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Back Home Again In Indiana
"(Back Home Again in) Indiana" is a song composed by James F. Hanley with lyrics by Ballard MacDonald that was published in January 1917. Although it is not the state song of Indiana (which is "On the Banks of the Wabash, Far Away"), it is perhaps the best-known song that pays tribute to the Hoosier state. An Indiana signature The tune was introduced as a Tin Pan Alley pop song of the time. It contains a musical quotation from the already well known "On the Banks of the Wabash, Far Away", as well as repetition of words from the lyrics: candlelight, moonlight, fields, new-mown hay, sycamores, and the Wabash River. Since 1946, the chorus of "Back Home Again in Indiana" has been performed during pre-race ceremonies before the Indianapolis 500. During the song, thousands of multicolored balloons are released from an infield tent. The balloon release dates back to 1947, and has coincided with the song since about 1950. From 1972 to 2014, the song was performed most often by Jim N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Voice (U
The Voice may refer to: Fictional entities * The Voice or Presence, a fictional representation of God in DC Comics * The Voice (''Dune''), a fictional ability in the ''Dune'' universe * The Voice, a character in the American TV series ''Cleopatra 2525'' Film * ''The Voice'' (1920 film), a German silent drama film * "The Voice" (''Australian Playhouse''), an Australian television play * ''The Voice'' (1982 film), a Soviet psychological drama film * ''The Voice'' (1992 film), a French drama film * ''The Voice'' (2010 film), a Turkish horror film * ''The Voice'', a 2005 film directed by Johan Söderberg Publications Books and stories * "The Voice", a story featuring The Shadow, a fictional vigilante * ''The Voice'' (Bible translation), a 2011–2012 translation of the Christian Bible published by Thomas Nelson * ''The Voice'' (novel), by Gabriel Okara, 1964 * ''The Voice'' (poetry collection), by Thomas Hardy, 1912 Newspapers and magazines * ''The Voice'', the ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lennie Tristano
Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation. Tristano studied for bachelor's and master's degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano's innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded. Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Navarro
Theodore "Fats" Navarro (September 24, 1923 – July 6, 1950) was an American jazz trumpet player. He was a pioneer of the bebop style of jazz improvisation in the 1940s. He had a strong stylistic influence on many other players, including Clifford Brown. Life Navarro was born in Key West, Florida, United States, of Cuban, African, and Chinese descent. He began playing piano at age six, but did not become serious about music until he began playing trumpet at the age of thirteen. He was a childhood friend of drummer Al Dreares. By the time he graduated from Douglass High School, he wanted to be away from Key West and joined a dance band headed for the Midwest. Navarro gained valuable experience touring in bands, including Snookum Russell's territory band, where he met and influenced a young J.J. Johnson. Tiring of the life on the road, Navarro settled in New York City in 1946, where his career took off. He met and played with, among others, Charlie Parker. But Navarro was i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrafacts
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, '' Cheap Imitation'' (1969) by John Cage was produced by systematically changing notes from the melody line of ''Socrate'' by Erik Satie using chance procedures. In jazz, a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure.. As a compositional device, it was of particular importance in the 1940s development of bop, since it allowed jazz musicians to create new pieces for performance and recording on which they could immediately improvise, without having to seek permission or pay publisher fees for copyrighted materials (while melodies can be copyrighted, the underlying harmonic structure cannot be). Contrafacts are not to be con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donna Lee
"Donna Lee" is a bebop jazz standard attributed to Charlie Parker, although Miles Davis has also claimed authorship. Written in A-flat, it is based on the chord changes of the jazz standard "(Back Home Again in) Indiana". Beginning with an unusual half-bar rest, "Donna Lee" is a very complex, fast-moving chart with a compositional style based on four-note groups over each change. Authorship "Donna Lee" was originally attributed to Charlie Parker on the original 78-rpm recordingsChambers (1998), p. 61 and was copyrighted under his name in 1947. However, in various interviews and publications since, Miles Davis has claimed to be the composer. Among these is a statement Davis made in his autobiography: "I wrote a tune for the album called 'Donna Lee', which was the first tune of mine that was ever recorded. But when the record came out, it listed Bird arkeras the composer. It wasn't Bird's fault, though. The record company just made a mistake."Davis (1989), p. 103 Recordings "Donn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contrac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and Singing, vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, King Oliver, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin Armstrong, Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Standard
Jazz standards are musical compositions that are an important part of the musical repertoire of jazz musicians, in that they are widely known, performed, and recorded by jazz musicians, and widely known by listeners. There is no definitive list of jazz standards, and the list of songs deemed to be standards changes over time. Songs included in major fake book publications (sheet music collections of popular tunes) and jazz reference works offer a rough guide to which songs are considered standards. Not all jazz standards were written by jazz composers. Many are originally Tin Pan Alley popular songs, Broadway show tunes or songs from Hollywood musicals – the Great American Songbook. In Europe, jazz standards and " fake books" may even include some traditional folk songs (such as in Scandinavia) or pieces of ethnic music (such as gypsy melodies) that have been played with a jazz feel by well known jazz players. A commonly played song can only be considered a jazz stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darktown Strutters' Ball
"Darktown Strutters' Ball" is a popular song by Shelton Brooks, published in 1917. The song has been recorded many times and is considered a popular and jazz standard. There are many variations of the title, including "At the Darktown Strutters' Ball", "The Darktown Strutters' Ball", and just "Strutters' Ball". History Soon after its 1917 publication, "Darktown Strutters' Ball" was included by Sophie Tucker in her Vaudeville routine. The song was recorded on May 9 that year by the Six Brown Brothers. The best-known recording, by the Original Dixieland Jazz Band, which was recorded on May 30, 1917, and released by Columbia Records as catalog number A-2297, was inducted into the Grammy Hall of Fame in 2006. More than three million copies of the sheet music were sold. Recorded versions * American Republic Band (recorded December 1917, released by Pathe Records as catalog number 20282, with the flip side "Homeward Bound"Abrams, Steven and Settlemier, TyronePathe Records in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Original Dixieland Jazz Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their " Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being " Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band. The band consisted of five musicians who had played in the Papa Jack Laine bands. ODJB billed itself as the Creators of Jazz. It was the first band to record jazz commercially and to have hit recordings in the genre. Band leader and cornetist Nick LaRocca argued that ODJB deserved recognition as the first band to record jazz commercially and the first band to establish jazz as a musical idiom or genre. Origins In early 1916, a promoter from Chicago approached clarinetist Alcide Nunez and drummer Johnny Stein about bringing a New Orleans-style band to Chicago, where the similar Brown's Band From Dixieland, led by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded on January 15, 1889, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie Andrews, Louis Armstrong, Gene Autry, Count Basie, Tony Bennett, Leonard Bernstein, Beyoncé, Blood, Sweat and Tears, Blue Öyster Cult, David ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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