Bow Frog
The bow frog is the end part of a stringed musical instrument's bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon. Most of the bow frogs used in today's classical bows are made of ebony; some synthetic bows have frogs made with materials that imitate ebony, while Baroque bows use frogs made with various woods. Etymology and names The origin of the name ''frog'' is unknown, although it may derive from the use of the frock, the small device that bow makers use to shape it. It is also referred to as the "heel" or "nut" of the bow. The German equivalent ''Frosch'' is the literal equivalent of "frog," while in French and Italian the equivalent of "heel" is used (''talon'' and ''tallone''). French also uses ''hausse''. The foreign language terms sometimes appear in musical instructions, such as ''au talon'', indicating to play with the bow near the frog. However, the English term is also used, such as in the Alfred edition of George Gers ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Three Bow Frogs
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious and cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonio Stradivari
Antonio Stradivari (, also , ; – 18 December 1737) was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinisation of names, Latinized form of his surname, ''Stradivarius'', as well as the colloquial ''Strad'' are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items. Biography Family and early life Antonio Stradivari's birthdate, presumably between 1644 and 1649, has been debated amongst historians due to the numerous inconsistencies in the evidence of the latter. The 1668 and 1678 censuses report him actually growing younger, a fact explained by the probable loss of statistics from 1647 to 1649, when renewed belligerency between France's Modenese and Spain's M ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Benoît Rolland
Benoît Marie Rolland (born 12 September 1954 Paris), is a bow maker and musician, currently established in Boston, Massachusetts. An internationally renowned bow maker, he is a 2012 MacArthur Fellow and a Chevalier des Arts et des Lettres (2017). Biography Early years Rolland was born into a Parisian family of old descent. He received his early musical training at the age of four from his grandmother Germaine Thyssens-Valentin, a renowned concert pianist. During his childhood he frequented her musical salon, where composers such as Olivier Messiaen and other performers gathered. He began to play the violin at age eight and subsequently entered the Versailles conservatory and the Conservatoire de Paris, graduating at age 16. Among his professors were Alfred Loewenguth and Line Talluel. Aside from violin performance, his perfect pitch led to advancement in his ability to read and write music. He honed his skill for musical composition at the Schola Cantorum de Paris (1980–82) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Galliane
A Galliane is a bow frog for stringed instrument bows that sets the hair ribbon at an angle. This kind of frog was first described in ''Scientific American'' in October 2012. It was invented by bow maker Benoît Rolland for violin, viola, cello, and double bass bows. The frog The frog is the part at the end of the bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon. The name ‘frog’ may derive from the use of the frock, the small device that bow makers use to shape it. It is also referred to as the heel of the bow. The evolution of the bow The classical bow was pioneered by François Xavier Tourte, a French master bowmaker from the late 18th and early 19th century. With the help of virtuoso violinist G.B. Viotti he sought to improve upon the limitations of the Baroque bow by lengthening it, strengthening its tip, and introducing a curvature that allowed for greater flexibility and improved the springing action of the bow. Tourte’s craf ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Jacques Millant
Jean-Jacques Millant (1928–1998) was an influential French people, French bow maker/archetier (French word for maker of string family bows) of the Dominique Peccatte school. His cousin, Bernard Millant (born 1929) produced bows similar in style. Millant, son of violin maker Roger Millant, was apprenticed in Mirecourt, Vosges (department), Vosges, France by the Morizot Brothers from 1946–1948, then worked with his uncle, Roger and Max Millant in Paris until 1950, after which he opened his own shop in Paris. In 1970, Millant was awarded the title Un de Meilleurs Ouvriers de France. His Bow (music), bows, which are strongly influenced by François Peccatte and Dominique Peccatte, quickly enjoyed great esteem among the most highly demanding professionals. Millant made excellent playing bows (following the Peccatte pattern). ''Millant bows function much as good facsimile Peccattes. The combination of choice of materials, weight, strength, and flexibility make them excellent pl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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CITES
CITES (shorter acronym for the Convention on International Trade in Endangered Species of Wild Fauna and Flora, also known as the Washington Convention) is a multilateral treaty to protect endangered plants and animals from the threats of international trade. It was drafted as a result of a resolution adopted in 1963 at a meeting of members of the International Union for Conservation of Nature (IUCN). The convention was opened for signature in 1973 and CITES entered into force on 1 July 1975. Its aim is to ensure that international trade (import/export) in specimens of animals and plants included under CITES does not threaten the survival of the species in the wild. This is achieved via a system of permits and certificates. CITES affords varying degrees of protection to more than 40,900 species. , the Secretary-General of CITES is Ivonne Higuero. Background CITES is one of the largest and oldest conservation and sustainable use agreements in existence. There are three workin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Strad
''The Strad'' is a UK-based monthly classical music magazine about string instrumentsprincipally the violin, viola, cello, and double bassfor amateur and professional musicians. Founded in 1889, the magazine provides information, photographs and reviews of instruments, related feature articles and news, and information about concerts. The magazine offers practical advice on technique, profiles of leading performers, and information on master classes and the craft of instrument makers such as luthiers. It also includes articles about orchestras and music schools. The magazine's name references the common abbreviation for the famous 17th18th-century Stradivarius family of luthiers and their coveted and valuable instruments. ''The Strad's'' first issue was released in June 1890. It is now edited by Emma Baker and owned by Newsquest Specialist Media Limited, a Gannett Gannett Co., Inc. ( ) is an American mass media holding company headquartered in New York City. It is the largest ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jean-Baptiste Vuillaume
Jean-Baptiste Vuillaume (; 7 October 1798 – 19 March 1875) was a French luthier, businessman, inventor and winner of many awards. He was one of the finest French luthiers of the 19th century and a key figure in the world of violin making. His workshop made more than 3,000 instruments. His vision was the ethics and beauty of the Cremona school. Early life Vuillaume was born in Mirecourt, where his father and grandfather were luthiers. His father taught him the basics of violin making. Career Vuillaume moved to Paris in 1818 to work for François Chanot. In 1821, he joined the workshop of Simon Lété, François-Louis Pique's son-in-law, at Rue Pavée St. Sauveur. His first labels are dated 1823. Lété and Vuillaume became partners and in 1825 settled in the Rue Croix-des-Petits-Champs under the name of "Lété et Vuillaume". In 1827, at the height of the Neo-Gothic period, he started to make imitations of old instruments, some of which were identical to the origi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Nicolas Lupot
'Nicolas Lupot'' (4 December 1758 – 14 August 1824) was one of the most illustrious French luthiers (violin makers) of his time. Lupot was born in Stuttgart. He was apprenticed to his father and worked in Orléans until 1794. Soon after, he moved to Paris, where he was appointed violin maker to the king (1815), and to the Conservatoire of Paris (1816). This latter post involved furnishing instruments (of the whole violin family) awarded to first-prize winners. Lupot was ordered by King Louis XVIII to make an orchestra of stringed instruments which were to be decorated/embellished with the coat of arms of France. He ambitiously undertook in 1820 to replace all the instruments of the royal orchestra with new ones of his own make, but death in 1824 prevented him from fulfilling this plan. He frequently received the title of "The French Stradivarius" and in Mirecourt there is a street named after him. Modeling (except a few after Guarnerius and Amati) always after that of Stradi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Battista Viotti
Giovanni Battista Viotti (12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven. Biography Viotti was born at Fontanetto Po in the Kingdom of Sardinia (today in the province of Vercelli, Piedmont, Italy). For his musical talent, he was taken into the household of principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education that prepared him to be a pupil of Gaetano Pugnani. He served at the Savoia court in Turin, 1773–80, then toured as a soloist, at first with Pugnani, before going to Paris alone, where he made his début at the Concert Spirituel, 17 March 1782. He was an instant sensation and served for a time at Versailles before founding a new opera house, the Théâtre de Monsieur in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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François Tourte
François Xavier Tourte (1747 – 25 April 1835) was a French bow maker who made a number of significant contributions to the development of the bow of stringed instruments, and is considered to be the most important figure in the development of the modern bow. Because of this, he has often been called the Stradivari of the bow. Development of the modern bow Tourte spent eight years as a watchmaker's apprentice before finally becoming an apprentice to his luthier father, Nicolas Pierre Tourte ''père'' (c.1700 - 1764). After his father's death, Tourte, in collaboration with the violin virtuoso G. B. Viotti, made important changes in the form of the bow in the Classical period between 1785 and 1790. Tourte's bows are made from pernambuco wood, the most usual form of wood used on professional bows today. Tourte's bows tended to be heavier than previous models, with more wood at the tip of the bow counterbalanced by a heavier frog (the device connecting the hair to the stick at ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wilhelm Cramer
Wilhelm Cramer (2 June 1746, Mannheim – 5 October 1799, London) was a famous London violinist and musical conductor of German origin. He was the son of a Mannheim violinist, Jakob Cramer (1705–70), and part of a large family who were connected with music during both the 18th and 19th centuries. He is the father of the famous English composer Johann Baptist Cramer and of the English violinist and conductor Franz Cramer.Simon McVeigh'Cramer, Wilhelm', in ''Grove Music Online'' (2001)/ref> Cramer joined the Mannheim Orchestra in 1757. He then moved to Stuttgart to work for the Duke of Württemberg, from where he obtained permission to travel to Paris and London. With encouragement from Johann Christian Bach he settled permanently in England from 1772. He soon became London’s foremost violinist, leading the Bach–Abel concerts, the Professional Concert series (1785–93) at the Hanover Square Rooms, the Italian Opera (1777-1796), the Concert of Ancient Music, and the Ha ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |