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Big Music (Machinations Album)
''Big Music'' is the second studio album from Australian synthpop band Machinations. The album was released in June 1985 and peaked at number 20 on the Kent Music Report. Background and Reception ''Big Music'' is produced by Julian Mendelsohn who first worked with the band on the single "No Say in It" and who has worked with such British acts as Frankie Goes to Hollywood, Nik Kershaw and Art of Noise. Band member Fred Lonergan said "He was really great to work with ndwe wanted to record the album in November (of 1984) but after working with Julian we decided we would try and get him back out again. March (of 1984) was the earliest we could do it." Lonergan said "Variety is the keyword with this album. On the album we've got a reggae track, a ballad nda few dance tracks." Australian musicologist, Ian McFarlane, declared that the group "mergedwith the smoothest and most fully realised album of heir Inheritance is the practice of receiving private property, titles, debts, ...
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Machinations (band)
Machinations are an Australian synthpop band which formed in 1980. They reached the top 20 on the Kent Music Report albums chart with '' Big Music'' in 1985. Their top 30 hits on the related singles chart are "Pressure Sway", "No Say in It", "My Heart's On Fire" and "Do to You". By 1989 the group had disbanded. They briefly reunited in 1997 and then reformed in 2012. History 1980–1982: Debut EP Machinations formed in 1980 in Sydney with the line up of Tim Doyle on guitar; Fred Loneragan on lead vocals; and Tony Starr on keyboards, vocals, and drum machine. Doyle and Starr had started song writing together at the end of 1979 using electronic instruments. Their school friend, Loneragan, joined, and in early 1980 Machinations played their first show at Garibaldi's in Darlinghurst. Another school friend, Nero (Nick) Swan, soon joined on bass guitar. In late 1980, with the assistance of radio station Triple J, the band recorded tracks at Trafalgar Studios for the new ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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1985 Albums
The year 1985 was designated as the International Youth Year by the United Nations. Events January * January 1 ** The Internet's Domain Name System is created. ** Greenland withdraws from the European Economic Community as a result of a new agreement on fishing rights. * January 7 – Japan Aerospace Exploration Agency launches ''Sakigake'', Japan's first interplanetary spacecraft and the first deep space probe to be launched by any country other than the United States or the Soviet Union. * January 15 – Tancredo Neves is elected president of Brazil by the Congress, ending the 21-year military rule. * January 20 – Ronald Reagan is privately sworn in for a second term as President of the United States. * January 27 – The Economic Cooperation Organization (ECO) is formed, in Tehran. * January 28 – The charity single record " We Are the World" is recorded by USA for Africa. February * February 4 – The border between Gibraltar and Sp ...
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Ian McFarlane
Ian McFarlane (born 1959) is an Australian music journalist, music historian and author, whose best known publication is the ''Encyclopedia of Australian Rock and Pop'' (1999), which was updated for a second edition in 2017. As a journalist he started in 1984 with '' Juke'', a rock music newspaper. During the early 1990s he worked for Roadrunner Records while he published a music guide, ''The Australian New Music Record Guide Volume 1: 1976–1980'' (1992). He followed with two fanzines, ''Freedom Train'' and ''Prehistoric Sounds'', both issued during 1994 to 1996. McFarlane's ''The Encyclopedia of Australian Rock and Pop'' is described by the ''Australian Music Guide'' as "the most exhaustive and wide-ranging encyclopedia of Australian music from the 1950s onwards". Subsequently, he was a writer for ''The Australian'' and worked for Raven Records, a reissue specialist label, preparing compilations, writing liner notes and providing research. He fulfilled a similar role at Az ...
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Art Of Noise
Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist/arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of " Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. The band is noted for innovative use of electronics and computers in pop music and particularly for innovative use of sampling. History Beginnings The technological impetus for the Art of Noise was the advent of the ...
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Nik Kershaw
Nicholas David Kershaw (born 1 March 1958) is an English singer, songwriter, musician and record producer. Kershaw came to prominence in 1984 as a solo artist. He released eight singles that entered the Top 40 of the UK Singles Chart during the decade, including " Wouldn't It Be Good", " Dancing Girls", " I Won't Let the Sun Go Down on Me", " Human Racing", " The Riddle", " Wide Boy", " Don Quixote" and " When a Heart Beats". His 62 weeks on the UK Singles Chart through 1984 and 1985 beat all other solo artists. Kershaw appeared at the dual-venue concert Live Aid in 1985 and has also penned a number of hits for other artists, including a UK No. 1 single in 1991 for Chesney Hawkes, " The One and Only". Early years Nicholas "Nik" Kershaw was born on 1 March 1958 in Bristol, England, and grew up in Ipswich, Suffolk. His father was a flautist and his mother was an opera singer. He was educated at Northgate Grammar School for Boys where he played the guitar – he was self- ...
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Frankie Goes To Hollywood
Frankie Goes to Hollywood were an English synth-pop band formed in Liverpool in 1980. The group's best-known line-up comprised Holly Johnson (vocals), Paul Rutherford (backing vocals), Peter Gill (drums, percussion), Mark O'Toole (bass guitar) and Brian Nash (guitar). The group's 1983 debut single "Relax" was banned by the BBC in 1984 while at number six in the charts and subsequently topped the UK Singles Chart for five consecutive weeks, going on to enjoy prolonged chart success throughout that year and ultimately becoming the seventh-best-selling UK single of all time. It also won the 1985 Brit Award for Best British Single. Their debut album, ''Welcome to the Pleasuredome'', reached number one in the UK in 1984 with advanced sales of more than one million. After the follow-up success of "Two Tribes" and " The Power of Love", the group became only the second act in the history of the UK charts to reach number one with their first three singles; the first being fellow L ...
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, '' Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first re ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and ...
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You Got Me Going Again
"You Got Me Going Again" is a song recorded by the Australian synth-pop band Machinations. It was released in August 1985 as the third single from the band's second studio album, '' Big Music''. The song peaked at number 39 on the Australian Kent Music Report The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July .... Track listing ; 7" single (K 9784) * Side A "You Got Me Going Again" – 3:37 * Side B "I Ain't Waiting for No Train" ; 12" single (X 13219) * Side A "You Got Me Going Again" (extended) * Side B1 "You Got Me Going Again" (Sing-A-Long with Naomi) * Side B2 "You Got Me Going Again" (Sing-A-Long without) Charts References 1985 songs Machinations (band) songs 1985 singles {{1980s-pop-song-stub ...
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Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and ...
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