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BWV 147
Johann Sebastian Bach composed the church cantata ' (Heart and mouth and deed and life), 147 in 1723 during his first year as ''Thomaskantor'', the director of church music in Leipzig. His cantata is part of his first cantata cycle there and was written for the Marian feast of the Visitation on 2 July, which commemorates Mary's visit to Elizabeth as narrated in the Gospel of Luke in the prescribed reading for the feast day. Bach based the music on his earlier cantata BWV 147a, written originally in Weimar in 1716 for Advent. He expanded the Advent cantata in six movements to ten movements in two parts in the new work. While the text of the Advent cantata was written by the Weimar court poet Salomo Franck, the librettist of the adapted version who added several recitatives is anonymous. Bach began the cantata with a chorus for the full orchestra, followed by alternating recitatives and arias with often obbligato instrument. He scored it for four vocal soloists, a four-part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Cantata (Bach)
Throughout his life as a musician, Johann Sebastian Bach composed cantatas for both secular and sacred use. His church cantatas are cantatas which he composed for use in the Lutheran church, mainly intended for the occasions of the liturgical year. Bach's ''Nekrolog'' mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), which would amount to at least 275 cantatas, Alfred Dörffel. Bach-Gesellschaft Ausgabe Volume 27: '' Thematisches Verzeichniss der Kirchencantaten No. 1–120''. Breitkopf & Härtel, 1878. Introduction, p. VI or over 320 if all cycles would have been ideal cycles.Günther Zedler''Die Kantaten von Johann Sebastian Bach: Eine Einführung in die Werkgattung''.Books on Demand, 2011. p. 24–25/ref> The extant cantatas are around two-thirds of that number, with limited additional information on the ones that went missing or survived as fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel (liturgy)
The Gospel in Christian liturgy refers to a reading from the Gospels used during various religious services, including Mass or Divine Liturgy (Eucharist). In many Christian churches, all present stand when a passage from one of the Gospels is read publicly, and sit when a passage from a different part of the Bible is read. The reading of the Gospels, often contained in a liturgical edition containing only the four Gospels (see lectionary), is traditionally done by a minister, priest or deacon, and in many traditions the Gospel Book is brought into the midst of the congregation to be read. Usage in the Eastern Churches Byzantine Rite The Gospel Book, usually decorated with an elaborate metal cover, is normally kept in a central place on the Holy Table (altar), referred to as the High Place. The only other objects that are permitted to occupy this place on the altar are the Antimension, chalice and discos (paten) for the celebration of the Eucharist or, on certain feasts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity Sunday
Trinity Sunday is the first Sunday after Pentecost in the Western Christian liturgical calendar, and the Sunday of Pentecost in Eastern Christianity. Trinity Sunday celebrates the Christian doctrine of the Trinity, the three Persons of God: the Father, the Son, and the Holy Spirit. Western Christianity Trinity Sunday is celebrated in all the Western liturgical churches: Latin Catholic, Anglican, Lutheran, Presbyterian, United Church of Christ, and Methodist. History In the early Church, no special Office or day was assigned for the Holy Trinity. When the Arian heresy was spreading, the Fathers prepared an Office with canticles, responses, a Preface, and hymns, to be recited on Sundays. In the Sacramentary of St. Gregory the Great there are prayers and the Preface of the Trinity. During the Middle Ages, especially during the Carolingian period, devotion to the Blessed Trinity was a highly important feature of private devotion and inspired several liturgical expressions. Sun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical Year
The liturgical year, also called the church year, Christian year or kalendar, consists of the cycle of liturgical seasons in Christian churches that determines when feast days, including celebrations of saints, are to be observed, and which portions of Scripture are to be read either in an annual cycle or in a cycle of several years. Distinct liturgical colours may be used in connection with different seasons of the liturgical year. The dates of the festivals vary somewhat among the different churches, although the sequence and logic is largely the same. Liturgical cycle The liturgical cycle divides the year into a series of seasons, each with their own mood, theological emphases, and modes of prayer, which can be signified by different ways of decorating churches, colours of paraments and vestments for clergy, scriptural readings, themes for preaching and even different traditions and practices often observed personally or in the home. In churches that follow t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesu, Joy Of Man's Desiring
"Jesu, Joy of Man's Desiring" (or simply "Joy"; German: ''Jesus bleibet meine Freude'') is the most common English title of a piece of music derived from a chorale setting from the cantata ''Herz und Mund und Tat und Leben'', BWV 147 ("Heart and Mouth and Deed and Life"), composed by Johann Sebastian Bach in 1723. The same music on different stanzas of a chorale closes both parts of the cantata. A transcription by the English pianist Myra Hess (1890–1965) was published in 1926 for piano solo and in 1934 for piano duet. It is often performed slowly and reverently at wedding ceremonies, as well as during Christian festive seasons like Christmas and Easter. Background Bach composed a four-part setting with independent orchestral accompaniment of two stanzas of the hymn "", written by Martin Janus in 1661, which was sung to a melody by the violinist and composer Johann Schop, "". The movements conclude the two parts of the cantata. Bach scored the chorale movements (6 and 10) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myra Hess
Dame Julia Myra Hess, (25 February 1890 – 25 November 1965) was an English pianist best known for her performances of the works of Bach, Mozart, Beethoven and Schumann. Career Early life Julia Myra Hess was born on 25 February 1890 to a Jewish family in South Hampstead, London. She was the youngest of four children and began piano lessons at the age of five. She studied at the Guildhall School of Music and at the Royal Academy of Music under Tobias Matthay. Her debut came in 1907, when she played Beethoven's Piano Concerto No. 4 with Sir Thomas Beecham conducting. She went on to tour through Britain, the Netherlands and France. Upon her American debut in New York City on 24 January 1922, she became a favorite in the United States, both as a soloist and ensemble player. Second World War Hess garnered greater fame during the Second World War when, with all concert halls blacked out at night to avoid being targeted by German bombers, she organised almost 2,000 lunchti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, defin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Schop
Johann Schop (ca. 1590 – 1644) was a German violinist and composer, much admired as a musician and a technician, who was a virtuoso and whose compositions for the violin set impressive technical demands for that area at that time. In 1756 Leopold Mozart commented on the difficulty of a trill (music), trill in a work by Schop, probably composed before 1646. He worked in Hamburg. He published books of violin music in 4 to 6 parts; some of his music was performed at the Peace of Westphalia celebrations. His melody ''Werde munter, mein Gemüte'' of 1641 was used by Johann Sebastian Bach for the chorale movements (6 and 10) of his Bach cantata, cantata ''Herz und Mund und Tat und Leben, BWV 147''. The sixth movement is ''Wohl mir, daß ich Jesum habe'', and the tenth movement is ''Jesu bleibet meine Freude''. Under the English title, ''Jesu, Joy of Man's Desiring'', Bach's chorale has been arranged for different instruments, notably for piano by Myra Hess, and has gained wide p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Instruments
Musical instruments used in Baroque music were partly used already before, partly are still in use today, but with no technology. The movement to perform music in a historically informed way, trying to recreate the sound of the period, led to the use of historic instruments of the period and to the reconstruction of instruments. The following table lists instruments, classified as brass instruments, woodwinds, strings, and basso continuo. The continuous bass is played by a group of instruments, depending on the given situation. Many instruments have an Italian or French name which is used as a common name also in English. The use of instruments by composers is shown in examples mostly by Johann Sebastian Bach. Table of instruments Baroque instrumentation The typical orchestra of the Baroque period is based on string instruments (violin, viola) and continuo. A continuous bass is the rule in Baroque music; its absence is worth mentioning and has a reason, such as describin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Obbligato
In Western classical music, ''obbligato'' (, also spelled ''obligato'') usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ''ad libitum''. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified instrument, without changes or omissions. The word is borrowed from Italian (an adjective meaning ''mandatory''; from Latin ''obligatus'' p.p. of ''obligare'', to oblige); the spelling ''obligato'' is not acceptable in British English, but it is often used as an alternative spelling in the US. The word can stand on its own, in English, as a noun, or appear as a modifier in a noun phrase (e.g. ''organ obbligato''). Independence ''Obbligato'' includes the idea of independence, as in C.P.E. Bach's 1780 Symphonies "''mit zwölf obligaten Stimmen''" ("with twelve ''obbligato'' parts") by which Bach was referring to the independent woodwind parts he was us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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