Arianna In Creta
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Arianna In Creta
''Arianna in Creta'' ("Ariadne in Crete", HWV 32) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was adapted by Francis Colman from Pietro Pariati's ''Arianna e Teseo'', a text previously set by Nicola Porpora in 1727 and Leonardo Leo in 1729. Performance history The opera was first given at the King's Theatre in London on 26 January 1734 and then presented in a revised version with dances added for Marie Sallé at Covent Garden Theatre on 27 November of the same year. As with all Baroque opera seria, ''Arianna in Creta'' went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s,''Arianna in Creta'', like all Handel operas, receives performances at festivals and opera houses today. Among other performances, ''Arianna in Creta'' was staged by the London Handel Festival in 2014 and performed in concert by the Handel Festival, Halle in 2018 Roles ...
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George Frideric Handel By Balthasar Denner
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-yea ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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George Frederic Watts - The Minotaur - Google Art Project
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ...
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Minotaur
In Greek mythology, the Minotaur ( , ;. grc, ; in Latin as ''Minotaurus'' ) is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus. Etymology The word ''minotaur'' derives from the Ancient Greek , a compound of the name ( Minos) and the noun "bull", translated as "(the) Bull of Minos". In Crete, the Minotaur was known by the name Asterion, a name shared with Minos' foster-father. "Minotaur" was originally a proper noun in reference to this mythical figure. That is, there was only the one Minotaur. In contrast, the use of "minotaur" as a common noun to refer to members of a generic "species" of b ...
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Gustavus Waltz
Gustavus Waltz (fl. 1732–1759) was a German bass opera singer. Basing himself in England from 1732, he collaborated with Handel from 1733 when he appeared in ''La Semiramide riconosciuta'', an opera pasticcio. Like Handel, Waltz took British nationality.. Waltz created roles in the oratorio ''Athalia'' (1733); and in the operas ''Arianna in Creta'' (1734), ''Ariodante'' (1735), ''Alcina'' (1735), and ''Atalanta'' (1736). As well as being a soloist, he sang in the chorus (for the last time in a 1754 performance of ''Messiah'' at the Foundling Hospital). He also taught singing: his students included Isabella Young. Waltz as a cook Some sources state that in addition to his musical activities, he worked for Handel as a cook, perhaps before gaining recognition as a singer.Handel's Songs and Singers

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Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ...
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Margherita Durastanti
Margherita Durastanti (active 1700–1734) was an Italian singer of the 18th century. Vocally, she is best described as a soprano, though later in her career her tessitura descended to that of a mezzo-soprano. First heard of professionally in Mantua in 1700–01, she later appeared in Bologna and Reggio Emilia (1710), Milan and Reggio (1713) and Florence (1715). Today she is particularly remembered for her association with the composer George Frideric Handel: indeed she enjoyed a longer personal association with the composer than any other musician. As well as performing many of his early Italian solo cantatas, Durastanti's first roles for Handel included Mary Magdalene in his oratorio '' La resurrezione'' (1708) and the title role in '' Agrippina'' (1709), in her capacity as ''prima donna'' of the S Giovanni Grisostomo Theatre in Venice, where she sang from 1709 to 1712. After singing at Parma, Florence, Naples (where she appeared in operas by Scarlatti), and, in 1719, Dresden, s ...
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Carlo Scalzi
Carlo Scalzi (c. 1700–after 1738) was an Italian castrato who had an active performance career in major opera houses in Italy from 1718-1738. He was also heard in London in 1733–1734 where he notably created the role of Alceste in the world premiere of George Frideric Handel's '' Arianna in Creta''. The librettist Pietro Metastasio described Scalzi as a "very unique singer" and likened his voice to that of the famous castrato Farinelli. Life and career Nothing is known of Scalzi's early life and the exact year of his birth is unknown. The first definite account of the singer was in 1718–1719 for a series of performances in operas by Alessandro Scarlatti in Rome. From 1719–1722 he was heard in Venice in operas by Giuseppe Maria Orlandini, Carlo Francesco Pollarolo, and Giovanni Porta. He also performed in Reggio Emilia and Modena in 1720. In 1722 Scalzi was once again heard in Rome and in 1722–1723 he performed in Genoa. He then sang in Florence (1723 and 1729), Mil ...
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Maria Caterina Negri
Maria Caterina Negri (28 September 1704 – after 1744) was an Italian contralto who created numerous roles in 18th-century operas, including many by George Frideric Handel. She primarily portrayed male characters ''en travesti'' or female warriors such as Bradamante. Negri was born in Bologna and made her debut there at the age of 15. Her last known performance was in 1744. The date and place of her death are unknown. In its prime, her voice was known for its agility and wide vocal range. Life and career Negri was born in Bologna to Teresa ''née'' Maranelli and Antonio Negri. Little is known about her early life or training, although according to François-Joseph Fétis she studied under the castrato singer Antonio Pasi in Bologna. She was barely 15 when she made her debut at the Teatro Formagliari Bologna during the 1719 carnival season in Bononcini's ''Il trionfo di Camilla '' and Predieri's ''La Partenope''. She sang in various theatres in Italy until 1724 when she joined th ...
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Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard t ...
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Giovanni Carestini
Giovanni Carestini (13 December 1700 in Filottrano, near Ancona – 1760 in Filottrano) was an Italian castrato of the 18th century, who sang in the operas and oratorios of George Frideric Handel. He is also remembered as having sung for Johann Adolf Hasse and Christoph Willibald Gluck. Career Giovanni Carestini was born on 13 December 1700 in Filottrano. He was the son of Marco Felice Carestini and Vittoria Costantini. He was baptized two days after his birth by Don Nicola Gentiloni, provost of the Church of Santa Maria Assunta in Filottrano. In that occasion it was given the name Giovanni Maria Bernardino. The godfathers of his baptism were Felice Lancioni and Olimpia Felice Gentiloni, wife of Alessandro Gentiloni, a noble man of Filottrano. Since he was a child he had an exquisite and sweet voice. Carestini's career began in Milan in 1719, patronised at the time by the Cusani family (hence the alternative name Cusanino). He sang for Alessandro Scarlatti in Rome in 1721. ...
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