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Bummed
''Bummed'' is the second studio album by English rock band Happy Mondays, released on 21 November 1988 on Factory Records. During 1987 and early 1988, the band discovered house music and the rave drug ecstasy. Factory producer Martin Hannett was subsequently enlisted to produce the band's next album. Sessions were held at The Slaughterhouse recording studio in Driffield over three weeks. Hannett moved recording to Strawberry Studios, where extra instrumentation was added. ''Bummed'' is a Madchester-style psychedelic funk album, where much of the lyrical content was influenced by the 1970 film ''Performance'', with dialogue from the film sampled throughout. Happy Mondays toured the United Kingdom supporting James in late 1988, which coincided with the release of the lead single from ''Bummed'', "Wrote for Luck", on 31 October 1988. Happy Mondays played a series of headlining shows to close out the year; stints in mainland Europe and the UK followed in the first half of 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happy Mondays
Happy Mondays are an English rock band formed in Salford in 1980. The original line-up consisted of brothers Shaun Ryder (vocals) and Paul Ryder (bass), Gaz Whelan (drums), Paul Davis (keyboard), and Mark Day (guitar). Mark "Bez" Berry later joined the band onstage as a dancer and maracas player. Rowetta began working with the band as guest second vocalist in 1990. They were originally signed to Tony Wilson's Factory Records label. The group's work bridged the Manchester alternative rock music of the 1980s and the emerging UK rave scene, drawing influence from funk, house, and psychedelia to pioneer the Madchester sound. They experienced their commercial peak with the releases '' Bummed'' (1988), '' Madchester Rave On'' (1989), and '' Pills 'n' Thrills and Bellyaches'' (1990), with the latter going platinum in the UK. Happy Mondays disbanded in 1993. They reformed several times and released the reunion album '' Uncle Dysfunktional'' (2007). History First incarnation T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Funk
Psychedelic funk (also called P-funk or funkadelia, and sometimes conflated with psychedelic soul) is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including 1970s jazz fusion and the 1990s West Coast hip hop style G-funk. History Origins: Late 1960s Inspired by Jimi Hendrix and psychedelic culture, the psychedelic soul group Sly and the Family Stone borrowed techniques from psychedelic rock music, including wah pedals, fuzz boxes, echo chambers, and vocal distorters. On albums such as ''Life'' (1968) and '' Stand'' (1969), the band pioneered a "multiculturalist, integrationist" psychedelic funk style. This psychedelic sound would also be reflected in the late 1960s output of iconic Detroit label Motown. Producer Norman Whitfield drew on this sound for popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)
''Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)'' is the debut studio album by the English rock band Happy Mondays, which was released in mid-April 1987 by Factory Records. After finalising their line-up, the band began playing local venues in Manchester, toured with New Order, and released an EP and a single in 1985. Happy Mondays' debut album was recorded at Fire House in London in December 1986 with producer John Cale. Halfway through the two weeks of sessions, they scrapped all their recordings and began again. Cale and engineer Dave Young did not understand the band members' vision of the album, and found them difficult to work with. Deemed a punk-funk and post-punk album, most of its songs were lyrically akin to stories on ''The Twilight Zone''. ''Squirrel and G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out)'' received generally-positive reviews from music critics; some liked Happy Mondays' musicianship, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Driffield
Driffield, also known as Great Driffield (neighbouring Little Driffield), is a market town and civil parish in the East Riding of Yorkshire, England. The civil parish is formed by the town of Driffield and the village of Little Driffield. By road, it is north-east of Leeds, east of York and north of Hull. Driffield, being near the centre of the Yorkshire Wolds, is named ''The Capital of the Wolds''. According to the 2011 UK census, Driffield parish had a population of 13,080, an increase on the 2001 UK census figure of 11,477. The town was listed in the 2019 ''Sunday Times'' report on the Best Places to Live in northern England. History Driffield is of Anglo-Saxon origin, and the name is first attested in the ''Anglo-Saxon Chronicle'' where King Aldfrith of Northumbria died on 14 December 705. It is also found in the Domesday Book of 1086, meaning "dirty (manured) field". A Bronze Age mound outside Driffield was excavated in the 19th century, the contents of which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madchester
Madchester was a musical and cultural scene that emerged in the English city of Manchester during the late 1980s, closely associated with the indie dance movement. Indie dance (also referred to as indie rave) blended indie rock with elements of acid house, psychedelia, and 1960s pop. The term ''Madchester'' was coined by Factory Records' Tony Wilson, and was popularised by the British music press in the early 1990s. However, the origin of the term can be traced to a script meeting between Factory Records video directors Philip Shotton and Keith Jobling, known as "the Bailey Brothers." They coined ''Madchester'' while developing a script and later suggested it to Tony Wilson. Subsequently, Wilson instructed the band Happy Mondays to rename their EP from "Rave On" to "Madchester Rave On." The Happy Mondays' lead vocalist, Shaun Ryder, recalled: "It was our video directors, the Bailey Brothers, who came up with the term 'Madchester,' but we said, 'Great, yeah, go with it,' becau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Hannett
James Martin Hannett (31 May 1948 – 18 April 1991) was an English record producer, musician and an original partner/director at Tony Wilson's Factory Records. Hannett produced music by artists including Joy Division, the Durutti Column, A Certain Ratio, Magazine (band), Magazine, John Cooper Clarke, New Order (band), New Order, Orchestral Manoeuvres in the Dark, and Happy Mondays. His distinctive production style embraced atmospheric sounds and electronic instrument, electronics. Early life Born in Manchester, England, Hannett grew up in a working class, Catholic Church, Catholic family in Miles Platting, Miles Platting, Manchester; he attended Corpus Christi school and Xaverian College in Rusholme. In 1967, he went to the University of Manchester Institute of Science and Technology (UMIST), where he earned a degree in chemistry but chose not to pursue the profession. Career Hannett's uncle was a bass player and gave his nephew a bass guitar when he was 14. Hannett played bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madchester Rave On
''Madchester Rave On'' is the second EP by Happy Mondays. It was released in November 1989 on Factory Records. The track "Hallelujah" became the band's breakthrough release, reaching the top twenty in the UK and leading to the group's first ''Top of the Pops'' appearance. Shortly afterwards, Happy Mondays released ''Madchester Rave On – The Remixes'', a three-track EP of club DJ remixes. In the USA, three of the EP tracks and two of the subsequent remixes were compiled into the seven-track American EP '' Hallelujah''. Track listing ''Madchester Rave On E.P.'' * Limited 7"/12"/CD/Cassette #"Hallelujah" #"Holy Ghost" #"Clap Your Hands" #"Rave On" *7" # "Hallelujah (The MacColl Mix)" # "Hallelujah (In Out Mix)" ''Madchester – Rave On (Remixes)'' * CD/Cassette # "Hallelujah (Club Mix)" – Mix by Paul Oakenfold and Andy Wetherall (sic - misspelled on the tape credits) # "Rave On (Club Mix)" – Mix by Paul Oakenfold and Terry Farley # "Hallelujah (In Out Mix)" – Mix by Ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance (film)
''Performance'' (stylised in promotional material as ''performance.'') is a 1970 British crime drama film directed by Donald Cammell and Nicolas Roeg, written by Cammell and filmed by Roeg. The film stars James Fox as a violent and ambitious London gangster who, after killing an old friend, goes into hiding at the home of a reclusive rock star (Mick Jagger). The film was produced in 1968 but not released until 1970, as Warner Bros. was reluctant to distribute the film, owing to its sexual content and graphic violence. It initially received a mixed critical response, but its reputation has grown since then, and it is now regarded as one of the most influential and innovative films of the 1970s, as well as one of the greatest films in the history of British cinema. In 1999, ''Performance'' was voted the 48th greatest British film of the 20th century by the British Film Institute. In 2008 ''Empire'' magazine ranked the film 182nd on its list of the 500 Greatest Movies of All Time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Albums Chart
The Official Albums Chart is the United Kingdom's industry-recognised national record chart for album, albums. Entries are ranked by sales and audio streaming. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on ''UKChartsPlus'' as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of ''The Guinness Book of British Hit Albums'') in the 1980s until January 1989, since the compilations were removed, this definition was changed to Top 75 with follow-up books such as ''The Virgin Book of British Hit Albums'' only including this data. As of 2021, Since 1983, the OCC generally provides a public charts for hits and weeks up to the Top 100. Business customers can require a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Independent Singles And Albums Charts
The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, and widely known as the indie chart, the relevance of the chart dwindled in the 1990s as major-label ownership blurred the boundary between independent and major labels. Separate independent charts are currently published weekly by the Official Charts Company. History In the wake of punk, small record labels began to spring up, as an outlet for artists that were unwilling to sign contracts with major record companies, or were not considered commercially attractive to those companies. By 1978, labels like Cherry Red, Rough Trade, and Mute had started up, and a support structure soon followed, including independent pressing, distribution and promotion. These labels got bigger and bigger, and by 1980 they were having Top 10 hits in the UK Singles Chart. Chart success was limi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History ''Sounds'' was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
