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Berimbau
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berimbau Parts
The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'', the berimbau leads the capoeiristas movement in the ''roda''—the faster the berimbau is playing the faster the capoeirista moves in the game. The instrument is known for being the subject matter of a popular song by Brazilian guitarist Baden Powell, with lyrics by Vinicius de Moraes. The instrument is also a part of Candomblé-de-caboclo tradition. History The berimbau's origins have not been fully researched, though it is most likely an adaptation of African gourde musical bows, as no Indigenous Brazilian or European people use musical bows. The way the ''berimbau'' and the ''m'bulumbumba'' of southwest Angola are made and played are very similar, as well as the tuning and basic patterns performed on these instruments. The assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the ''ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the ''ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engrav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Bow
The musical bow (bowstring or string bow, a subset of bar zithers) is a simple string instrument used by a number of South African peoples, which is also found in the Americas via slave trade. It consists of a flexible, usually wooden, stick 1.5 to 10 feet (0.5 to 3 m) long, and strung end to end with a taut cord, usually metal. It can be played with the hands or a wooden stick or branch. It is uncertain if the musical bow developed from the hunting bow, though the San or Bushmen people of the Kalahari Desert do convert their hunting bows to musical use. Types of bow include mouth-resonated string bow, earth-resonated string bow, and gourd-resonated string bow. History There is speculation that the hunting bow may have been used as a musical instrument from as early as circa 13,000 B.C. Henri Breuil surveyed the Trois Frères in France caves and made an engraving that attempted to reproduce a c. 13,000 B.C. cave painting into a black-and-white lithograph engrav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belembaotuyan
The eleaotua is a musical bow played in Guam, also spelled ''eluaotuas'', ''eleaotuchan'', and ''elimau-tuyan''. This gourd-resonating musical bow likely has common roots with the Brazilian berimbau, due to constant trade between Asia and South America in the nineteenth century, during which the instrument may have been introduced to the Chamorro people.{{cite web , url=http://www.guampedia.com/belembaotuyan-2/ , title= Belembaotuyan , last=Pangelinan, first=Therese Q. Crisostomo, date=July 14, 2014 , website=guampedia.com, publisher= , accessdate=2015-01-22 The instrument also resembles various zither/boat lutes found throughout Southeast Asia (esp. in the Philippines) called kutiyapi. Description The ''eleaotua'' has traditionally been part of wedding and other ceremonies in Guam, such as the Chamorro Month celebrations in schools, though it has lost popularity in recent times. The name of the instrument comes from the words ''eleao'' ('swaying of the trees' in Chamorro) and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalumbu
The kalumbu, or kalumbo, is a traditional instrument of the Tonga and Ila people of Zambia and Zimbabwe. A single metal-stringed bow played with a stick is lashed onto a calabash gourd that acts as a resonating chamber. The kalumbu player manipulates the resonance of the instrument by moving the gourd toward and away from his or her chest. Though now quite rare in Africa, the kalumbu is considered the predecessor of the Afro-Brazilian berimbau used in Capoeira performances. A similar instrument, the ''dende'', is played by children in Botswana. The berimbau The berimbau () is a single-string percussion instrument, a musical bow, originally from Africa, that is now commonly used in Brazil. The berimbau would eventually be incorporated into the practice of the Afro-Brazilian martial art ''capoeira'' ... of Brazil is another similar instrument. References Musical bows Zimbabwean musical instruments {{Composite-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Malunga
The ''malunga'' is a single-stringed musical bow played by the Siddi of India, who are the descendants of East African immigrants. It produces two tones, an octave apart, and the knuckle of the hand supporting the instrument may be pressed against the string to vary the pitch. It is struck with a stick and, as with the '' berimbau'' of Brazil, the hand holding the stick also holds a rattle (in the case of the ''malunga'' the rattle, called ''mai misra''). The ''malunga'' has a gourd resonator which amplifies the instrument's sound. The placement of this rattle along the string also varies the pitch produced by the Malunga. Construction The bow is made of solid-core bamboo cane, and the string is made of three twisted strands of gut. The gourd resonator is made from a coconut shell and is a mobile part of the instrument. Cultural importance The ''malunga'' is one of the instruments that is used in the religious practices of the Siddi people in India. This instrument is one of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Portuguese
Brazilian Portuguese (' ), also Portuguese of Brazil (', ) or South American Portuguese (') is the set of varieties of the Portuguese language native to Brazil and the most influential form of Portuguese worldwide. It is spoken by almost all of the 214 million inhabitants of Brazil and spoken widely across the Brazilian diaspora, today consisting of about two million Brazilians who have emigrated to other countries. With a population of over 214 million, Brazil is by far the world's largest Portuguese-speaking nation and the only one in the Americas. Brazilian Portuguese differs, particularly in phonology and prosody, from varieties spoken in Portugal and Portuguese-speaking African countries. In these latter countries, the language tends to have a closer connection to contemporary European Portuguese, partly because Portuguese colonial rule ended much more recently there than in Brazil, partly due to the heavy indigenous and African influence on Brazilian Portuguese. Despite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbira
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger. Musicologists classify it as a lamellaphone, part of the plucked idiophone family of musical instruments. In Eastern and Southern Africa, there are many kinds of mbira, often accompanied by the hosho, a percussion instrument. It is often an important instrument played at religious ceremonies, weddings, and other social gatherings. The "Art of crafting and playing Mbira/Sansi, the finger-plucking traditional musical instrument in Malawi and Zimbabwe" was added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2020. A modern interpretation of the instrument, the kalimba, was commerciall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candomblé
Candomblé () is an African diasporic religion that developed in Brazil during the 19th century. It arose through a process of syncretism between several of the traditional religions of West Africa, especially that of the Yoruba, and the Roman Catholic form of Christianity. There is no central authority in control of Candomblé, which is organised through autonomous groups. Candomblé involves the veneration of spirits known as ''orixás''. Deriving their names and attributes from traditional West African deities, they are equated with Roman Catholic saints. Various myths are told about these orixás, which are regarded as subservient to a transcendent creator deity, Oludumaré. Each individual is believed to have a tutelary orixá who has been connected to them since before birth and who informs their personality. An initiatory tradition, Candomblé's members usually meet in temples known as ''terreiros'' run by priests called ''babalorixás'' and priestesses called ''ialorix� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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