Anton Maria Vassallo
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Anton Maria Vassallo
Antonio Maria Vassallo (c. 1620-1664/1673) was an Italian painter of the Baroque period, active mainly in Genoa, and painting mythologic scenes and still lifes. His biography is poorly documented, and mainly depends on the Genoese biographer Raffaele Soprani (1674) as a source. He initially apprenticed with Vincenzo Malò (c. 1605-c. 1650), a Flemish artist who had studied with Teniers the Elder and Rubens. Vassallo appears to have been influenced by his fellow Genoese Sinibaldo Scorza and Giovanni Benedetto Castiglione Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monoty .... He painted a ''St. Francis with Three female saints'' (1648) for the church of San Gerolamo in Quarto. Vassallo also painted a ''Martyrdom of Saint Marcello Mastrilli (1664) for the Convento di Carignano.'' ...
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Antonio Maria Vassallo - Rinaldo E Armida
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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Palazzo Bianco
Palazzo Bianco ( en, White Palace) is one of the main buildings of the center of Genoa, Italy. It is situated at 11, via Garibaldi (known at one time as ''Strada Nuova'', and before that, ''Via Aurea''). It contains the Gallery of the White Palace, one of the larger city art galleries, and together with those of its neighbors Palazzo Rosso and Palazzo Doria Tursi, it forms part of the Strada Nuova Museums, a cluster of museums at that end of the street. History Constructed between 1530 and 1540 by Luca Grimaldi, a member of the House of Grimaldi, one of the most important Genoese families, in 1658 the palace passed into the possession of the De Franchi Toso family, and in 1711 it was given by its inheritor Federico de Franchi Toso, to Maria Durazzo Brignole-Sale, his main creditor. The new owners, between 1714 and 1716, carried out a decisive restoration of the building, adapting it to the tastes of the age. It subsequently earned the name ''White'' for the clear color of i ...
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Painters From Genoa
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus The Ping-Pong virus (also called Boot, Bouncing Ball, Bouncing Dot, Italian, Italian-A or VeraCruz) is a boot sector virus discovered on March 1, 1988, at the '' Politecnico di Torino'' (Turin Polytechnic University) in Italy. It was likely the ..., an extinct computer virus See also ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easi ...
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1660s Deaths
Year 166 ( CLXVI) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Pudens and Pollio (or, less frequently, year 919 ''Ab urbe condita''). The denomination 166 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Dacia is invaded by barbarians. * Conflict erupts on the Danube frontier between Rome and the Germanic tribe of the Marcomanni. * Emperor Marcus Aurelius appoints his sons Commodus and Marcus Annius Verus as co-rulers (Caesar), while he and Lucius Verus travel to Germany. * End of the war with Parthia: The Parthians leave Armenia and eastern Mesopotamia, which both become Roman protectorates. * A plague (possibly small pox) comes from the East and spreads throughout the Roman Empire, lasting for roughly twenty years. * Th ...
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1620s Births
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music * The Sixteen, an English choir * 16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from '' Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16" ...
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Giovanni Agostino Cassana
Abate, or Giovanni Agostino Cassana (c.1658 – 6 May 1720) was an Italian painter of the Baroque period. He was a son of Giovanni Francesco Cassana and an elder brother of Niccolò and Giovanni Battista.Giovanni Agostino Cassana
in the
He was born at , and was initially instructed by his father. In 1670 he worked at the court of Ferdinando de' Medici in

Marcello Mastrilli
Marcello Francesco Mastrilli (1603 – October 17, 1637) was an Italian Jesuit missionary who was martyred in Japan on Mount Unzen during the Tokugawa Shogunate, which had banned Christianity in 1614. After sailing for Japan out to find and possibly reconvert the notorious apostate Cristóvão Ferreira, who went to Japan and renounced his faith there, he was arrested as soon as he got off his ship. After three days of torture in the pit of Nagasaki, he was beheaded. A painting of his death, ''Martyrdom of Saint Marcello Mastrilli'' (1664), was made by Antonio Maria Vassallo. Susceptible to visions, he was particularly influenced by visitations by the Jesuit missionary St. Francis Xavier, who appeared to him twice in 1633, and foretold him his martyrdom. St. Frances Xavier is credited with twice miraculously restoring Mastrilli's health (even if only to incite him to do missionary work in Japan), and since the account reportedly spread quickly through Italy, the "novena of grace, ...
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Giovanni Benedetto Castiglione
Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as ''Il Grechetto'' in Italy and in France as ''Le Benédette''. Biography Castiglione was born in Genoa. The biographer of Genoese painters, Raffaele Soprani says his parents had him places in the studio of Giovanni Battista Paggi. Wittkower describes him as a "passionate student" of Anthony van Dyck, who arrived in 1621, and Peter Paul Rubens, who stayed in the city in the first decade of the 17th century and whose paintings were readily accessible there. He may have trained under the Genoese Bernardo Strozzi. He lived in Rome from 1634 to about 1645, then returned to Genoa. He also traveled to Florence and Naples. He was back in Rome in 1647, before moving in 1651 to be a court artist in Mantua for Duke Carlo II an ...
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Antonio Maria Vassallo - Childhood Of King Cyrus - WGA24325
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ...
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Sinibaldo Scorza
Sinibaldo Scorza (16 July 1589 – 5 April 1631) was an Italian painter, draughtsman and etcher. He was born into a wealthy aristocratic family from Voltaggio (now part of Piedmont), his father being the Conte Scorza di Voltaggio, and he received a literary and humanist education. He first trained with a poorly known painter, Giovanni Battista Carosio, and his son Bernardo until he moved in 1604 to Genoa and apprenticed with Giovanni Battista Paggi. He painted a "Christ comforted by Angels" in the painting gallery of the Cappuccini. In 1619 the Duke Carlo Emanuele I of Savoy named Scorza his court painter, and he was granted a monthly pension of 50 ducats per month. However, when war erupted between Genoa and Savoy in 1625, he returned to Genoa, and there he was charged with treason. He was exiled to Massa, then to Rome, where he worked for several years before he was granted permission to return to Genoese territory and Voltaggio in 1627. During his last years, Scorza influe ...
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