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Blue Camel
''Blue Camel'' is an album by the Lebanese oud player and composer Rabih Abou-Khalil. The album fuses traditional Arabic music with jazz. It was recorded in 1992 and released on the Enja label.Enja Records main series discography
accessed June 18, 2018


Reception

The AllMusic review by Kurt Keefner stated "''Blue Camel'' is the pinnacle to date of Lebanese oud player Rabih Abou-Khalil's achievement as a jazzman. In both mood and scope, it can almost be characterized as a new ''''. Both tense and reflective, it is perfect for listening after midnight ... ''Blue Camel'' may n ...
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Rabih Abou-Khalil
Rabih Abou-Khalil ( ar, ربيع أبو خليل, born August 17, 1957) is an oud player and composer born in Lebanon, who combines elements of Arabic music with jazz, classical music, and other styles. He grew up in Beirut and moved to Munich, Germany, during the Lebanese Civil War in 1978. Musical style Abou-Khalil studied the oud at the Beirut conservatory with oudist Georges Farah. After moving to Germany, he studied classical flute at the Academy of Music in Munich under Walther Theurer. In his compositions and live concerts, he combines elements of Arabic music with jazz, rock, or classical music, and has earned praise as "a world musician years before the phrase became a label". — According to a review of his concert in ''The Guardian'' of 2002, Abou-Khalil "makes the hot, staccato Middle Eastern flavour and the seamless grooves of jazz mingle, as if they were always meant to." In a review of his 2007 album ''Songs For Sad Women,'' the BBC wrote "the characteristic ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, impro ...
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Enja Records
Enja Records is a German jazz record company and label based in Munich which was founded by jazz enthusiasts Matthias Winckelmann and Horst Weber in 1971. The label's first release was by Mal Waldron, and early releases included European and Japanese avant-garde artists such as Alexander von Schlippenbach, Terumasa Hino, Albert Mangelsdorff and Yosuke Yamashita, along with newer American jazz musicians like Archie Shepp, Cecil Taylor, Leroy Jenkins and Eric Dolphy and straight-ahead musicians such as Tommy Flanagan, McCoy Tyner, Chet Baker, Freddie Hubbard, Elvin Jones, and Kenny Barron. The label also branched out to release early world music productions from Abdullah Ibrahim, Rabih Abou-Khalil, Mahmoud Turkmani, Gypsy bands, Indonesia's Monica Akihary, and Turkish saz virtuoso Taner Akyol. Discography Main series , , '' African Dawn'' , - , 4032 , , , , ''Cloudburst'' , - , 4034 , , , , ''Perdido'' , - , 4036 , , , , ''Non Troppo'' , - , 4038 , , , ...
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Al-Jadida (album)
''Al-Jadida'' is an album by the Lebanese oud player and composer Rabih Abou-Khalil, fusing traditional Arab music with jazz, which was recorded in 1990 and released on the Enja label the following year.Enja Records main series discography
accessed June 18, 2018

accessed June 18, 2018


Reception

The AllMusic review by Ron Wynn stated "Rabih Abou-Khalil, among the rare Arabic musicians who have recorded and played extensively with jazz musicians, successfully navigates the middle ground between traditional North African sounds and hard bop. Besides the leader's oud and flute, alto saxophonist ...
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Tarab
''Tarab'' is an album by the Lebanese oud player and composer Rabih Abou-Khalil, fusing traditional Arab music with jazz, which was recorded in 1992 and released on the Enja label the following year.Enja Records main series discography
accessed June 18, 2018

accessed June 18, 2018


Reception

The review by Kurt Keefner called it " an album that certainly does not lack for atmosphere, but which would have benefited from greater tunefulness. Still, a very worthy effort" but stated it was "not the best place to start one's Rabih Abou-Khalil collection, es ...
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Arabic Music
Arabic music or Arab music ( ar, الموسيقى العربية, al-mūsīqā al-ʿArabīyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects, with each country and region having their own traditional music. Arabic music has a long history of interaction with many other regional musical styles and genres. It represents the music of all the peoples that make up the Arab world today, all the 22 states. History Pre-Islamic period (Arabian Peninsula) Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaʾ who encouraged the development of music.
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as Compact disc, CDs replaced LP record, LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a musi ...
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Kind Of Blue
''Kind of Blue'' is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – " Freddie Freeloader" – in place of Evans. Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album '' Milestones'' (1958). Basing ''Kind of Blue'' entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane late ...
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Kenny Wheeler
Kenneth Vincent John Wheeler, OC (14 January 1930 – 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards. Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles. Wheeler was the patron of the Royal Academy Junior Jazz course. Early life Wheeler was born in Toronto, Ontario, on 14 January 1930. Growing up in Toronto, he began playing the cornet at age 12 and became interested in jazz in his mid-teens. Wheeler spent a year studying composition at The Royal Conservatory of Music in 1950. In 1952 he moved to Britain. He found his way into the London jazz scene of the time, playing in groups led by Tommy Whittle, Tubby Hayes, and Ronnie Scott. Career In the late 1950s, he was a member of Buddy Featherstonhaugh's quint ...
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Charlie Mariano
Carmine Ugo Mariano (November 12, 1923 – June 16, 2009) was an American jazz saxophonist who focused on the alto and soprano saxophone. He occasionally performed and recorded on flute and nadaswaram as well. Biography Mariano was born in Boston, Massachusetts, United States, the son of Italian immigrants, John (Giovanni) Mariano and Mary (Maria) Di Gironimo of Fallo, Italy. He grew up in the Hyde Park neighborhood of Boston, enlisting in the Army Air Corps after high school, during World War II. After his service in the Army, Mariano attended what was then known as Schillinger House of Music, now Berklee College of Music. He was among the faculty at Berklee from 1965 to 1971. Mariano moved to Europe in 1971, settling eventually in Köln (Cologne), Germany, with his third wife, the painter Dorothee Zippel Mariano. He played with one of the Stan Kenton big bands, Toshiko Akiyoshi (his then wife), Charles Mingus, Eberhard Weber, the United Jazz and Rock Ensemble, Embryo a ...
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Steve Swallow
Steve Swallow (born October 4, 1940) is an American jazz bassist and composer, known for his collaborations with Jimmy Giuffre, Gary Burton, and Carla Bley. He was one of the first jazz double bassists to switch entirely to electric bass guitar. Biography Born in Fair Lawn, New Jersey, United States, Swallow studied piano and trumpet, as a child, before turning to the double bass at age 14. While attending a prep school, he began trying his hand in jazz improvisation. In 1960, he left Yale University, where he was studying composition, and settled in New York City, playing at the time in Jimmy Giuffre's trio along with Paul Bley. After joining Art Farmer's quartet in 1963, Swallow began to write. It is in the 1960s that his long-term association with Gary Burton's various bands began. In the early 1970s, Swallow switched exclusively to electric bass guitar, of which he prefers the five-string variety. Along with Monk Montgomery and Bob Cranshaw, Swallow was among the first j ...
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