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Andromède
''Andromède'' (''Andromeda'') is a French verse play in a prologue and five acts by Pierre Corneille, first performed on 1 February 1650 by the Troupe Royale de l'Hôtel de Bourgogne at the Théâtre Royal de Bourbon in Paris. The story is taken from Books IV and V of Ovid's ''Metamorphoses'' and concerns the transformation of Perseus and Andromeda (mythology), Andromeda. The play has rarely been revived and is mostly remembered today for the set of six engravings by François Chauveau depicting the elaborate Baroque set designs of Giacomo Torelli. Background The play was commissioned by Jules Mazarin, Cardinal Mazarin in 1648 but wasn't finished until 1650. Corneille dedicated the piece to an unknown woman designated by four uppercase M's. According to Abel Lefranc, the M's represent Madame de Motteville, the confidante of Anne of Austria. Plot *Prologue: Respects to the King *Act I: Venus (mythology), Venus predicts the marriage of Andromeda (mythology), Andromeda while a fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromeda (mythology)
In Greek mythology, Andromeda (; grc, Ἀνδρομέδα, Androméda or , ''Andromédē'') is the daughter of the king of Aethiopia, Cepheus, and his wife, Cassiopeia. When Cassiopeia boasts that she is more beautiful than the Nereids, Poseidon sends the sea monster Cetus to ravage the coast of Aethiopia as divine punishment. Andromeda is chained to a rock as a sacrifice to sate the monster, but is saved from death by Perseus, who marries her and takes her to Greece to reign as his queen. As a subject, Andromeda has been popular in art since classical times; rescued by a Greek hero, Andromeda's narration is considered the forerunner to the " princess and dragon" motif. From the Renaissance, interest revived in the original story, typically as derived from Ovid's ''Metamorphoses'' (4.663ff). Etymology Her name is the Latinized form of the Greek (''Androméda'') or (''Andromédē'') 'ruler of men', from (''anēr, andrós'') meaning 'man, husband, human being', and (''med ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Torelli
Giacomo Torelli (1 September 1608 – 17 June 1678) was an Italian stage designer, scenery painter, engineer, and architect. His work in stage design, particularly his designs of machinery for creating spectacular scenery changes and other special effects, was extensively engraved and hence survives as the most complete record of mid-seventeenth-century set design. Biography Early life and career in Italy Torelli was born in Fano, where he may have first worked on amateur theatre productions at the commune's Palazzo della Ragione, and he may also have gained experience in theatre design in nearby Pesaro or Urbino. His first documented work was in January 1641 for the opening of the Teatro Novissimo in Venice, where he was involved in the design of scenery and stage machinery for Francesco Sacrati's opera ''La finta pazza''. This was followed with designs for two other works by Sacrati at the same theatre, ''Bellerofonte'' in 1642 and ''Venere gelosa'' in January 1643. He ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Mazarin
Cardinal Jules Mazarin (, also , , ; 14 July 1602 – 9 March 1661), born Giulio Raimondo Mazzarino () or Mazarini, was an Italian cardinal, diplomat and politician who served as the chief minister to the Kings of France Louis XIII and Louis XIV from 1642 to his death. In 1654, he acquired the title Duke of Mayenne and in 1659 that of 1st Duke of Rethel and Nevers. After serving as a papal diplomat for Pope Urban VIII, Mazarin offered his diplomatic services to Cardinal Richelieu and moved to Paris in 1640. After the death of Richelieu in 1642, Mazarin took his place as first minister and then of Louis XIII in 1643. Mazarin acted as the head of the government for Anne of Austria, the regent for the young Louis XIV. Mazarin was also made responsible for the king's education until he came of age. The first years of Mazarin in office were marked by military victories in the Thirty Years' War, which he used to make France the main European power and establish the Peace of Wes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helios
In ancient Greek religion and mythology, Helios (; grc, , , Sun; Homeric Greek: ) is the god and personification of the Sun (Solar deity). His name is also Latinized as Helius, and he is often given the epithets Hyperion ("the one above") and Phaethon ("the shining"). Helios is often depicted in art with a radiant crown and driving a horse-drawn chariot through the sky. He was a guardian of oaths and also the god of sight. Though Helios was a relatively minor deity in Classical Greece, his worship grew more prominent in late antiquity thanks to his identification with several major solar divinities of the Roman period, particularly Apollo and Sol. The Roman Emperor Julian made Helios the central divinity of his short-lived revival of traditional Roman religious practices in the 4th century AD. Helios figures prominently in several works of Greek mythology, poetry, and literature, in which he is often described as the son of the Titans Hyperion and Theia and brother of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Corneille
Pierre Corneille (; 6 June 1606 – 1 October 1684) was a French tragedian. He is generally considered one of the three great seventeenth-century French dramatists, along with Molière and Racine. As a young man, he earned the valuable patronage of Cardinal Richelieu, who was trying to promote classical tragedy along formal lines, but later quarrelled with him, especially over his best-known play, '' Le Cid'', about a medieval Spanish warrior, which was denounced by the newly formed ''Académie française'' for breaching the unities. He continued to write well-received tragedies for nearly forty years. Biography Early years Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the ''Collège de Bourbon'' ( Lycée Pierre-Corneille since 1873), where acting on the stage was part of the training. At 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perseus
In Greek mythology, Perseus ( /ˈpɜːrsiəs, -sjuːs/; Greek: Περσεύς, translit. Perseús) is the legendary founder of Mycenae and of the Perseid dynasty. He was, alongside Cadmus and Bellerophon, the greatest Greek hero and slayer of monsters before the days of Heracles. He beheaded the Gorgon Medusa for Polydectes and saved Andromeda from the sea monster Cetus. He was the son of Zeus and the mortal Danaë, as well as the half-brother and great-grandfather of Heracles (as they were both children of Zeus, and Heracles' mother was descended from Perseus). Etymology Because of the obscurity of the name "Perseus" and the legendary character of its bearer, most etymologists presume that it might be pre-Greek; however, the name of Perseus's native city was Greek and so were the names of his wife and relatives. There is some idea that it descended into Greek from the Proto-Indo-European language. In that regard Robert Graves has proposed the only Greek derivation avai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page To Andromède By P Corneille - Rouen 1651 - Gallica 2011j
A title is one or more words used before or after a person's name, in certain contexts. It may signify either generation, an official position, or a professional or academic qualification. In some languages, titles may be inserted between the first and last name (for example, ''Graf'' in German language, German, Cardinal (Catholicism), Cardinal in Catholic church, Catholic usage (Richard Cushing#Legacy, Richard Cardinal Cushing) or clerical titles such as Archbishop). Some titles are hereditary title, hereditary. Types Titles include: * Honorific, Honorific titles or Style (manner of address), styles of address, a phrase used to convey respect to the recipient of a communication, or to recognize an attribute such as: ** Imperial, royal and noble ranks ** Academic degree ** Social titles, prevalent among certain sections of society due to historic or other reasons. ** Other accomplishment, as with a title of honor * Title of authority, an identifier that specifies the office o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic "day, sky" + "father", thus " sky father" Greek: Δίας or Ζεύς), also known as Jove (gen. ''Iovis'' ), is the god of the sky and thunder, and king of the gods in ancient Roman religion and mythology. Jupiter was the chief deity of Roman state religion throughout the Republican and Imperial eras, until Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roman army (see Aquila). The two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt, freque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neptune (mythology)
Neptune ( la, Neptūnus ) is the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek tradition, he is a brother of Jupiter and Pluto; the brothers preside over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea. Like Poseidon, he was also worshipped by the Romans as a god of horses, as ''Neptunus equestris'' (a patron of horse-racing). Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theology was later tied to a Roman deity. The '' lectisternium'' of 399 BC indicated that the Greek figures of Poseidon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; la, Mercurius ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld. In Roman mythology, he was considered to be either the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter, or of Caelus and Dies. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words ' ("merchandise"; cf. ''merchant'', ''commerce'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melpomène
In Greek mythology, Melpomene (; grc, Μελπομένη, Melpoménē, to sing' or 'the one that is melodious), initially the muse of chorus, eventually became the muse of tragedy, and is now best known in that association. Etymology Melpomene's name is derived from the Greek verb ''melpô'' or ''melpomai'' meaning "to celebrate with dance and song.". The Oxford English Dictionary cites μέλπειν (''melpein'' - to sing). Appearance Melpomene is often represented with a tragic mask and wearing the cothurnus, boots traditionally worn by tragic actors. Often, she also holds a knife or club in one hand and the tragic mask in the other. Family Melpomene is the daughter of Zeus and Mnemosyne. Her sisters include Calliope (muse of epic poetry), Clio (muse of history), Euterpe (muse of lyrical poetry), Terpsichore (muse of dancing), Erato (muse of erotic poetry), Thalia (muse of comedy), Polyhymnia (muse of hymns), and Urania (muse of astronomy). She is also the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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