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Bharati Shivaji
Bharati Shivaji is an Indian classical dancer of Mohiniyattom, choreographer and author, known for her contributions to the art form by way of performance, research and propagation. She is the founder of '' Center for Mohiniyattam'', a dance academy promoting Mohiniyattom and the co-author of two books, ''Art of Mohiniyattom'' and ''Mohiniyattom''. She is a recipient of the Sangeet Natak Akademi Award and Sahitya Kala Parishad Samman. The Government of India awarded her the fourth highest civilian honour of the Padma Shri, in 2004, for her contributions to Indian classical dance. Biography Bharati Shivaji was born in 1948 in the temple town of Kumbakonam, in Tanjavur district of the south Indian state of Tamil Nadu, and had her early training in Bharatnatyam under Lalita Shastri and Odissi under Kelucharan Mohapatra. Later, on advice from Kamaladevi Chattopadhyay, renowned social reformer, she took up research on Mohiniyattom, the traditional dance form of Kerala. After ob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kumbakonam
Kumbakonam (formerly spelt as Coombaconum or Combaconum), or Kudanthai, is a city municipal corporation in the Thanjavur district in the States of India, Indian state of Tamil Nadu. It is located from Thanjavur and from Chennai and is the headquarters of the Kumbakonam taluk of Thanjavur district. It is the second largest city in the district after Thanjavur. The city is bounded by two rivers, the Kaveri River to the north and Arasalar River to the south. Kumbakonam is known as a "Temple City" due to the prevalence of a number of Hindu temple, temples here and is noted for its Mahamaham festival, which happens once in 12 years, attracting people from all over the country. Kumbakonam dates back to the Sangam period and was ruled by the Early Cholas, Pallavas, Mutharaiyar dynasty, Medieval Cholas, Later Cholas, Pandyas, the Vijayanagara Empire, Madurai Nayaks, Thanjavur Nayaks and the Thanjavur Marathas. It rose to be a prominent town between the seventh and ninth centuries AD, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalamandalam Satyabhama
Kalamandalam V. Satyabhama (4 November 1937 – 13 September 2015) was an Indian classical dancer, teacher and choreographer, known for her performances and scholarship in Mohiniyattam. She was awarded the Padma Shri, in 2014, for her contributions to the art and culture, by the Government of India. Biography Satyabhama was born in 1937, in a family with limited financial resources, at Shornur, on the coast of Bharathapuzha, in Palakkad, in the south Indian state of Kerala, to Krishnan Nair, a petty businessman and Ammini Amma. She started learning dance, at a very early age, as a part-time student of Kerala Kalamandalam, under the tutelage of Kalamandalam Achutha Warrier and Kalamandalam Krishnankutty Warrier, concurrently with her academic schooling at Government High School, Shornur. After completing her 8th standard there, she joined Kalamandalam as a full-time student. That was when she started learning Mohiniyattom, under the Kalamandalam stalwart, Thottassery Chinnammu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Honours System
The Indian honours system is the system of awards given to individuals for a variety of services to the Republic of India. The categories of awards are as follows: Civilian awards Bharat Ratna Bharat Ratna ("Jewel of India"), the highest civilian award of India, was instituted in the year 1954. Any person without distinction of race, occupation, position, gender or religion is eligible for this award. It is awarded in recognition of exceptional service or performance of the highest order in any field of human endeavour. On conferment of the award, the recipient receives a ''Sanad'' (certificate) signed by the President and a medallion. Padma awards Padma Awards were instituted in the year 1954. Except for brief interruptions during the years 1978 to 1979 and 1993 to 1997, these awards have been announced every year on Republic Day. The award is given in three categories: Padma Vibhushan, Padma Bhushan and Padma Shri, in decreasing order of precedence. * Padma Vibhushan is awar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ministry Of Human Resource Development (India)
The Ministry of Education (MoE) is a ministry of the Government of India, responsible for the implementation of the National Policy on Education. The ministry, headed by Sanya Shresth, is further divided into two departments: the Department of School Education and Literacy, which deals with primary, secondary and higher secondary education, adult education and literacy, and the Department of Higher Education, which deals with university level education, technical education, scholarships, etc. The current education minister is Dharmendra Pradhan, a member of the Council of Ministers. India has had a Ministry of Education since 1947. In 1985, the Rajiv Gandhi government changed its name to the Ministry of Human Resource Development (MHRD), and with the newly drafted "National Education Policy 2020" by the Narendra Modi government, the Ministry of Human Resource Development was renamed back to the Ministry of Education. Policy The new National Education Policy 2020 was pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnanattam
Krishnanattam (IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India. It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. The eight plays are: Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Swayamvaram, Banayuddham, Vividavadham and Swargarohanam. It survives in its glory at the Guruvayur Sri Krishna temple (Thrissur district, Kerala, India). The troupe of players who were maintained by the Zamorin came to Guruvayur Devaswom in 1958, and they are the only troupe of artists who are well maintained by the devaswom till date. Origin Krishnanattam is based on Krishnagiti (1654 AD) written by Manaveda, Zamorin of Kozhikode. It is believed that the Zamorin had a vision of Krishna who gave the king a peacock feather, which became the living symbol of this dance-drama. Krishnanattam players wore a peacock feather and thus commemorated th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thayambaka
Thayambaka or tayambaka is a type of solo chenda performance that developed in the south Indian state of Kerala, in which the main player at the centre improvises rhythmically on the beats of half-a-dozen or a few more chenda and ilathalam players around. Performance A thayambaka performance on the chenda has thus its focus on the stick-and-palm rolls produced on the itantala (treble) of the chenda, while the rhythm is laid by his fellow instrumentalists on the (bass) and (cymbals). Thayambaka, believed to have flourished during the feudal era, spans an average of 90 minutes. It begins at a slow pace before scaling on to a medium tempo and eventually culminating in high, frenzied speed. It has a skeletal pattern on which the performance progresses, but the main performer has the liberty to improvise and innovate to showcase his grip of rhythm, finesse of techniques and cerebral brilliance. In fact, thayambaka is one chenda concert that allows maximum individual freedom to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottamthullal
Ottan Thullal (or ''Ottamthullal'') is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar complained about Nambiar's production to the king of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashtapadi
''Ashtapadis'' or ''Ashtapadi'' refers to the Sanskrit hymns of the ''Gita Govinda'', composed by Jayadeva in the 12th century. The ''ashtapadis'', which describe the beauty of Lord Krishna and the love between Krishna and the ''gopis'', are considered a masterpiece in esoteric spirituality and the theme of 'Divine romance'. The literal meaning of ''ashtapathi'', 'eight-steps', refers to the fact that each hymn is made of eight couplets (eight sets of two lines). It is also the source of the word ''ashtāpada'', an Indian board game, the forerunner of chess. Although the original tunes of the ''ashtapadis'' were lost in history, they remain popular and are widely sung in a variety of tunes, and used in classical dance performances, across India. Ashtapadis are regularly performed at Kerala temples in the accompaniment of an ''idakka;'' a genre of music called ''Sopana Sangeetham, sopana sangeetham.'' The lyrical poetry of the ''Gita Govinda'' is divided into twelve chapters, eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rig Veda
The ''Rigveda'' or ''Rig Veda'' (, , from wikt:ऋच्, ऋच्, "praise" and wikt:वेद, वेद, "knowledge") is an ancient Indian Miscellany, collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Shakala Shakha, Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. Most scholars believe that the sounds and texts of the ''Rigveda'' have been orally transmitted with precision since the 2nd millennium BCE, through Indian mathematics#Styles of memorisation, methods of memorisation of exceptional complexity, rigour and fidelity, though the dates are not confirmed and remain contentious till concrete evidence surfaces. Philolog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manipravalam
Manipravalam (, ) is a macaronic language found in some manuscripts of South India. It is a hybrid language, typically written in the Grantha script, which combines Sanskrit lexicon and Tamil morpho-syntax.The Illustrated weekly of India, (1965). Volume 86. Bennett, Coleman & Co., Ltd. pp. 35-37 According to language scholars Giovanni Ciotti and Marco Franceschini, the blending of Tamil and Sanskrit is evidenced in manuscripts and their colophons over a long period of time, and this ultimately may have contributed to the emergence of Manipravalam. However, the 14th century Sanskrit work ''Lilatilakam'' states that Manipravalam is a combination of Tamil and Sanskrit. Generally, it is agreed that it was a combination of Middle Tamil and Sanskrit. The twelfth century has been described as a watershed moment in the history of Malayalam, where it was finally accepted as a vehicle for literary expression. The two dominant schools in Malayalam writing were the ''pattu'' and the maniprav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabindranath Tagore
Rabindranath Thakur (; anglicised as Rabindranath Tagore ; 7 May 1861 – 7 August 1941) was a Bengalis, Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer, and painter of the Bengal Renaissance. He reshaped Bengali literature and Music of Bengal, music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. He was the author of the "profoundly sensitive, fresh and beautiful" poetry of ''Gitanjali.'' In 1913, Tagore became the first non-European to win a Nobel Prize in any category, and also the first lyricist to win the 1913 Nobel Prize in Literature, Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; where his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society of Great Britain and Ireland, Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by the sobri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
