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Biceps (prosody)
Biceps is a point in a metrical pattern where a pair of short syllables can freely be replaced by a long one. In Greek and Latin poetry, it is found in the dactylic hexameter and the first half of a dactylic pentameter, and also in anapaestic metres. It is not to be confused with resolution, which is a phenomenon where a normally long syllable in a line is sometimes replaced by two shorts. Resolution is typically found in an iambic metre such as the iambic trimeter The Iambic trimeter is a meter of poetry consisting of three iambic units (each of two feet) per line. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic ''metra''. Ea .... References * Poetic rhythm {{Poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables comin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactylic Hexameter
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts): :, – u u , – u u , – u u , – u u , – u u , – – Here, ", " (pipe symbol) marks the beginning of a foot in the line. Thus there are six feet, each of which is either a dactyl (– u u) or a spondee (– –). The first four feet can either be dactyls, spondees, or a mix. The fifth foot can also sometimes be a spondee, but this is rare, as it most often is a dactyl. The last foot is a spondee. The hexameter is traditionally associated with classical epic poetry in both Greek and Latin and was consequently considered to be ''the'' grand style of Western classical poetry. Some well known examples of its use are Homer's ''Iliad'' and ''Odyssey'', Apo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dactylic Pentameter
The dactylic pentameter is a verse-form which, in classical Greek and Latin poetry, follows a dactylic hexameter to make up an elegiac couplet. It consists of two halves, each consisting of two dactyls, for which spondees can be substituted in the first half only, followed by a longum. Thus the line most normally looks as follows (note that "—" marks a long syllable, "∪" a short syllable and " ∪ ∪ " either one long or two shorts): , — ∪ ∪ , — ∪ ∪ , — , , — ∪ ∪ , — ∪ ∪ , — As in all classical verse-forms, the phenomenon of brevis in longo is observed, so the last syllable can actually be short or long. Also, the line has a diaeresis, where a word-boundary must occur, after the first half-line, here marked , , . "Pentameter" may seem a slightly strange term for this meter, as it seems to have six parts, but the reason is that each half of the line has two and a half feet, the two together thus making up five. Each half-line is cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (Greek)
Prosody (from Middle French , from Latin , from Ancient Greek (), "song sung to music; pronunciation of syllable") is the theory and practice of versification. Prosody Greek poetry is based on syllable length, not on syllable stress, as in English. The two syllable lengths in Greek poetry are long and short. It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /''tékna''/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic purposes such syllables were treated as either long or short. Thus in the opening speech of the play '' Oedipus Tyrannus'', Sophocles treats the first syllable of τέκνα /''tékna''/ as long in line 1, but as short in line 6. Different kinds of poetry use different patterns of long and short syllables, known as meters (UK: metres). For example, the epic poems of Homer were composed using the pattern , – u u , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Resolution (meter)
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables. It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters. In iambic and trochaic meters, either the first or the second half of the metrical foot can be resolved, or sometimes both. The long syllables of dactylic meter are not usually resolved, and resolution is also not found in the last element of a line. Resolution, when a normally long syllable is replaced by two shorts, is to be distinguished from a biceps element, which is a place in a meter (such as in a dactylic hexameter) where two normally short syllables may be replaced by a single long one. In Ancient Greek Resolution is generally found in Greek lyric poetry and in Greek and Roman drama, most frequently in comedy. It should not be confused with a biceps, which is a point in a meter which can equally be two shorts o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iambic Trimeter
The Iambic trimeter is a meter of poetry consisting of three iambic units (each of two feet) per line. In ancient Greek poetry and Latin poetry, an iambic trimeter is a quantitative meter, in which a line consists of three iambic ''metra''. Each ''metron'' consists of the pattern , x – u – , , where "–" represents a long syllable, "u" a short one, and "x" an ''anceps'' (either long or short). Resolution was common, especially in the first two metra of the line, so that any long or ''anceps'' syllable except the last could be replaced by two short syllables (see for example Euripides#Chronology), making a total of 13 or more syllables. It is the most common meter used for the spoken parts (as opposed to the sung parts) of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre. In the accentual-syllabic verse of English, German, and other languages, however, the iambic trimeter is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
