|
Bourges International Electro-Acoustic Music Competition
The International Confederation of Electroacoustic Music (ICEM), or Bourges International Confederation of Electroacoustic Music (IMEB, french: Institut international de musique électroacoustique de Bourges, also "Bourges International Institute of Electroacoustic Music" (1998). News, p.15. '' Computer Music Journal '', Vol. 22, No. 4 (Winter, 1998), pp. 15-18. The MIT Press.), formerly Groupe de musique expérimentale de Bourges, is a music organization in support of electroacoustic music, including computer music. The ICEM holds the International Electronic Music Festival and gives music awards for electroacoustic music during the Bourges International Electro-Acoustic Music Competition (also known as "Bourges Electroacoustic Music Competition" and as the International Electro-Acoustic Music Competition in/at Bourges). It was founded in 1973, "to promote elecoacoustic composition," and began to include music software as a category in 1996. Recipients *1972: Eugeniusz Rudnik, ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Organization
This is a list of music organizations in the United States. It does not include symphony orchestras or other performance groups, or educational and research institutions unless they have significant programs outside the fields of education, research or performance. It does include corporations or record labels. Generally, only currently extant organizations are included. Some historically significant but defunct groups may also be included. International organizations are only included if they do have an American affiliate, and do have a major focus on American music. References * The Garland Encyclopedia of World Music: Volume 3: United States and Canada. Ellen Koskoff (ed.). Garland Publishing Inc. New York and London. 2001. Notes {{Music organizations Organizations in the United States * United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country Continental United States, primaril ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natasha Barrett (composer)
Natasha Barrett (March 1972, Norwich, England) is a British contemporary music composer specialising in electroacoustic art music. Her compositional aesthetics are derived from acousmatic issues. In addition to acousmatic concert music, she composes for instruments, live electronics, sound installations, multi-media works, real-time computer music improvisation, has made soundscapes for exhibitions, and music for contemporary dance and theater. Since 2000 her work has been influenced by spatialisation as a musical parameter, and the projection of 3-D sound-fields. She currently lives in Norway. Natasha Barrett began working seriously with electroacoustic composition during a master's degree in analysis and electroacoustic composition, studying with Jonty Harrison at the University of Birmingham (UK). This study also gave her the opportunity to work with BEAST (Birmingham ElectroAcoustic Sound Theatre) which influenced her later work, and lead on to a doctoral degree in compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music Organizations
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics or home electronics are electronic ( analog or digital) equipment intended for everyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canadian Electroacoustic Community
Founded in 1986, La Communauté électroacoustique canadienne / The Canadian Electroacoustic Community (CEC) is Canada's national electroacoustic / computer music / sonic arts organization and is dedicated to promoting this progressive art form in its broadest definition: from "pure" acousmatic and computer music to soundscape and sonic art to hardware hacking and beyond. Among the objectives, as written in the Bylaws of the corporation, are the "support, development, production, distribution of information, materials, works... for the ea/cm community in Canada... with continuing special concern for the younger generation of individuals and women in this community. The CEC recognizes and supports the principle of sexual equality, and also, the equal status of English and French." The CEC endeavours to foster a broad, diverse, and inclusive community of electroacoustic practitioners, raise the profile of electroacoustics in the Canadian arts milieu, and to promote Canadian electr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society For Electro-Acoustic Music In The United States
The Society for Electro-Acoustic Music in the United States (SEAMUS) is a nonprofit US-based organization founded in 1984 that aims to promote the performance and creation of electro-acoustic music in the United States. In particular, the organization aims: *To encourage the composition, performance of, and research about electro-acoustic music in the United States *To foster a network for technical and artistic information exchange *To attract a wide diversity of members (i.e., practitioners of a diversity of experimental practices and practitioners manifesting a diversity of racial and gender identities and ages) from both in and outside of academic institutions *To seek to remove structural and economic barriers to the creation, performance, documentation, and dissemination of electro-acoustic music *To share SEAMUS activities with members, and with the larger artistic and academic communities SEAMUS ( ) comprises composers, performers, and teachers of electroacoustic music repr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenic Electroacoustic Music Composers Association
The Hellenic Electroacoustic Music Composers Association (HELMCA) is the only national association of electroacoustic music in Greece. It is registered as a nonprofit organization (act. 1059.91/2001). Its members are active composers and sound artists who creatively use advances in music technology, producing a variety of musical forms of sonic art in their work. HELMCA became the official Greek federation of the International Confederation of Electroacoustic Music (ICEM) in June 2006, and it is the national member of the IREM (International Rostrum of Elactroacoustic Music, a part of UNESCO). It has more than 70 members, and organizes national and international events. HELMCA was founded in 2002, as a result of a new interest in electroacoustic music in Greece. This period has been characterized by a number of emerging composers, with national and international activity in festivals and distinction in competitions. Courses in music technology and electroacoustic music are part of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Doyle
Roger Doyle (born 17 July 1949) is an Irish composer best known for his electro-acoustic work, for which he was made a Saoi of Aosdána, and for his piano music for theatre. Education Born in Malahide, County Dublin, Doyle studied piano from the age of nine. After leaving school he attended the Royal Irish Academy of Music for three years, studying composing, during which time he was awarded two composition scholarships. He also studied at the Institute of Sonology at the University of Utrecht in the Netherlands and the Finnish Radio Experimental Music Studio on scholarships. Early work As a performer Doyle began as a drummer with the groups Supply Demand and Curve and Jazz Therapy, playing free improvisatory and fusion music. He released his first LP, ''Oizzo No'', in 1975, and his second, ''Thalia'', in 1978 on CBS Classics. ''Rapid Eye Movements'' (1981) was his third LP, and his attempt at a "masterpiece before the age of thirty". Electro-acoustic and other work Doyle be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Claude Risset
Jean-Claude Raoul Olivier Risset (; 13 March 1938 – 21 November 2016) was a French composer, best known for his pioneering contributions to computer music. He was a former student of André Jolivet and former co-worker of Max Mathews at Bell Labs. Biography Risset was born in Le Puy-en-Velay, France. Arriving at Bell Labs, New Jersey in 1964, he used Max Mathews' MUSIC IV software to digitally recreate the sounds of brass instruments. He made digital recordings of trumpets and studied their timbral composition using "pitch-synchronous" spectrum analysis tools, revealing that the amplitude and frequency of the harmonics (more correctly, partials) of these instruments would differ depending on frequency, duration and amplitude. He is also credited with performing the first experiments on a range of synthesis techniques including FM synthesis and waveshaping. After the discrete Shepard scale Risset created a version of the scale where the steps between each tone are continuo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Christopher Nelson (composer)
Jon is a shortened form of the common given name Jonathan, derived from "YHWH has given", and an alternate spelling of John, derived from "YHWH has pardoned". Behind the Name. Retrieved on 2013-09-06. The name is spelled Jón in and on the . In the , it is derived from |
Jonty Harrison
Jonty Harrison is an electroacoustic music composer born 27 April 1952 in Scunthorpe, and currently living in Birmingham, England. Career Jonty Harrison studied with Bernard Rands at the University of York, graduating with a DPhil in Composition in 1980. Between 1976 and 1980 he lived in London, working at the National Theatre (where he produced the tape components for many productions, including ''Tamburlaine the Great'', ''Julius Caesar'', ''Brand'' and ''Amadeus'') and City University. In 1980 he joined the music department of the University of Birmingham, where he was Professor of Electroacoustic Composition, as well as Director of BEAST (Birmingham ElectroAcoustic Sound Theatre) and the Electroacoustic Music Studios; for ten years he was Artistic Director of the department's annual Barber Festival of Contemporary Music. He has played an active role in musical life, making conducting appearances with the Birmingham Contemporary Music Group (most notably conducting Stoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of ''elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of ''musique concrète' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |