaby Records was an American record company founded by singer Andy Williams in 1963 with his purchase of soon-to-be-liquidated Cadence Records. It held the rights to work by a number of popular music performers including Williams' work before he was with Columbia Records. Williams got control of the Cadence master tapes in the 1960s but limited releases to that of himself and another former Cadence artist, Lenny Welch. This material was released on Williams's label at the time, Columbia Records. In 1970, Williams created the Barnaby label (named after his beloved dog Mr. Barnaby) to release the rest of the long unreleased Cadence archive, principally that of The Everly Brothers, which had been long out of print but in continued great demand. In 1971 Williams became the sole owner of the label when he bought out partner Alan Bernard. Barnaby also released new material by artists such as Ray Stevens, who scored Top Ten hits with his singles "Everything Is Beautiful" and " The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Straight Horn Of Steve Lacy
''The Straight Horn of Steve Lacy'' is the third album by Steve Lacy and the first to be released on the Candid label in 1961. It features performances of tunes written by Thelonious Monk, Cecil Taylor, Miles Davis, by Lacy, Charles Davis, John Ore and Roy Haynes. Reception The Allmusic review by Scott Yanow awarded the album 5 stars stating "Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes ("Introspection," "Played Twice," and "Criss Cross") plus two Cecil Taylor compositions and Charlie Parker's "Donna Lee."".Yanow, S.Allmusic Review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a Dixieland, progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nicho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The World Of Cecil Taylor
''The World of Cecil Taylor'' is an album by Cecil Taylor, recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Alternate takes from these sessions were released on ''Air'' in 1987. A 1971 reissue of the original album on the Barnaby label was also titled ''Air''. Some of the tracks the pianist chose to release on this album were improvised, single-take pieces, while others were the result of multiple takes. The track titled "Air" required 29 takes before being approved by Taylor. Reception In a review for AllMusic, Brian Olewnick wrote: "One can only imagine what the reaction of the average jazz fan was in 1960 when this session was recorded. This is a wonderful document from early in Taylor's career, when he was midway between modernist approaches to standard material and his own radical experiments that would come to full fruition a few years hence... What's extra amazing is how deep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus Presents Charles Mingus
''Charles Mingus Presents Charles Mingus'' is an album by the jazz double bassist and composer Charles Mingus, recorded in October 1960 and released in December of the same year. The quartet of Mingus, multi-instrumentalist Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond constituted Mingus' core working band at the time, and had been performing the material on this album for weeks at The Showplace in New York. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, even admonishing them to not applaud or rattle their glasses. This explains why the recordings on ''Presents'' would seemingly give off the illusion of a live album, when in fact it is a studio album. The album was recorded in New York for the Candid label, founded by Nat Hentoff. Mingus usually recorded on major labels like Columbia and Atlantic, but he was given more freedom on Hentoff's independent label. ''Presents'' has received positive reviews from jazz c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, composer, bandleader, pianist, and author. A major proponent of collective improvisation, he is considered one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus's work ranged from advanced bebop and avant-garde jazz with small and midsize ensembles to pioneering the post-bop style on seminal recordings like '' Pithecanthropus Erectus'' (1956) and '' Mingus Ah Um'' (1959) and progressive big band experiments such as '' The Black Saint and the Sinner Lady'' (1963). Mingus's compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra to high school students who play the charts and compete i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Time Passes
''How Time Passes'' is the debut album by trumpeter Don Ellis recorded in 1960 and released on the Candid label. accessed May 24, 2013 Reception Scott Yanow of states, "Trumpeter Don Ellis' initial recording as a leader (and first of four small group dates from the 1960-1962 period) found him stretching the boundaries of bop-based jazz and experimenting a bit with time and tempo... Although these musical experiments failed to be influential (Ellis himself went in a different direction a few years later), the unpredictable music is still quite interesting to hear".Yanow, S[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Horn In Town
''New Horn in Town'' is the sole album led by trumpeter Richard Williams featuring performances recorded in late 1960 and originally released on the Candid label.Edwards, D., & Callahan, M.Candid Records discographyaccessed October 19, 2015 Reception Scott Yanow of AllMusic wrote: "Considering how well trumpeter Richard Williams plays on this session, it is hard to believe that this was the only record he ever led. ...a set of strong hard bop". ''The Washington Posts Mark Kernis noted the album's "mixed styles, all highlighted by the clean sound of Williams' horn and solid rhythm support from veteran bassist Reginald Workman and drummer Bobby Thomas," and stated that Williams "plays like Harry James on ballads like 'Over the Rainbow' and 'I Remember Clifford'... and bops on more pointed tunes like 'Raucous Notes.'" Author Dave Oliphant commented: "Given Williams's range of expressiveness, his secure technique, and his 'ease in all areas of modern jazz argot,' it is incomprehen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (musician)
Richard Gene Williams (May 4, 1931 – November 4, 1985) was an American jazz trumpeter. Biography Williams was born in Galveston, Texas, and played tenor saxophone early in his life before picking up trumpet as a teenager. He played in local Texas bands and attended Wiley College, where he majored in music. After serving in the Air Force from 1952 to 1956, he toured Europe with Lionel Hampton, and upon his return took a master's degree at the Manhattan School of Music. Williams played with Charles Mingus at the Newport Jazz Festival in 1959, and recorded with Mingus starting in that year. He recorded his only session as a leader, ''New Horn in Town'' (1960) for Candid Records, and featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas. Williams was a sideman on many releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic in the 1960s. Among the musicians he worked with, apart from Mingus, are Oliver Nelson, Grant Green, Lou Donaldson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Insist!
''We Insist!'' (subtitled ''Max Roach's Freedom Now Suite'') is a jazz album which was released through Candid Records in December 1960. It contains a suite which composer and drummer Max Roach and lyricist Oscar Brown had begun to develop in 1959 with a view to its performance in 1963 on the centennial of the Emancipation Proclamation.LP liner notes by Nat Hentoff. C.H. Garrigues, "A New Jazz Label Voices a Shocking Call for Freedom," ''San Francisco Examiner,'' March 12, 1961, page 23 The cover references the sit-in movement of the Civil Rights Movement. ''The Penguin Guide to Jazz'' awarded the album one of its rare crown accolades, in addition to featuring it as part of its Core Collection. The music consists of five selections concerning the Emancipation Proclamation and the growing African independence movements of the 1950s. Only Roach and vocalist Abbey Lincoln perform on all five tracks, and one track features a guest appearance by saxophonist Coleman Hawkins. In 2022, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Roach
Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He also played with his daughter Maxine Roach, a Grammy nominated violist. He was inducted into the ''DownBeat'' Hall of Fame in 1980 and the '' Modern Drummer'' Hall of Fame in 1992. In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M'Boom. Biography Early life and career Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
