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British Constructivists
The British Constructivists, also called the Constructionist Group, or Constructionists, were an informally constituted group of British artists, working in a ''constructivist'' mode, with no formal membership or manifesto. The groups most active period was between 1951 to 1955, when its members exhibited in ten London exhibitions, produced two broadsheets and were involved in the publication of two books on abstract art. Alastair Grieve's book ''Constructed Abstract Art in England: a neglected avant-garde'' is the first to examine the work of this group in detail, followed by Alan Fowler's PhD thesis ''Constructivist Art in Britain 1913 - 2005''. Membership The core members of the Constructionist Group were: *Victor Pasmore (1908-1998) *Mary Martin (1907-1969) *Kenneth Martin (1905-1984) *Anthony Hill (1930-2020) *Adrian Heath (1920-1992) * Robert Adams (1917-1984) Milieu At first, Constructivism "promoted the synthesis of painting, sculpture and architecture in the constru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Pasmore
Edwin John Victor Pasmore, CH, CBE (3 December 190823 January 1998) was a British artist. He pioneered the development of abstract art in Britain in the 1940s and 1950s. Early life Pasmore was born in Chelsham, Surrey, on 3 December 1908. He studied at Summer Fields School in Oxford and Harrow in west London, but with the death of his father in 1927 he was forced to take an administrative job at the London County Council. He studied painting part-time at the Central School of Art and was associated with the formation of the Euston Road School. After experimenting with abstraction, Pasmore worked for a time in a lyrical figurative style, painting views of the River Thames from Hammersmith much in the style of Turner and Whistler. In the Second World War, Pasmore was a conscientious objector. Having been refused recognition by his Local Tribunal, he was called up for military service in 1942. He refused orders and was court martialled and sentenced to 123 days imprisonmen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peggy Guggenheim
Marguerite "Peggy" Guggenheim ( ; August 26, 1898 – December 23, 1979) was an American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the ''Titanic'' in 1912, and the niece of Solomon R. Guggenheim, who established the Solomon R. Guggenheim Foundation. Guggenheim collected art in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it; in 1949, she settled in Venice, where she lived and exhibited her collection for the rest of her life. The Peggy Guggenheim Collection is a modern art museum on the Grand Canal in Venice, Italy, and is one of the most visited attractions in Venice. Early life Guggenheim's parents were of Ashkenazi Jewish descent. Her mother, Florette Seligman (1870–1937), was a member of the Seligman family. When she turned 21 in 1919, Guggenheim inherited US$2.5 million, equivalent to US$ million in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concrete Art
Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time. After his death in 1931, the term was further defined and popularized by Max Bill, who organized the first international exhibition in 1944 and went on to help promote the style in Latin America. The term was taken up widely after World War 2 and promoted through a number of international exhibitions and art movements. Origins After the formal break up of ''De stijl'', following the last issue of its magazine in 1928, van Doesburg began considering the creation of a new collective centered on a similar approach to abstraction. In 1929 he discussed his plans with Uruguayan painter Joaquín Torres-García, with candidates for membership of this group including Georges Vantongerloo, Constantin Brâncuși, František Kupka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Systems Group
The Systems Group was a group of British artists working in the Constructivist art, constructivist tradition. The group was formed after an inaugural Helsinki exhibition in 1969 entitled ''Systeemi•System''. The exhibition coordinator Jeffrey Steele (artist), Jeffrey Steele together with Malcolm Hughes, invited the participating artists to form a group in 1970. The Systems Group had no manifesto and no formal membership; it existed for the purpose of discussion and exhibition rather than direct collaboration. Some group members were influenced by Swiss Concrete art, Concrete artists, including Richard Paul Lohse; some by the Op art of the Groupe de Recherche d'Art Visuel. Others were influenced by the British Constructivists, Constructionists: Victor Pasmore, Mary Martin (artist), Mary Martin, Kenneth Martin (English painter), Kenneth Martin and Anthony Hill (artist), Anthony Hill. "Above all, they shared a commitment to a non-figurative art that was not abstracted from the appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central School Of Arts And Crafts
The Central School of Art and Design was a public school of fine and applied arts in London, England. It offered foundation and degree level courses. It was established in 1896 by the London County Council as the Central School of Arts and Crafts. Central became part of the London Institute in 1986, and in 1989 merged with Saint Martin's School of Art to form Central Saint Martins College of Arts and Design. History The Central School of Arts and Crafts was established in 1896 by the London County Council. It grew directly from the Arts and Crafts movement of William Morris and John Ruskin. The first principal – from 1896 to 1900 as co-principal with George Frampton – was the architect William Richard Lethaby, from 1896 until 1912; a blue plaque in his memory was erected in 1957. He was succeeded in 1912 by Fred Burridge. The school was at first housed in Morley Hall, rented from the Regent Street Polytechnic. In 1908 it moved to purpose-built premises in Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goldsmiths College
Goldsmiths, University of London, officially the Goldsmiths' College, is a constituent research university of the University of London in England. It was originally founded in 1891 as The Goldsmiths' Technical and Recreative Institute by the Worshipful Company of Goldsmiths in New Cross, London. It was renamed Goldsmiths' College after being acquired by the University of London in 1904 and specialises in the arts, design, humanities and social sciences. The main building on campus, known as the Richard Hoggart Building, was originally opened in 1792 and is the site of the former Royal Naval School. According to Quacquarelli Symonds (2021), Goldsmiths ranks 12th in Communication and Media Studies, 15th in Art & Design and is ranked in the top 50 in the areas of Anthropology, Sociology and the Performing Arts. In 2020, the university enrolled over 10,000 students at undergraduate and postgraduate levels. 37% of students come from outside the United Kingdom and 52% of all undergrad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Biederman
Charles Biederman, born Karel Joseph Biederman (1906–2004), was an American abstract artist who lived in Chicago, New York City, and Paris before settling in Red Wing, Minnesota. Biography Born in Cleveland in 1906 to Czech immigrant parents, Biederman studied at the Cleveland Art Institute before enrolling at the School of the Art Institute of Chicago (SAIC). At SAIC, Biederman received the prestigious Paul Trebeilcock Prize. Despite this, he dropped out of school in 1929 due to ideological differences with the faculty. In 1934, Biederman moved to New York City. In March 1936, he was included in the show "Five Contemporary American Concretionists" at Paul Reinhardt Gallery in New York. The show also featured Alexander Calder, John Ferren, George L.K. Morris, and Charles Green Shaw. Together with a concurrent solo exhibition at Pierre Matisse Gallery in New York, the exhibition helped establish Biederman's reputation as an important modern artist. Despite a growing recogniti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Joseph Wardell Power
Dr John Joseph Wardell Power (1881–1943) was an Australian Modernist artist. He studied medicine at the University of Sydney and served as a doctor in the First World War. After the war he left medicine and studied at the Atelier Araújo in Paris and became interested in Cubism and abstract art. He was a member of the London Group and the Comite Abstraction-Creation, Paris. JW Power died in Jersey, Channel Islands in 1943. He left his estate (worth £A2 million) to the University of Sydney where the Power Institute of Fine Arts now bears his name. The Power bequest was the core funding to set up Sydney's Museum of Contemporary Art Museum of Contemporary Art (often abbreviated to MCA, MoCA or MOCA) may refer to: Africa * Museum of Contemporary Art (Tangier), Morocco, officially le Galerie d'Art Contemporain Mohamed Drissi Asia East Asia * Museum of Contemporary Art Shangha .... Works Power authored the book Eléments de la Construction Picturale (Paris, 1932). In his treati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliott Seabrooke
Elliott Seabrooke (1886–1950) was a British landscape and still-life painter. His work is in the permanent collection of the Tate. Seabrooke was born in Upton Park, Essex (now London). He trained at the Slade School of Fine Art The UCL Slade School of Fine Art (informally The Slade) is the art school of University College London (UCL) and is based in London, England. It has been ranked as the UK's top art and design educational institution. The school is organised as ... from 1906 to 1911. References {{DEFAULTSORT:Seabrooke, Elliott British artists 1886 births 1950 deaths Alumni of the Slade School of Fine Art People from Upton Park, London British landscape artists British still life painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camberwell School Of Arts And Crafts
Camberwell College of Arts is a public tertiary art school in Camberwell, in London, England. It is one of the six constituent colleges of the University of the Arts London. It offers further and higher education programmes, including postgraduate and PhD awards. The college has retained single degree options within Fine Art, offering specialist Bachelor of Arts courses in painting, sculpture, photography and drawing. It also runs graduate and postgraduate courses in art conservation and fine art as well as design courses such as graphic design, illustration and 3D design. It was established as the Camberwell School of Arts and Crafts in 1898, and adopted its present name in 1989. History The history of the College is closely linked with that of the South London Gallery, with which the College shares its site. The manager of the South London Working Men's College in 1868, William Rossiter, purchased the freehold of Portland House on which the College now stands in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Rothenstein
Sir John Knewstub Maurice Rothenstein (11 July 1901 – 27 February 1992) was a British arts administrator and art historian. Biography John Rothenstein was born in London in 1901, the son of Sir William Rothenstein. The family was connected to the Bloomsbury Set. John Rothenstein studied at Worcester College, Oxford, and became friends with T. E. Lawrence. He shared rooms with novelist William Gerhardie. After serving as Director of Leeds City Art Gallery, he was appointed Director of Sheffield City Art Galleries (1932-38) where he oversaw the establishment and opening of the Graves Art Gallery. From 1938–64 Rothenstein was Director of the Tate Gallery in London. Hs father had been a trustee of the Tate up until a few years before and there were hints of nepotism in the appointment, especially as his father had telephoned the Chairman of the trustees in advance of Rothenstein's job interview. Rothenstein's directorship — the longest to date — was one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth Clark
Kenneth Mackenzie Clark, Baron Clark (13 July 1903 – 21 May 1983) was a British art historian, museum director, and broadcaster. After running two important art galleries in the 1930s and 1940s, he came to wider public notice on television, presenting a succession of programmes on the arts during the 1950s and 1960s, culminating in the '' Civilisation'' series in 1969. The son of rich parents, Clark was introduced to the arts at an early age. Among his early influences were the writings of John Ruskin, which instilled in him the belief that everyone should have access to great art. After coming under the influence of the connoisseur and dealer Bernard Berenson, Clark was appointed director of the Ashmolean Museum in Oxford aged twenty-seven, and three years later he was put in charge of Britain's National Gallery. His twelve years there saw the gallery transformed to make it accessible and inviting to a wider public. During the Second World War, when the collection was mov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
