American Art Union
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American Art Union
The American Art-Union (1839–1851) was a subscription-based organization whose goal was to enlighten and educate an American public to a national art, while providing a support system for the viewing and sales of art “executed by artists in the United States or by American artists abroad." Art unions had been popular since the early 19th century in Europe; they first appeared in Switzerland, gaining great popularity in both Germany and the United Kingdom in the 1830s. It was the British version — Art Union of London (AUL) — that was used as a model for the American Art-Union (AAU). Description For five dollars a year, the members of the AAU would receive a copy of the minutes from the annual meeting, free admission to the Gallery, at least one original engraving published by the Union from an original piece of art by a contemporary American artist, and in New York City, the members also received a ticket in a lottery to win an original piece of art from within ...
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The Indian's Vespers By Asher Brown Durand, 1847
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Jasper Francis Cropsey
Jasper Francis Cropsey (February 18, 1823 – June 22, 1900) was an important American landscape artist of the Hudson River School. Early years Cropsey was born on his father Jacob Rezeau Cropsey's farm in Rossville on Staten Island, New York, the oldest of eight children. As a young boy, Cropsey had recurring periods of poor health. While absent from school, Cropsey taught himself to draw. His early drawings included architectural sketches and landscapes drawn on notepads and in the margins of his schoolbooks. Career Trained as an architect, he set up his own office in 1843. Cropsey studied watercolor and life drawing at the National Academy of Design under the instruction of Edward Maury and first exhibited there in 1844. A year later he was elected an associate member and turned exclusively to landscape painting; shortly after he was featured in an exhibition entitled "Italian Compositions". Cropsy traveled in Europe from 1847–1849, visiting England, France, Switzerland ...
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New York Herald
The ''New York Herald'' was a large-distribution newspaper based in New York City that existed between 1835 and 1924. At that point it was acquired by its smaller rival the '' New-York Tribune'' to form the '' New York Herald Tribune''. History The first issue of the paper was published by James Gordon Bennett Sr., on May 6, 1835. The ''Herald'' distinguished itself from the partisan papers of the day by the policy that it published in its first issue: "We shall support no party—be the agent of no faction or coterie, and we care nothing for any election, or any candidate from president down to constable." Bennett pioneered the "extra" edition during the ''Heralds sensational coverage of the Robinson–Jewett murder case. By 1845, it was the most popular and profitable daily newspaper in the United States. In 1861, it circulated 84,000 copies and called itself "the most largely circulated journal in the world." Bennett stated that the function of a newspaper "is not to ...
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Frederic Edwin Church
Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States. Biography Beginnings Frederic Edwin Church was a direct descendant of Richard Church, a Puritan pioneer from England who accompanied Thomas Hooker on the original journey through the wilderness from Massachusetts to what would become Hartford, Connecticut. Church was the son of Eliza (1796–1883) and Joseph Church (1793–1876). Frederic had two sisters and no surviving brothers. His father was s ...
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Washington Crossing The Delaware (1851 Painting)
''Washington Crossing the Delaware'' is the title of three 1851 oil-on-canvas paintings by the German-American artist Emanuel Leutze. The paintings commemorate General George Washington's crossing of the Delaware River with the Continental Army on the night of December 25–26, 1776, during the American Revolutionary War. That action was the first move in a surprise attack and victory against Hessian forces at the Battle of Trenton in New Jersey on the morning of December 26. The original was part of the collection at the Kunsthalle in Bremen, Germany, and was destroyed in a bombing raid in 1942, during World War II. Leutze painted two more versions, one of which is now in the Metropolitan Museum of Art in New York City. The other was in the West Wing reception area of the White House in Washington, D.C., but in March 2015, was purchased and put on display at the Minnesota Marine Art Museum in Winona, Minnesota. In April 2022 Christie's announced that the smaller painting w ...
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Westward The Course Of Empire Takes Its Way
''Westward the Course of Empire Takes Its Way'' (also known as ''Westward Ho'') is a painted mural displayed behind the western staircase of the House of Representatives chamber in the United States Capitol Building. The mural was painted by Emanuel Gottlieb Leutze in 1861 and symbolizes Manifest Destiny, the belief that the United States was destined for Western exploration and expansion originating from the initial colonies along the Atlantic seaboard to the Pacific Ocean. A study measuring hangs in the Smithsonian American Art Museum. Content Leutze combined pioneer men and women, mountain guides, wagons, and mules to suggest a divinely ordained pilgrimage to the Promised Land of the western frontier. Within the left half of the picture is a depiction of the entrance to the San Francisco Bay, the Golden Gate, which is being pointed to by the pilgrim seated atop the rock in the foreground. Within the right hemisphere of the painting is a depiction of a valley, representing ...
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Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in ...
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Richard Caton Woodville
Richard Caton Woodville (30 April 1825 – 13 August 1855) was an American artist from Baltimore who spent his professional career in Europe, after studying in Düsseldorf under the direction of Karl Ferdinand Sohn. He died of an overdose of morphine in London at the age of 30. He was the father of Richard Caton Woodville Jr., also a noted artist. In his short career he produced fewer than 20 paintings; but they were well known in their time through exhibition and prints and have remained prominent in the canon of American painters. Early life and training Woodville was the eldest son born to a prominent Baltimore family. He displayed early promise in caricatures of his teachers. He attended the University of Maryland Medical School for one year. Woodville would likely have been exposed to the expansive private collection of Baltimore art collector Robert Gilmor Jr.Elizabeth Johns and Paul Usherwood"Woodville."''Grove Art Online. Oxford Art Online.'' 17 Jul. 2011 In 1845 Wood ...
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James Smillie
James Smillie, (born 28 November 1944), also credited variously as James Smillie; Jim Smillie and Jim Smilie, is a Scottish-born Australian actor. He has worked in both Britain and Australia in film, extensively on stage, on television, with voice-over and animation work. Smillie was born in Glasgow, Scotland and emigrated to Australia before returning to the United Kingdom to appear in stage roles in London's West End. On television, he's best remembered for the roles of Steve Wilson in ''Prisoner Cell Block H'' and Doctor Dan Marshall in the 1980s Australian mini-series and one full series of ''Return to Eden''. Career Television and film Smillie has appeared in films and television shows as featured actor and host, and as leading man on stage in the UK and Australia. His television credits include ''Return to Eden'', '' Prisoner: Cell Block H'', '' Adventure Island'', '' Space: 1999'' the episode ''End of Eternity'', ''Thriller'', ''The Gentle Touch'', '' Skin Deep'', ''C ...
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William Sidney Mount
William Sidney Mount (November 26, 1807 – November 19, 1868) was a 19th-century American genre painter. Born in Setauket in 1807, Mount spent much of his life in his hometown and the adjacent village of Stony Brook, where he painted portraits, landscapes, and scenes inspired by daily life from the 1820s until his death in 1868 at the age of sixty. During that time he achieved fame in the U.S. and Europe as a painter who chronicled rural life on Long Island. He was the first native-born American artist to specialize in genre painting. Mount was also passionate about music and a fiddle player, a composer and collector of songs, and designed and patented several versions of his own violin which he named the "Cradle of Harmony." Many of his paintings also feature musicians and groups of people engaged in dance in rural settings. Biography Early life Mount was born November 26, 1807, in the village of Setauket, New York, on the north shore of eastern Long Island to parents Julia Ann ...
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