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Bărboi Monastery
The Bărboi Monastery (), dedicated to Saints Peter and Paul, is a Romanian Orthodox monastery located at 12 Bărboi Street, Iași, Romania. History The current church was raised on the foundation of a church built in 1613–15, dedicated to Saint Paraschiva and commissioned by the ''vornic'' Ioan Ursu Bărboi. In 1669 this church became a monastery under the authority of Vatopedi monastery on Mount Athos. The church was seriously damaged in 1821 and demolished in 1829. Between 1841 and 1843, the ''logofăt'' Dimitrie Sturdza and his family members, with financial assistance from Vatopedi and the efforts of Metropolitan Grigore Irinopoleos, had the current church built on the site of the old one. The architect Andrei Caridi was assisted by the Greek master builders Atanasie and Gheorghe.Biserica Bărboi crestinortodox.ro [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iași
Iași ( , , ; also known by other #Etymology and names, alternative names), also referred to mostly historically as Jassy ( , ), is the Cities in Romania, third largest city in Romania and the seat of Iași County. Located in the historical region of Western Moldavia, Moldavia, it has traditionally been one of the leading centres of Romanian social, cultural, academic and artistic life. The city was the capital of the Principality of Moldavia from 1564 to 1859, then of the United Principalities from 1859 to 1862, and the capital of Kingdom of Romania, Romania from 1916 to 1918. Known as the Cultural Capital of Romania Iași is a symbol of Romanian history. Historian Nicolae Iorga stated that "there should be no Romanian who does not know of it". Still referred to as "The Moldavian Capital", Iași is the main economic and business centre of Romania's Moldavian region. In December 2018, Iași was officially declared the Historical Capital of Romania. At the 2021 Romanian censu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Cathedral, Iași
The Metropolitan Cathedral, Iași (), located at 16 Ștefan cel Mare și Sfânt Boulevard, Iași, Romania, is the seat of the Romanian Orthodox Archbishop of Iași and Metropolitan of Moldavia and Bukovina, and the largest historic Orthodox church in Romania. It is dedicated to Saint Parascheva, to the Presentation of Jesus and to Saint George. Its form was inspired by the late Italian Renaissance style ( Trinità dei Monti in particular), with Baroque elements dominating the interior and exterior decorative features. The Metropolitan Cathedral is listed in the National Register of Historic Monuments. History Two churches previously stood on the site: the White Church (15th century) and the Presentation Church (17th century). On 8 August 1826, prince Ioan Sturdza signed a decree ordering construction of the cathedral; Metropolitan Veniamin Costache laid the cornerstone on 3 July 1833 and guided construction in its early years. Work began in 1833, using a neo-classical design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna (art)
In Christian art, a Madonna () is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Eastern Orthodox Church, Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa icon, Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis
In Eastern Christianity, an iconostasis () is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the parochet , "veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capital (architecture)
In architecture, the capital () or chapiter forms the topmost member of a column (or a pilaster). It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface. The capital, projecting on each side as it rises to support the abacus, joins the usually square abacus and the usually circular shaft of the column. The capital may be convex, as in the Doric order; concave, as in the inverted bell of the Corinthian order; or scrolling out, as in the Ionic order. These form the three principal types on which all capitals in the classical tradition are based. The Composite order was formalized in the 16th century following Roman Imperial examples such as the Arch of Titus in Rome. It adds Ionic volutes to Corinthian acanthus leaves. From the highly visible position it occupies in all colonnaded monumental buildings, the capital is often selected for ornamentation; and is often the clearest indicator of the architec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carrara
Carrara ( ; ; , ) is a town and ''comune'' in Tuscany, in central Italy, of the province of Massa and Carrara, and notable for the white or blue-grey Carrara marble, marble quarried there. It is on the Carrione River, some Boxing the compass, west-northwest of Florence. Its motto is Latin: '' "" ("My strength is in the wheel"), a reference firstly to the marble shipping industry from Roman times onwards. Toponymy The word ''Carrara'' likely comes from the pre-Roman (Celtic languages, Celtic or Ligurian language (ancient), Ligurian) element ''kar'' (stone), through Latin ''carrariae'' meaning 'quarries'. History There were known settlements in the area as early as the ninth century BC, when the Apuan Ligures lived in the region. The current town originated from the borough built to house workers in the marble quarries created by the ancient Rome, Romans after their conquest of Liguria in the early second century BC. Carrara has been linked with the process of quarrying and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three nave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Architecture
Classical architecture typically refers to architecture consciously derived from the principles of Ancient Greek architecture, Greek and Ancient Roman architecture, Roman architecture of classical antiquity, or more specifically, from ''De architectura'' (c. 10 AD) by the Roman architect Vitruvius. Variations of classical architecture have arguably existed since the Carolingian Renaissance, and became especially prominent during the Italian Renaissance and the later period known as neoclassical architecture or Classical revival. While classical styles of architecture can vary, they generally share a common "vocabulary" of decorative and structural elements. Across much of the Western world, classical architectural styles have dominated the history of architecture from the Renaissance until World War II. Classical architecture continues to influence contemporary architects. The term ''classical architecture'' can also refer to any architectural tradition that has evolved to a highl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portal (architecture)
A portal is an opening in a wall of a building, gate or fortification, especially a grand entrance to an important structure. Doors, metal gates, or portcullis in the opening can be used to control entry or exit. The surface surrounding the opening may be made of simple building materials or decorated with ornamentation. The elements of a portal can include the voussoir, tympanum, an ornamented mullion or ''trumeau'' between doors, and columns with carvings of saints in the westwork of a church. Examples File:Baroque portal in Brescia.jpg, Baroque portal of a private palace in Brescia File:Quito Iglesia de El Carmen Bajo Southwestern carved door.jpg, Baroque portal of the Church of El Carmen Bajo Monastery in Quito File:Dülmen, St.-Viktor-Kirche, Eingangsportal -- 2021 -- 4504-10.jpg, Wooden portal of the Church of St. Victor in Dülmen File:Porto - Sant Martí de Cedofeita - Façana principal.JPG, Romanesque portal of the Church of São Martinho de Cedofeita, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries of Western Europe; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
