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Bar-line Shift On Rhythm Changes B Section
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a new sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barlines
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beat (music), beats. The length of the bar, measured by the number of Note value, note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a Staff (music), grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two Musical form, sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm In Arabian Music
Rhythms in Arabic music are rich and very diverse, as they cover a huge region and peoples from Northern Africa to Western Asia. Rhymes are mainly analysed by means of rhythmic units called ''awzan'' and ''iqa'at''. Wazn and Iqa' A rhythmic pattern or cycle in Arabic music is called a "wazn" (; plural أوزان / ''awzān''), literally a " measure". A ''wazn'' is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. It consists of two or more regularly recurring time segments, each time segment consisting of at least two beats (''naqarāt'', plural of ''naqrah''). There are approximately one hundred different cycles used in the repertoire of Arabic music, many of them shared with other regional music, also found in some South European styles like Spanish music. They are recorded and remembered through onomatopoetic syllables and the written symbols O and I. ''Wazn'' may be as large as 176 units of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar-line Shift
In jazz, a bar-line shift is a technique in which, during musical improvisation, improvisation, one plays the chord (music), chord from the bar (music), measure before, as an anticipation of a chord, or after the given chord, as a delay, either intentionally or as an "accident."Jerry Coker, Coker, Jerry (1997). ''Elements of the Jazz Language for the Developing Improvisor'', p.83. . Bar-line shifts may be caused by a novice having lost their place in the chord progression, but is most often attributable to: "(1)...harmonic generalization, as in the case of playing a half-diminished seventh chord, II to dominant seventh chord, V7 (+5, +9) progression II-V-I turnaround, [II-V-I turnaround] as only a altered chord, V7 (+5, +9); or (2) the player ''wanted'' to play the previous chord (though it has already transpired), but was either pausing momentarily (as in taking a breath), and decides to adopt the 'better later than never' attitude." An example of a "very intentional" bar-line shi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phrase (music)
In music theory, a phrase () is a unit of Meter (music), musical meter that has a complete musical sense of its own, built from figure (music), figures, motif (music), motifs, and Cell (music), cells, and combining to form Melody, melodies, period (music), periods and larger Section (music), sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the phrase, linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward T. Cone, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward T
Edward is an English male name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortunate; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypermeter
In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes the number of lines in a verse, the number of syllables in each line, and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypermeter
In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes the number of lines in a verse, the number of syllables in each line, and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hypermeasure
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a new sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (music)
In music, metre (British spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bar (music), bars and Beat (music), beats. Unlike rhythm (music), rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Music of India, Indian system of ''Tala (music), tala'' and similar systems in Rhythm in Arabic music, Arabic and Rhythm in Sub-Saharan Africa, African music. Western culture, Western music inherited the concept of metre from poetry, where it denotes the number of lines in a Verse (poetry), verse, the number of syllables in each line, and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of Chord chart, rhythmic notation in modern Western music was based on rhythmic modes derived from the Foot (prosod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
