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B52s
The B-52's, also styled as The B-52s, are an American New wave music, new wave band formed in Athens, Georgia, in 1976. The original lineup consisted of Fred Schneider (vocals, percussion), Kate Pierson (vocals, keyboards, synth bass), Cindy Wilson (vocals, percussion), Ricky Wilson (American musician), Ricky Wilson (guitar), and Keith Strickland (drums, guitar, keyboards). Ricky Wilson died of AIDS-related illness in 1985, and Strickland switched from drums to lead guitar. The band also added various members for albums and live performances. The group evoked a "thrift shop aesthetic", in Bernard Gendron's words, by drawing from 1950s and 1960s pop sources, trash culture, and rock and roll. Schneider, Pierson, and Wilson sometimes use call and response (music), call-and-response-style vocals (Schneider's often humorous sprechgesang contrasting with Wilson's and Pierson's melodic harmonies), and their guitar- and keyboard-driven instrumentation is their trademark sound, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat Irwin
Pat Irwin (born May 17, 1955) is an American composer and musician who was a founding member of two bands that grew out of New York City's No Wave scene in the late 1970s, the Raybeats and 8-Eyed Spy. He joined The B-52s from 1989 through 2008. He currently performs and records witSUSSwho have released several records on the indie label Northern Spy. He composed the score for the Showtime series, '' Dexter: New Blood.'' Other television scores include HBO's '' Bored to Death,'' Showtime's '' Nurse Jackie,'' and '' The Good Cop'' on Netflix. He has composed scores for many cartoons including '' Rocko's Modern Life'', '' Pepper Ann'', '' A Little Curious'', and ''Class of 3000''. Independent film credits include '' My New Gun'', '' But I'm A Cheerleader'', and '' Bam Bam and Celeste.'' Biography Pat Irwin graduated from Grinnell College in 1977. He received a Thomas J. Watson Fellowship for international study and moved to Paris after graduation. In Paris he attended composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Schneider
Frederick William Schneider III (born July 1, 1951) is an American singer, songwriter, arranger, and musician, best known as the frontman of the rock band The B-52's, of which he is a founding member. Schneider is well known for his '' sprechgesang'', which he developed from reciting poetry over guitars.Interview: Fred Schneider of the B-52's Survivingthegoldenage.com; retrieved on 2012-11-28. Early life Frederick William Schneider III was born on July 1, 1951, in , and lived in Oceanport, New Jersey after moving there ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kate Pierson
Catherine Elizabeth Pierson (born April 27, 1948) is an American singer, lyricist, and founding member of the B-52's. She plays guitar, bass and various keyboard instruments. In the B-52s, she has performed alongside Cindy Wilson, Fred Schneider, Ricky Wilson, and Keith Strickland. In the early years, as well as being a vocalist, Pierson was the main keyboard player and performed on a keyboard bass during live shows and on many of the band's recordings, taking on a role usually filled by a bass guitar player, which differentiated the band from their contemporaries. This, along with Pierson's distinctive wide-ranging singing voice, remains a trademark of the B-52's' unique sound. Pierson has also collaborated with many other artists including The Ramones, Iggy Pop and R.E.M. Pierson possesses a soprano vocal range. In February 2015, Pierson released her first solo album, ''Guitars and Microphones'', featuring material co-written by Sia. She later released the non-album sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cindy Wilson
Cynthia Leigh Wilson (born February 28, 1957) is an American musician and one of the vocalists, songwriters and founding members of new wave rock band the B-52's. She is noted for her distinctive contralto voice and also plays percussion during live shows. She is the younger sister of the late guitarist Ricky Wilson (1953–1985), who was also a founding member of the band. In addition to her work with the B-52's, Wilson has released two solo EPs, ''Sunrise'' (2016) and ''Supernatural'' (2017). In late 2017, she released her debut solo album, ''Change'', via the independent label Kill Rock Stars. Biography 1957–1975: Early life Wilson was born February 28, 1957 in Athens, Georgia. She had one elder brother, Ricky. When Ricky was 19 years old, he began learning to play guitar, and invited Cindy to harmonize along with his instrumentation. 1976–1984: Career beginnings and The B-52's The B-52's were formed when Wilson, her brother Ricky, keyboardist and backing vocalist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sprechgesang
(, "spoken singing") and (, "spoken voice") are expressionist vocal techniques between singing and speaking. Though sometimes used interchangeably, ''Sprechgesang'' is directly related to the operatic ''recitative'' manner of singing (in which pitches are sung, but the articulation is rapid and loose like speech), whereas ''Sprechstimme'' is closer to speech itself (because it does not emphasise any particular pitches). Sprechgesang ''Sprechgesang'' is more closely aligned with the long-used musical techniques of ''recitative'' or ''parlando'' than is ''Sprechstimme''. Where the term is employed in this way, it is usually in the context of the late Romantic German operas or "music dramas" that were composed by Richard Wagner and others in the 19th century. Thus, ''Sprechgesang'' is often merely a German alternative to ''recitative''. ''Sprechstimme'' The earliest compositional use of the technique was in the first version of Engelbert Humperdinck's 1897 melodrama '' König ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Call And Response (music) In music, call and response is a succession of two distinct phrases usually written in different parts of the music, where the second phrase is heard as a direct commentary on or in response to the first. This can take form as commentary to a statement, an answer to a question or repetition of a phrase following or slightly overlapping the initial speaker(s). It corresponds to the call and response pattern in human communication and is found as a basic element of musical form, such as verse-chorus form, in many traditions. African music In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. African-American music Enslaved Africans brought call and response music with them to the colonized American continents and it has been transmitted over the centuries in various forms of cultural express ... [...More Info...] [...Related Items...] OR: [Wikipedia] |
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