Antar (Rimsky-Korsakov)
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Antar (Rimsky-Korsakov)
''Antar'' is a composition for symphony orchestra in four movements by the Russian composer Nikolai Rimsky-Korsakov. He wrote the piece in 1868 but revised it in 1875 and 1891. He initially called the work his Symphony No. 2. He later reconsidered and called it a symphonic suite.Rimsky-Korsakov, ''My Musical Life'', 92. It was first performed in March 1869 at a concert of the Russian Musical Society. Form The suite is in four movements: Instrumentation ''Antar'' is scored for an orchestra consisting of 3 flutes (3rd doubling on piccolo), 2 oboes (2nd doubling cor anglais), 2 clarinets in A and B, 2 bassoons, 4 horns in F, 2 trumpets in A and B, 3 trombones, 2 tubas, timpani, bass drum, cymbals, tambourine, tam-tam, triangle, snare drum, 2 harps, and strings. Overview Legend This work was inspired by an Arabian tale by Sennkovsky, suggested to Rimsky-Korsakov by Modest Mussorgsky and César Cui. Antar, an enemy of all mankind, has become a recluse in the desert. H ...
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Symphonic Suite
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), '' Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ...
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