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Ambalavasi Nambiar
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a higher caste to Nairs including same name bearing Nair-Nambiar caste which usually leads to confusion. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Social groups of India Indian castes Kerala society Malayali Brahmins Hindu communities ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu
Hindus (; ) are people who religiously adhere to Hinduism. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas. Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience). The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically designed for performing Kutiyattam and Chakyar Koothu. Ideally, the performance takes place in conjunction with festivals, presented by members of the Chakyar community along with the Ambalavasi Nambiars. It is a solo performance, by a narrator in a distinctive headgear and black moustache with his torso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerala Society
Kerala ( ; ) is a state on the Malabar Coast of India. It was formed on 1 November 1956, following the passage of the States Reorganisation Act, by combining Malayalam-speaking regions of the erstwhile regions of Cochin, Malabar, South Canara, and Thiruvithamkoor. Spread over , Kerala is the 21st largest Indian state by area. It is bordered by Karnataka to the north and northeast, Tamil Nadu to the east and south, and the Lakshadweep Sea to the west. With 33 million inhabitants as per the 2011 census, Kerala is the 13th-largest Indian state by population. It is divided into 14 districts with the capital being Thiruvananthapuram. Malayalam is the most widely spoken language and is also the official language of the state. The Chera dynasty was the first prominent kingdom based in Kerala. The Ay kingdom in the deep south and the Ezhimala kingdom in the north formed the other kingdoms in the early years of the Common Era (CE). The region had been a prominent spice exporter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Castes
The caste system in India is the paradigmatic ethnographic example of classification of castes. It has its origins in ancient India, and was transformed by various ruling elites in medieval, early-modern, and modern India, especially the Mughal Empire and the British Raj. It is today the basis of affirmative action programmes in India as enforced through its constitution. The caste system consists of two different concepts, '' varna'' and '' jati'', which may be regarded as different levels of analysis of this system. Based on DNA analysis, endogamous i.e. non-intermarrying Jatis originated during the Gupta Empire. Our modern understanding of caste as an institution in India has been influenced by the collapse of the Mughal era and the rise of the British colonial government in India. The collapse of the Mughal era saw the rise of powerful men who associated themselves with kings, priests and ascetics, affirming the regal and martial form of the caste ideal, and it also re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Groups Of India
Social organisms, including human(s), live collectively in interacting populations. This interaction is considered social whether they are aware of it or not, and whether the exchange is voluntary or not. Etymology The word "social" derives from the Latin word ''socii'' ("allies"). It is particularly derived from the Italian ''Socii'' states, historical allies of the Roman Republic (although they rebelled against Rome in the Social War of 91–87 BC). Social theorists In the view of Karl MarxMorrison, Ken. ''Marx, Durkheim, Weber. Formations of modern social thought'', human beings are intrinsically, necessarily and by definition social beings who, beyond being "gregarious creatures", cannot survive and meet their needs other than through social co-operation and association. Their social characteristics are therefore to a large extent an objectively given fact, stamped on them from birth and affirmed by socialization processes; and, according to Marx, in producing and reproduci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Delhi
New Delhi (, , ''Naī Dillī'') is the capital of India and a part of the National Capital Territory of Delhi (NCT). New Delhi is the seat of all three branches of the government of India, hosting the Rashtrapati Bhavan, Parliament House, and the Supreme Court of India. New Delhi is a municipality within the NCT, administered by the NDMC, which covers mostly Lutyens' Delhi and a few adjacent areas. The municipal area is part of a larger administrative district, the New Delhi district. Although colloquially ''Delhi'' and ''New Delhi'' are used interchangeably to refer to the National Capital Territory of Delhi, both are distinct entities, with both the municipality and the New Delhi district forming a relatively small part of the megacity of Delhi. The National Capital Region is a much larger entity comprising the entire NCT along with adjoining districts in neighbouring states, including Ghaziabad, Noida, Gurgaon and Faridabad. The foundation stone of New De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament House. The academy's Fellowship and Award are considered very prestigious. Functions The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama. It also works with governments and art academies in states and territories of the country. SNA established several institutions over the years: * Manipur Dance Academy, Imphal * Sattriya Centre * Kathak Kendra ( National Institute of Kathak Dance), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nātyakalpadrumam
''Nātyakalpadrumam'' (നാട്യകല്പദ്രുമം in Malayalam, नाट्यकल्पद्रुमम् in Devanagari) is a book written by Guru Māni Mādhava Chākyār, considered the greatest exponent of Koodiyattam and Abhinaya in Kerala, about all aspects of ancient Sanskrit drama theatre tradition of Kerala—Kutiyattam. It was first published in Malayalam (1975) by Kerala Kalamandalam, with financial assistance of Sangeet Natak Academi, New Delhi. This work serves as a reference to both scholars and students. The entire book is written in the old Sanskrit text style closely following Nātyaśāstra. The structure and content of the book alike illustrate the knowledge of the author in both Sanskrit and Nātyaśāstra. The work received the Kerala Sahitya Academy Award in the year 1975. A Hindi translation has been published by the Sangeet Natak Akademi, New Delhi. Contents ''Natyakalpadruma''- theatrical study written by Mani Madhava Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottan Thullal
Ottan Thullal (or ''Ottamthullal'', Malayalam: ഓട്ടൻ തുള്ളൽ) is a recite-and-dance art-form of Kerala, India. It was introduced in the eighteenth century by Kunchan Nambiar, one of the Prachina Kavithrayam (three famous Malayalam-language poets). The folksy performance, often laced with humour intended at criticism of society, is accompanied by a mridangam (a barrel-shaped double-headed drum) and/or the handy idakka besides a pair of ilathalam cymbals. History Like most Indian performing art forms, Ottamthullal has its principles influenced by the Natya Shastra (). The word ''Thullal'' means "to jump" or "leap about" in the Malayalam language. Legend has it that Nambiar, the poet, fell asleep while playing the mizhavu drum for a Chakyar Koothu performance, inviting ridicule from the chakyar. In response, Nambiar developed Ottamthullal, which raised prevalent sociopolitical questions and made a satire of human pedigrees and prejudices. The chakyar c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambalavasi
Ambalavasi, more properly Ampalavasi, ( ml, അമ്പലവാസി; IAST: Ampalavāsi; ) is the generic name for a group of castes among Hindus in Kerala, India, who have traditionally rendered temple services. Castes The Ambalavasis are broadly divided into two groups, being those who wear the sacred thread and those who do not. Sacred thread wearers Pushpaka Brahmins * Pushpaka (Pushpakan Unni) * Nambeesan * Theeyatt Unni * Kurukkal * Puppalli * Plappalli (Pilappalli) * Nambidi * Daivampadi or Brahmani Others * Chakyar, * Nambiar * Atikal (also written as Adikal) Threadless Ambalavasis *Pisharody * Marar * Varyar *Pothuval, The feminine names of threadless ''ambalavasi'' castes are formed by adding the suffix ''-syar'' to the masculine names as Pisharadi-Pisharasyar, Marar-Marasyar, Variar-Varasyar, Poduval-Poduvalsyar. Temple services Though all Ampalavāsis have to do service in temples, they have sufficiently distinct functions to perform. Pushpakans and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the cast barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a " Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunchan Nambiar
Kunchan Nambiar was a prominent Malayalam poet of the 18th century (1705-1770). Apart from being a prolific poet, Nambiar is also famous as the originator of the dance art form of Thullal, most of his works were written for use in Thullal performances. Social criticism wrapped in humor is the hallmark of his works. Nambiar is one of the foremost comedians in Malayalam. Nambiar is believed to have been born at '' Kalathu Veedu'' at Killikkurussimangalam in Palakkad district of the south Indian state of Kerala;. He spent his early childhood at Killikkurussimangalam, his boyhood at Kudamaloor and youth at Ambalappuzha, and learnt Kalaripayattu and Sanskrit from such masters as Mathoor Panickar, Dronaballi Naicker and Nannikod Unni Ravi Kurup, before moving to the court of Marthanda Varma of Travancore in 1748; later, he served at the court of his successor Dharma Raja. By the time he reached the royal court, he had already established himself as a poet. the later part of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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