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Argippo
''Argippo'' is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as ''L'Argippo'' by . This opera was performed in Milan in 1722. Antonio Vivaldi's ''Argippo'', RV 697, based on Stampa's version of the libretto, was staged in two different versions in 1730, first in Vienna (RV 697-A), and later in Prague (RV 697-B). The music of both of these versions is lost. Vivaldi's setting of the ''Argippo'' libretto partially survives in a pasticcio, RV Anh. 137, which, in the 21st century, was the basis for a reconstruction of the Prague version of Vivaldi's opera. Libretto Domenico Lalli's '' Il gran Mogol'' libretto was set by Francesco Mancini, and performed in the Teatro San Bartolomeo, Naples, in December 1713. In the next two decades this libretto was set as ''Argippo'' by several composers:Freeman, Daniel E. (1992)''The Opera Theater of Cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argippo (Porta) First Page Of Score (SLUB Manuscript)
''Argippo'' is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as ''L'Argippo'' by . This opera was performed in Milan in 1722. Antonio Vivaldi's ''Argippo'', RV 697, based on Stampa's version of the libretto, was staged in two different versions in 1730, first in Vienna (RV 697-A), and later in Prague (RV 697-B). The music of both of these versions is lost. Vivaldi's setting of the ''Argippo'' libretto partially survives in a pasticcio, RV Anh. 137, which, in the 21st century, was the basis for a reconstruction of the Prague version of Vivaldi's opera. Libretto Domenico Lalli's '' Il gran Mogol'' libretto was set by Francesco Mancini, and performed in the Teatro San Bartolomeo, Naples, in December 1713. In the next two decades this libretto was set as ''Argippo'' by several composers:Freeman, Daniel E. (1992)''The Opera Theater of Cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Gran Mogol
Sebastiano Biancardi (27 March 1679 – 9 October 1741), known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's '' Ottone in villa'' and Alessandro Scarlatti's '' Tigrane''. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62. Biography Early life Modern accounts of Lalli's life prior to arriving in Venice are largely based on a bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Lalli
Sebastiano Biancardi (27 March 1679 – 9 October 1741), known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's ''Ottone in villa'' and Alessandro Scarlatti's ''Tigrane (Scarlatti), Tigrane''. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62. Biography Early life Modern accounts of Lalli's life prior to arriving in Venice are large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Porta
Giovanni Porta (c. 1677 – 21 June 1755) was an Italian opera composer. His opera '' Argippo'', to a libretto by Domenico Lalli, was premiered in Venice in 1717.Freeman, Daniel E. (1992)''The Opera Theater of Count Franz Anton Von Sporck in Prague''Stuyvesant, N.Y.: Pendragon Press. p. 166/ref> Porta is believed to have been born in Venice. One of the masters of early 18th-century opera and one of the leading Venetian musicians, Porta made his way from Rome, to Vicenza, to Verona, then London where his opera '' Numitore'' was performed in 1720 by the Royal Academy of Music (1719), and eventually back to Venice and Verona, and finally Munich, where he spent the last 18 years of his life. Selected recordings * Aria ''Madre diletta'' (from Ifigenia in Aulide) on Drama Queens Joyce DiDonato Alan Curtis (conductor) Virgin Classics 2012 * Aria ''Mormorando quelle fronde'' (from La costanza combattuta in amore) on Venezia recital Max Cencic Virgin Classics 2013 * Sinfon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as sacred choral works and more than fifty operas. His best-known work is a series of violin concertos known as '' the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale della Pietà'', a home for abandoned children. Vivaldi had worked as a Catholic p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Lalli Portrait Published 1818
Domenico is an Italian given name for males and may refer to: People * Domenico Alfani, Italian painter * Domenico Allegri, Italian composer * Domenico Alvaro, Italian mobster * Domenico Ambrogi, Italian painter * Domenico Auria, Italian architect * Domenico del Barbieri, Florentine artist * Domenico di Bartolo, Italian painter * Domenico Bartolucci, Italian Roman Catholic cardinal * Domenico di Pace Beccafumi, Italian painter * Domenico Pignatelli di Belmonte, Italian Roman Catholic cardinal * Domenico Berardi, Italian footballer * Domenico Bernini, son of Gian Lorenzo Bernini * Domenico Bidognetti, Italian criminal * Domenico Bollani, Venetian diplomat and politician * Domenico Canale, Italian-American distributor * Domenico Caprioli, Italian painter * Domenico Caruso, Italian poet and writer * Domenico Cefalù, Italian-American mobster * Domenico Cimarosa, Italian composer * Domenico Cirillo, Italian physician and patriot * Domenico Colombo, father of Christopher Columb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina ( Cinderella) in Rossini's '' La Cenerentola'', and Rosina in Rossini's '' Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Emperors
The Mughal emperors ( fa, , Pādishāhān) were the supreme heads of state of the Mughal Empire on the Indian subcontinent, mainly corresponding to the modern countries of India, Pakistan, Afghanistan and Bangladesh. The Mughal rulers styled themselves as " padishah", a title usually translated from Persian as "emperor". They began to rule parts of India from 1526, and by 1707 ruled most of the sub-continent. After that they declined rapidly, but nominally ruled territories until the Indian Rebellion of 1857. The Mughals were a branch of the Timurid dynasty of Turco-Mongol origin from Central Asia. Their founder Babur, a Timurid prince from the Fergana Valley (modern-day Uzbekistan), was a direct descendant of Timur (generally known in western nations as Tamerlane) and also affiliated with Genghis Khan through Timur's marriage to a Genghisid princess. Many of the later Mughal emperors had significant Indian Rajput and Persian ancestry through marriage alliances as emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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