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C-sharp Major
C-sharp major (or the key of C-sharp) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. It is enharmonically equivalent to D-flat major. Its key signature has seven sharps. The C-sharp major scale is: : Its relative minor is A-sharp minor (or enharmonically B-flat minor) and its parallel minor is C-sharp minor. A harp tuned to C-sharp major has all its pedals in the bottom position. Because all the strings are then pinched and shortened, this is the least resonant key for the instrument. Compositions Most composers prefer to use the enharmonic equivalent D-flat major since it only contains five flats as opposed to C-sharp major's seven sharps. However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of '' The Well-Tempered Clavier''. In Hungarian Rhapsody No. 6, Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back aga ...
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A-sharp Minor
A-sharp minor is a minor musical scale based on A, consisting of the pitches A, B, C, D, E, F, and G. Its key signature has seven sharps, while the direct enharmonic equivalent, B-flat minor, has five flats. Its relative major is C-sharp major (or enharmonically D-flat major), and its parallel major is A-sharp major, usually replaced by B-flat major, since A-sharp major's three double-sharps make it impractical to use. A-sharp minor is likely the least used minor key in music as it is not generally considered a practical key for composition. The enharmonic equivalent B-flat minor, which only contains five flats as opposed to A-sharp minor's seven sharps, is preferable to use. The A-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A-sharp harmonic minor and melodic minor scales are: : : In Christian Heinrich Rinck Johann Christian Heinrich Rinck (18 Fe ...
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Relative Key
In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship. The relative minor of a particular major key, or the relative major of a minor key, is the key which has the same key signature but a different tonic. (This is as opposed to ''parallel'' minor or major, which shares the same tonic.) For example, F major and D minor both have one flat in their key signature at B♭; therefore, D minor is the relative minor of F major, and conversely F major is the relative major of D minor. The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. The minor key starts three semitones below its relative major; for ex ...
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Allegro De Concierto
The ''Allegro de concierto'' in C major, Op. 46, is a virtuosic showpiece for piano by Enrique Granados, composed between 1903 and 1904. Its lyricism and technical brilliance, reminiscent of Franz Liszt, have made it one of the composer's most popular works. History The ''Allegro de concierto'' was submitted to a competition organized by Tomás Bretón of the Madrid Royal Conservatory in 1903, which awarded a considerable sum of 500 pesetas for the best "concert allegro" for solo piano. Twenty-four composers participated, among them the young Manuel de Falla, who received an honorable mention. The jury declared Granados the winner with an almost unanimous vote. The composition brought Granados to national attention. Structure The structure of the work is somewhat unusual for Granados, as it is held in the traditional sonata form. It is reminiscent of Franz Liszt in its virtuosic piano writing, featuring rapid octaves and arpeggios that span the entire keyboard, and in it ...
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Piano Concerto For The Left Hand (Korngold)
Erich Wolfgang Korngold's Piano Concerto for the Left Hand in C-sharp major, Op. 17, was written on commission from Paul Wittgenstein in 1923, and published in 1926. It was only the second such concerto ever written, after the Concerto in E-flat by Géza Zichy, published in 1895. Wittgenstein, who lost an arm in World War I, was to commission works from composers such as Maurice Ravel, Richard Strauss, Sergei Prokofiev and Paul Hindemith, but Korngold was one of the first composers he approached. At that time, Korngold was the most performed composer in Germany and Austria after Strauss, and, despite being only in his mid-twenties, had already written a number of operas, including his greatest triumph, ''Die tote Stadt''. The Concerto for the Left Hand is cast in one continuous movement, which progresses through various moods and three main sections: # ''Mässiges Zeitmass'' (moderate tempo) # ''Heldisch'' (hero-like) # ''Mit Feuer und Kraft'' (with fire and power). It was premie ...
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Erich Wolfgang Korngold
Erich Wolfgang Korngold (May 29, 1897November 29, 1957) was an Austrian-born American composer and conductor. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores., video, 9 min. When he was 11, his ballet ''Der Schneemann'' (The Snowman), became a sensation in Vienna, followed by his Second Piano Sonata, which he wrote at age 13, played throughout Europe by Artur Schnabel. His one-act operas '' Violanta'' and ''Der Ring des Polykrates'' were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera '' Die tote Stadt'' (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. Kennedy, Michael. ''The Oxford Dictionary of Music'', Oxford Univ. Press (2013) p. 464 During the 1920s he re-orchestrated, re-arranged and nea ...
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Gaspard De La Nuit
''Gaspard de la nuit'' (subtitled ''Trois poèmes pour piano d'après Aloysius Bertrand''), M. 55 is a suite of piano pieces by Maurice Ravel, written in 1908. It has three movements, each based on a poem or ''fantaisie'' from the collection '' Gaspard de la Nuit – Fantaisies à la manière de Rembrandt et de Callot'' completed in 1836 by Aloysius Bertrand. The work was premiered in Paris, on January 9, 1909, by Ricardo Viñes. The piece is famous for its difficulty, partly because Ravel intended the Scarbo movement to be more difficult than Balakirev's '' Islamey''. Because of its technical challenges and profound musical structure, Scarbo is considered one of the most difficult solo piano pieces in the standard repertoire. The manuscript currently resides in the Harry Ransom Center of the University of Texas at Austin. Etymology The name " Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or ...
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Maurice Ravel
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer. Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, ''Boléro'' (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other compose ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a '' Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ...
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Hungarian Rhapsody No
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language, a Finno-Ugric language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine Hungarian or Magyar cuisine is the cuisine characteristic of the nation of Hungary and its primary ethnic group, the Magyars. Traditional Hungarian dishes are primarily based on meats, seasonal vegetables, fruits, bread, and dairy products. ..., the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ...
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The Well-Tempered Clavier
''The Well-Tempered Clavier'', BWV 846–893, consists of two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time, ''clavier'', meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord, but not excluding the organ. The modern German spelling for the collection is ' (WTK; ). Bach gave the title ' to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later, Bach compiled a second book of the same kind (24 pairs of preludes and fugues), which became known as ''The Well-Tempered Clavier'', Part Two (in German: ''Zweyter Theil'', modern spelling: ''Zweiter Teil''). Modern editions usually refer to both parts as ''The Well-Tempered Clavier, Book I'' (WTC I) and ''The Well-Tempere ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the '' Goldberg Variations'' and '' The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the '' St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protest ...
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Enharmonic
In modern musical notation and tuning, an enharmonic equivalent is a note, interval, or key signature that is equivalent to some other note, interval, or key signature but "spelled", or named differently. The enharmonic spelling of a written note, interval, or chord is an alternative way to write that note, interval, or chord. The term is derived from Latin ''enharmonicus'', from Late Latin ''enarmonius'', from Ancient Greek ἐναρμόνιος (''enarmónios''), from ἐν (''en'') and ἁρμονία (''harmonía''). Definition For example, in any twelve-tone equal temperament (the predominant system of musical tuning in Western music), the notes C and D are ''enharmonic'' (or ''enharmonically equivalent'') notes. Namely, they are the same key on a keyboard, and thus they are identical in pitch, although they have different names and different roles in harmony and chord progressions. Arbitrary amounts of accidentals can produce further enharmonic equivalents, such as B ...
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