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Banchō Sarayashiki
is a Japanese ghost story (kaidan) of broken trust and broken promises, leading to a dismal fate. Alternatively referred to as the tradition, all versions of the tale revolve around a servant, who dies unjustly and returns to haunt the living. Some versions take place in or , others in the area in Edo. History The story of the death of Okiku () first appeared as a bunraku play called ''Banchō Sarayashiki'' in July 1741 at the Toyotakeza theater. The familiar ghost legend had been adapted into a '' ningyō jōruri'' production by Asada Iccho and Tamenaga Tarobei I. Like many successful bunraku shows, a kabuki version followed and in September 1824, ''Banchō Sarayashiki'' was staged at the Naka no Shibai theater starring Otani Tomoemon II and Arashi Koroku IV in the roles of Aoyama Daihachi and Okiku. A one-act kabuki version was created in 1850 by Segawa Joko III, under the title ''Minoriyoshi Kogane no Kikuzuki,'' which debuted at the Nakamura-za theater and starred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ... Words Words ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onryō
In Japanese traditional beliefs and literature, are a type of ghost () believed to be capable of causing harm in the world of the living, injuring or killing enemies, or even causing natural disasters to exact vengeance to "redress" the wrongs it received while alive, then taking their spirits from their dying bodies. are often depicted as wronged women, who are traumatized by what happened during life and exact revenge in death. The term overlaps somewhat with , except that in depictions of , the acting ghost is not always necessarily a wrathful spirit. Origin While the origin of is unclear, belief in their existence can be traced back to the 8th century and was based on the idea that powerful and enraged souls of the dead could influence, harm, and kill the living. The earliest cult that developed was around Prince Nagaya who died in 729; and the first record of possession by the spirit affecting health is found in the chronicle (797), which states that "'s soul harme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes translat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji Restoration
The , referred to at the time as the , and also known as the Meiji Renovation, Revolution, Regeneration, Reform, or Renewal, was a political event that restored practical imperial rule to Japan in 1868 under Emperor Meiji. Although there were ruling emperors before the Meiji Restoration, the events restored practical abilities and consolidated the political system under the Emperor of Japan. The goals of the restored government were expressed by the new emperor in the Charter Oath. The Restoration led to enormous changes in Japan's political and social structure and spanned both the late Edo period (often called the Bakumatsu) and the beginning of the Meiji era, during which time Japan rapidly industrialized and adopted Western ideas and production methods. Foreign influence The Japanese knew they were behind the Western powers when US Commodore Matthew C. Perry came to Japan in 1853 in large warships with armaments and technology that far outclassed those of Japan, with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botan Dōrō
is a Japanese ghost story () and one of the most famous in Japan. The plot involves sex with the dead and the consequences of loving a ghost. It is sometimes known as , based on the kabuki version of the story; this title is commonly used in translation, and refers to a Stone Lantern. History entered Japanese literary culture in the 17th century, through a translation of a book of Chinese ghost stories called (''New Tales Under the Lamplight'') by Qu You. The collection was didactic in nature, containing Buddhist moral lessons on karma. In 1666, author Asai Ryoi responded to the Edo period craze for , spawned largely by the popular game , by adapting the more spectacular tales from into his own book (''Hand Puppets''). At the time, Japan's borders were entirely closed, with very little of the outside world known by its people; as such, China was viewed as a mysterious and exotic nation. Asai removed the Buddhist moral lessons and gave the stories a Japanese setting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seppuku
, sometimes referred to as hara-kiri (, , a native Japanese kun reading), is a form of Japanese ritual suicide by disembowelment. It was originally reserved for samurai in their code of honour but was also practised by other Japanese people during the Shōwa period (particularly officers near the end of World War II) to restore honour for themselves or for their families. As a samurai practice, ''seppuku'' was used voluntarily by samurai to die with honour rather than fall into the hands of their enemies (and likely be tortured), as a form of capital punishment for samurai who had committed serious offences, or performed because they had brought shame to themselves. The ceremonial disembowelment, which is usually part of a more elaborate ritual and performed in front of spectators, consists of plunging a short blade, traditionally a ''tantō'', into the belly and drawing the blade from left to right, slicing the belly open. If the cut is deep enough, it can sever the abdomin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yūrei
are figures in Japanese folklore analogous to the Western model of ghosts. The name consists of two kanji, (''yū''), meaning "faint" or "dim" and (''rei''), meaning "soul" or "spirit". Alternative names include , meaning ruined or departed spirit, , meaning dead spirit, or the more encompassing or . Like their Chinese, Korean, and Western counterparts, they are thought to be spirits barred from a peaceful afterlife. Japanese afterlife According to traditional Japanese beliefs, all humans have a spirit or soul called a . When a person dies, the ''reikon'' leaves the body and enters a form of purgatory, where it waits for the proper funeral and post-funeral rites to be performed so that it may join its ancestors. If this is done correctly, the ''reikon'' is believed to be a protector of the living family and to return yearly in August during the Obon Festival to receive thanks. If the person dies, however, in a sudden or violent manner such as murder or suicide, if the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antique
An antique ( la, antiquus; 'old', 'ancient') is an item perceived as having value because of its aesthetic or historical significance, and often defined as at least 100 years old (or some other limit), although the term is often used loosely to describe any object that is old. An antique is usually an item that is collected or desirable because of its age, beauty, rarity, condition, utility, personal emotional connection, and/or other unique features. It is an object that represents a previous era or time period in human history. Vintage and collectible are used to describe items that are old, but do not meet the 100-year criterion. Antiques are usually objects of the decorative arts that show some degree of craftsmanship, collectability, or an attention to design, such as a desk or an early automobile. They are bought at antiques shops, estate sales, auction houses, online auctions, and other venues, or estate inherited. Antiques dealers often belong to national trade assoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vassal
A vassal or liege subject is a person regarded as having a mutual obligation to a lord or monarch, in the context of the feudal system in medieval Europe. While the subordinate party is called a vassal, the dominant party is called a suzerain. While the rights and obligations of a vassal are called vassalage, and the rights and obligations of a suzerain are called suzerainty. The obligations of a vassal often included military support by knights in exchange for certain privileges, usually including land held as a tenant or fief. The term is also applied to similar arrangements in other feudal societies. In contrast, fealty (''fidelitas'') was sworn, unconditional loyalty to a monarch. European vassalage In fully developed vassalage, the lord and the vassal would take part in a commendation ceremony composed of two parts, the homage and the fealty, including the use of Christian sacraments to show its sacred importance. According to Eginhard's brief description, the ''commen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bokken
A ''bokken'' (, , "wood", and ''ken'', "sword") (or a ''bokutō'' ) is a Japanese wooden sword used for training in kenjutsu. It is usually the size and shape of a ''katana'', but is sometimes shaped like other swords, such as the ''wakizashi'' and ''tantō''. Some ornamental ''bokken'' are decorated with mother-of-pearl work and elaborate carvings. Sometimes it is spelled "boken" in English. ''Bokken'' are traditionally composed of red oak or white oak, although any hardwood can be used. In comparison, practice swords made of flexible, soft wood such as bamboo are referred to as ''shinai''. History It is hard to determine precisely when the first ''bokken'' appeared due to secrecy in ancient martial arts training and loose record-keeping. While various mock weapons were surely used during the earlier periods of Japanese history, usage of ''bokken'' in their modern form first emerged during the Muromachi Period (1336–1600) for the training of samurai warriors in the va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady In Waiting
A lady-in-waiting or court lady is a female personal assistant at a court, attending on a royal woman or a high-ranking noblewoman. Historically, in Europe, a lady-in-waiting was often a noblewoman but of lower rank than the woman to whom she attended. Although she may either have received a retainer or may not have received compensation for the service she rendered, a lady-in-waiting was considered more of a secretary, courtier, or companion to her mistress than a servant. In other parts of the world, the lady-in-waiting, often referred to as ''palace woman'', was in practice a servant or a slave rather than a high-ranking woman, but still had about the same tasks, functioning as companion and secretary to her mistress. In courts where polygamy was practised, a court lady was formally available to the monarch for sexual services, and she could become his wife, consort, courtesan, or concubine. ''Lady-in-waiting'' or ''court lady'' is often a generic term for women whose ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
