|
Bass Music
Bass music is a term used to describe several genres of electronic dance music and hip hop music arising from the 1980s on, focusing on a prominent bass drum and/or bassline sound. As one source notes, there are "many different types of bass music to fall into, each putting a different spin on one of music's loudest elements". Typically, the bass sound is created using synthesizers and drum machines such as the influential Roland TR-808. Electronic dance music genres of this type may include: * Bass house * Bassline * Drum and bass * Dubstep * EDM trap * Footwork * Future bass * Glitch hop * Gqom * Midtempo bass * Moombahton * Nu skool breaks * UK bass * UK garage * Wave * Wonky Hip hop genres of this type may include: * Miami bass Miami bass (also known as booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Dance Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally produced for gapless playback, playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of Rave music, raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch Hop
Glitch is a genre of experimental electronic music that emerged in the 1990s, which is distinguished by the deliberate use of glitches in audio media and other sonic artifacts. The sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors, as well as abstract sound design produced from the intended use of these technologies. Devices that were already broken are often used, while other times devices are broken expressly for this purpose. In '' Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nightcore
A nightcore (also known as sped-up song, sped-up version, sped-up remix, or sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM. The name is derived from the Norwegian musical duo "Nightcore" (), who released pitch-shifted versions of trance and Eurodance songs. Nightcore is also almost always associated and accompanied with anime and otaku culture, with many YouTube thumbnails, and similar formats, of nightcore remixes containing anime characters and art. Nightcore saw a general resurgence in popularity in the early 2020s due to TikTok, causing major recording labels to officially release "sped-up" versions of their songs. History 2000s: Origins The term "nightcore" was first used in 2001 as the name for a school project by Norwegian DJ duo Thomas S. Nilsen and Steffen Ojala Søderholm, known by their stage names DJ TNT and DJ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miami Bass
Miami bass (also known as booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds, and Overtown". Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of hip hop, dance music, and pop. History 1980s origins During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonky (genre)
Wonky is a subgenre of electronic dance music known primarily for its off-kilter or "unstable" beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus. The genre includes the microgenre aquacrunk and is related to purple sound. History Wonky initially emerged in 2006 as a colorful, exuberant style drawing on hip hop, synth-funk, glitchy electronica, and more eclectic influences, in contrast with the austere sound of the UK's ongoing dubstep and grime scenes. Other influences included American hip hop producers J Dilla and Madlib, with some artists drawing more explicitly on an instrumental hip-hop sound rather than dubstep. The term "wonky" has been rejected by various artists associated with the style. Characteristics Wonky is known for its off-kilter rhythms and typically features garish synthesizer tones, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wave Music
Wave is a genre of bass music and a visual art style that emerged in the early 2010s in online communities. It is characterized by atmospheric melodies and harmonies, melodic and heavy bass such as reese, modern trap drums, chopped vocal samples processed with reverb and delay, and arpeggiators. Visually, it incorporates computer-generated imagery and animation, and imagery from video games and cartoons. Wave music originated on online music platforms from a small group of DIY artists. Since then, wave music uploaded to streaming platforms such as YouTube has gathered millions of plays, which is partially attributable to the genre's broad influences. Since 2016, the wave scene has experienced an increase in physical events. From 2017 onward, the genre further incorporated elements of trance and hardstyle, leading to the emergence of the hardwave subgenre. Characteristics Musical qualities and influences Wave conveys feelings and qualities of melancholy similarly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Garage
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house and jungle production methods, but also incorporates elements from dance-pop and R&B. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals, and snares, and may include either 4/4 house kick patterns or more irregular " 2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM. UK garage encompassed subgenres such as speed garage and 2-step, and was then largely subsumed into other styles of music and production in the mid-2000s, including bassline, grime, and dubstep. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related. The 2010s saw a resurgence in the genre, then in the early 2020s, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Bass
UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, Future garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm. UK bass is sometimes conflated with bassline or post-dubstep. It is not to be confused with the hip hop and electro-based genre Miami bass, which is sometimes called "bass music" as well. Origins The breadth of styles that have come to be associated with the term preclude it from being a specific musical genre. ''Pitchfork'' writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas… you can't dismiss all these acts as unre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nu Skool Breaks
Nu skool breaks or nu breaks is a subgenre of breakbeat originating during the period between 1998 and 2002. The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass. Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line. In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sounds produced by modern production techniques using synthesizers, effect processors, and computers A computer is a machine that can be programmed to automatically carry out sequences of arithmetic or logical operations ('' computation''). Modern digital electronic computers can perform generic sets of operations known as ''programs'', .... Origins The term "nu skool breaks" is widely attri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moombahton
Moombahton (, ) is an electronic dance music genre, derived from house music and reggaeton, that was created by American DJ and producer Dave Nada in Washington, D.C., in 2009. Nada coined the name as a portmanteau of "Moombah" (a track by Surinamese house DJ Chuckie and Dutch producer/DJ Silvio Ecomo) and reggaeton (itself a neologism combining reggae with the Spanish suffix ''-ton'', signifying big). Characteristics Identifying characteristics of moombahton include a thick and spread-out bass line, dramatic builds, and a two-step pulse with quick drum fills. Occasionally moombahton includes rave music synthesizers and a cappella rap samples. Musically, moombahton mixes the rhythmic origins of Dutch house or house music, the slow tempo of reggaeton, usually between 100-110bpm, accompanied by bouncy percussions from reggaeton. History Moombahton was created by Dave Nada in late 2009 while DJing his cousin's high school cut party in Washington, D.C. He blended the house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midtempo Bass
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG,Simon Reynolds: ''Generation Ecstasy: Into the World of Techno and Rave Culture.'' Routledge 1999, , p. 124. EBM and hip hop (e.g. scratching).Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , pp. 102–103. It flourished in Western Europe during the late-1980s. New beat spawned a subgenre called "hard beat" (a blend of EBM, new beat and acid house)Nikki van Lierop: ''Hard Beat 1st Compilation.'', 1989."Hard Beat is the perfect link between Electronic Body Music and New Beat." and became a key influence on the evolution of European electronic dance music styles such as Belgian techno, hardcore techno and gabber. History New beat originated in Belgium in 1987, and was popular in several music clubs across Western Europe. Sometimes described as "new wave disco beat"Philipp Anz, Arnold Meyer: ''New Beat.' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
