Burnishing (pottery)
Burnishing is a form of pottery treatment in which the surface of the pot is polished, using a hard smooth surface such as a wooden or bone spatula, smooth stones, plastic, or even glass bulbs, while it still is in a leathery 'green' state, i.e., before firing. How to burnish The process of burnishing pottery happens when the clay is in a “leather-hard” state. Leather-hard clay is partially dried clay that is in-between being malleable and being brittle. It is important to wet the piece before burnishing because scratch marks will be present on the surface if the clay is too dry. The direction you rub the tool on the surface can also affect the pattern produced. After firing, the surface is extremely shiny. Burnishing gives pottery a reflective surface without having to use a ceramic glaze. It is described as a low-tech way of finishing pottery because burnished pottery needs to be fired below 1832F (1000C), which is different from firing glaze. Burnishing can also be a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tripod Vessel With Lid, Mexico, Campeche, Classic Myan Period, C
A tripod is a portable three-legged frame or stand, used as a platform for supporting the weight and maintaining the stability of some other object. The three-legged (triangular stance) design provides good stability against gravitational loads as well as horizontal shear forces, and better leverage for resisting tipping over due to lateral forces can be achieved by spreading the legs away from the vertical centre. Variations with one, two, and four legs are termed ''monopod'', ''bipod'', and ''quadripod'' (similar to a table). Etymology First attested in English in the early 17th century, the word ''tripod'' comes via Latin ''tripodis'' ( GEN of ''tripus''), which is the romanization of Greek (''tripous''), "three-footed" (GEN , ''tripodos''), ultimately from (''tri-''), "three times" (from , ''tria'', "three") + (''pous''), "foot". The earliest attested form of the word is the Mycenaean Greek , ''ti-ri-po'', written in Linear B syllabic script. Cultural use Many cultur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Burnishing Pottery
Burnishing may refer to: * Burnishing (metal), plastic deformation of a surface due to sliding contact with another object * Burnishing (pottery) Burnishing is a form of pottery treatment in which the surface of the pot is polished, using a hard smooth surface such as a wooden or bone spatula, smooth stones, plastic, or even glass bulbs, while it still is in a leathery 'green' state, i. ..., pottery polishing treatment See also * {{Disambiguation ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Northern Black Polished Ware
The Northern Black Polished Ware culture (abbreviated NBPW or NBP) is an urban Iron Age Indian culture of the Indian subcontinent, lasting –200 BCE (proto NBPW between 1200 and 700 BCE), succeeding the Painted Grey Ware culture and Black and red ware culture. It developed beginning around 700 BCE, in the late Vedic period, and peaked from –300 BCE, coinciding with the emergence of 16 great states or Mahajanapadas in Northern India, and the subsequent rise of the Mauryan Empire. Recent archaeological evidences have pushed back NBPW date to 1200 BCE at Nalanda district, in Bihar, where its earliest occurrences have been recorded and carbon dated from the site of Juafardih. Similarly sites at Akra and Ter Kala Dheri from Bannu District, Bannu have provided carbon dating of 900-790 BCE and 1000-400 BCE, and at Ayodhya around 13th century BC or 1000 BCE. Overview The diagnostic artifact and namesake of this culture is the Northern Black Polished Ware, a luxury style of Burni ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Black-on-black Ware
Black-on-black ware is a 20th and 21st-century pottery tradition developed by Puebloans, Puebloan Native American ceramic artists in Northern New Mexico. Traditional reduction-fired blackware has been made for centuries by Pueblo artists and other artists around the world. Pueblo black-on-black ware of the past century is produced with a smooth surface, with the designs applied through selective Burnishing (pottery), burnishing or the application of Slip (ceramics), refractory slip. Another style involves carving or incising designs and selectively polishing the raised areas. For generations several families from ''Santa Clara Pueblo, New Mexico, Kha'po Owingeh'' and ''San Ildefonso Pueblo, New Mexico, P'ohwhóge Owingeh'' pueblos have been making black-on-black ware with the techniques passed down from Matriarchy, matriarch potters. Artists from other pueblos have also produced black-on-black ware. Several contemporary artists have created works honoring the pottery of their a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Black-burnished Ware
Black-burnished ware is a type of Romano-British ceramic. Burnishing is a pottery treatment in which the surface of the pot is polished, using a hard smooth surface, such as a pebble. The classification includes two entirely different pottery types which share many stylistic characteristics. Black burnished ware 1 (BB1), is a black, coarse and gritty fabric. Vessels are hand made. Black burnished ware 2 (BB2) is a finer, black or grey-coloured, wheel thrown fabric. Decoration on both types includes burnished lattice or, additionally, in the case of bowls and dishes, a wavy ("sine wave") line design. Standard forms across both types include jars with everted rims and bowls with upright or flat flanged rims. Black Burnished Ware 1 Black Burnished Ware Category 1 (BB1) is made from a clay body that has a coarse texture. The clay body can contain black iron ores, flint, quartz, red iron ores, shale fragments, and white mica.Tyers, P A. "South-east Dorset black-burnished 1." Pot ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Varnish
Varnish is a clear Transparency (optics), transparent hard protective coating or film. It is not to be confused with wood stain. It usually has a yellowish shade due to the manufacturing process and materials used, but it may also be pigmented as desired. It is sold commercially in various shades. Varnish is primarily used as a wood finishing, wood finish where, stained or not, the distinctive tones and grains in the wood are intended to be visible. Varnish finishes are naturally Gloss (material appearance), glossy, but satin/semi-gloss and flat sheens are available. History The word "varnish" comes from Mediaeval Latin ''vernix'', meaning odorous resin, perhaps derived from Middle Greek ''berōnikón'' or ''beroníkē'', meaning amber or amber-colored glass. A false etymology traces the word to the Greek ''Berenice'', the ancient name of modern Benghazi in Libya, where the first varnishes in the Mediterranean area were supposedly used and where resins from the trees of now-v ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wood Grain
Wood grain is the longitudinal arrangement of wood fibers or the pattern resulting from such an arrangement. It has various derived terms refer to different aspects of the fibers or patterns. Wood grain is important in woodworking and it impacts aesthetics. Definition and meanings Wood grain is the longitudinal arrangement of wood fibers or the pattern resulting from such an arrangement. R. Bruce Hoadley wrote that ''grain'' is a "confusingly versatile term" with numerous different uses, including the direction of the wood cells (e.g., ''straight grain'', ''spiral grain''), surface appearance or figure, growth-ring placement (e.g., ''vertical grain''), plane of the cut (e.g., ''end grain''), rate of growth (e.g., ''narrow grain''), and relative cell size (e.g., ''open grain'').Hoadley, R. Bruce. "Glossary." ''Understanding Wood: A Craftsman's Guide to Wood Technology''. Newtown, Conn.: Taunton, 1980. 265. Print. Physical aspects Grain in growing wood follows the grown fibres o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Surface Finishing
Surface finishing is a broad range of industrial processes that alter the surface of a manufactured item to achieve a certain property. Finishing processes may be employed to: improve product appearance, adhesion or wettability, solderability, corrosion resistance, tarnish resistance, the chemical resistance, the wear resistance, hardness, modify electrical conductivity, remove burrs and other surface flaws, and control the surface friction.. In limited cases some of these techniques can be used to restore original dimensions to salvage or repair an item. An unfinished surface is often called '' mill finish''. These processes can improve the durability, performance and even the appearance of the surface being finished. Surface finishing is often one of the final steps taken when working metal and is essential for guaranteeing that metal components meet the requirements of the necessary finish. Surface finishing processes can be categorized by how they affect the workpiece: ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Maria Martinez Pot
Maria may refer to: People * Mary, mother of Jesus * Maria (given name), a popular given name in many languages Place names Extraterrestrial *170 Maria, a Main belt S-type asteroid discovered in 1877 *Lunar maria (plural of ''mare''), large, dark basaltic plains on Earth's Moon Terrestrial *Maria, Maevatanana, Madagascar *Maria, Quebec, Canada *Maria, Siquijor, the Philippines * María, Spain, in Andalusia *Îles Maria, French Polynesia *María de Huerva, Aragon, Spain *Villa Maria (other) Arts, entertainment, and media Films * ''Maria'' (1947 film), Swedish film * ''Maria'' (1975 film), Swedish film * ''Maria'' (2003 film), Romanian film * ''Maria'' (2019 film), Filipino film * ''Maria'' (2021 film), Canadian film directed by Alec Pronovost *''Being Maria'', 2024 French film released as ''Maria'' in France * ''Maria'' (2024 film), American film * ''Maria'' (Sinhala film), Sri Lankan upcoming film Literature * ''María'' (novel), an 1867 novel by Jorge Isaacs * ''Mar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Concrete Masonry Unit
A concrete block, also known as a cinder block in North American English, breeze block in British English, or concrete masonry unit (CMU), or by various other terms, is a standard-size rectangular block used in building construction. The use of blockwork allows structures to be built in the traditional masonry style with layers (or courses) of staggered blocks. Concrete blocks may be produced with hollow centers (cores) to reduce weight, improve insulation and provide an interconnected void into which concrete can be poured to solidify the entire wall after it is built. Concrete blocks are some of the most versatile building products available because of the wide variety of appearances that can be achieved using them. Naming Those that use cinders (fly ash or bottom ash) as an aggregate material are called ''cinder blocks'' in the United States. They are also known as ''breeze blocks'', a term derived from ''breeze'', referring to the small cinders and cinder-dust ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Raku Ware
is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of '' chawan'' tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln while still glowing hot. In the traditional Japanese process, the fired raku piece is removed from the hot kiln and is allowed to cool in the open air. The Western version of raku was developed in the 20th century by studio potters. Typically wares are fired at a high temperature, and after removing pieces from the kiln, the wares are placed in an open-air container filled with combustible material, which is not a traditional Raku practice in Japan. The Western process can give a great variety of colors and surface effects, making it very popular with studio and amateur potters. History In the 16th century, Sen no Rikyū, the Japanese tea master, was involved ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |