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Axur, Re D'Ormus
''Axur, re d'Ormus'' ("Axur, king of Ormus") is an operatic dramma tragicomico in five acts by Antonio Salieri. The libretto was by Lorenzo Da Ponte. ''Axur'' is the Italian version of Salieri's 1787 French-language work ''Tarare (opera), Tarare'' which had a libretto by Pierre Beaumarchais, Beaumarchais. Synopsis Axur, King of the Persian Gulf kingdom of Ormus, orders one of his soldiers, Altamor, to abduct Aspasia, the wife of Atar, the heroic commander of Axur's army. Not knowing who kidnapped Aspasia but suspecting an overseas enemy, Atar speaks with the king and begs for justice. Moved by his appeal, Axur allows Atar to take a ship and seek his wife. Before Atar leaves, Axur's slave-servant, Biscroma, tells the general that the king has abducted Aspasia and hidden her in the royal harem. Enemy troops now threaten to invade Ormus, and the people plead with Atar to save them. Axur undermines Atar by telling the people that the general has better things to do than lead the army. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Salieri
Antonio Salieri (18 August 17507 May 1825) was an Italian classical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg monarchy. Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann, and a protégé of Christoph Willibald Gluck, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers. Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774 until 1792, Salieri dominated Italian-language opera in Vienna. During his career, he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Aus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Calvesi
Vincenzo Calvesi ( fl. 1777–1811) was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794. He is best remembered today for creating the role of Ferrando in the world premiere of Wolfgang Amadeus Mozart's '' Così fan tutte'' in 1790. That same year the Viennese publication ''Grundsätze zur Theaterkritik'' described him as "one of the best tenors from Italy…with a voice naturally sweet, pleasant and sonorous." He was later active in Rome as an impresario up until 1811. Life and career Calvesi was born in Rome, the son of Bernhard Calvesi, a papal chamberlain. His date of birth, his musical education, and the details of his youth are now unknown. The first definite account of the singer was in 1777 for a series of performances in operas in Rome. He actively performed in comic oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Mandini
Stefano is the Italian form of the masculine given name Στέφανος (Stefanos, Stephen). The name is of Greek origin, Στέφανος, meaning a person who made a significant achievement and has been crowned. In Orthodox Christianity the achievement is in the realm of virtues, αρετές, therefore the name signifies a person who had triumphed over passions and gained the relevant virtues. In Italian, the stress falls usually on the first syllable, (an exception is the Apulian surname ''Stefano'', ); in English it is often mistakenly placed on the second, . People with the given name Stefano * Stefano (wrestler), ring name of Daniel Garcia Soto, professional wrestler * Stefano Borgia (1731–1804), Italian Cardinal, theologian, antiquarian, and historian * Stefano Bertacco (1962–2020), Italian politician * Stefano Cagol (born 1969), Italian artist * Stefano Casiraghi (1960–1990), Italian socialite * Stefano Cavazzoni (1881–1951), Italian politician * Stefano Era ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luisa Laschi-Mombelli
Luisa Laschi, also known as Luisa Laschi-Mombelli, (c. 1760 – c. 1790) was an Italian operatic soprano prominent in the opera houses of Austria and Italy. Amongst the numerous roles she created in her brief but intense career were Countess Almaviva in Mozart's ''Le nozze di Figaro'', Aspasia in Salieri's ''Axur, re d'Ormus'', and Isabella in Martín y Soler's ''Una cosa rara ' (''A Rare Thing, or Beauty and Honesty'') is an opera by the composer Vicente Martín y Soler. It takes the form of a dramma giocoso in two acts. The libretto, by Lorenzo Da Ponte, is based on the play ' by Luis Vélez de Guevara. The opera was f ...''. Laschi was the first wife of the tenor Domenico Mombelli by whom she had two children, both of whom died in infancy. References {{DEFAULTSORT:Laschi, Luisa 1760s births 1790s deaths Italian operatic sopranos Musicians from Florence 18th-century Italian women opera singers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Vincenzo Calvesi
Vincenzo Calvesi ( fl. 1777–1811) was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794. He is best remembered today for creating the role of Ferrando in the world premiere of Wolfgang Amadeus Mozart's '' Così fan tutte'' in 1790. That same year the Viennese publication ''Grundsätze zur Theaterkritik'' described him as "one of the best tenors from Italy…with a voice naturally sweet, pleasant and sonorous." He was later active in Rome as an impresario up until 1811. Life and career Calvesi was born in Rome, the son of Bernhard Calvesi, a papal chamberlain. His date of birth, his musical education, and the details of his youth are now unknown. The first definite account of the singer was in 1777 for a series of performances in operas in Rome. He actively performed in comic oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Bussani
Francesco, the Italian (and original) version of the personal name " Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
