Alfred L. Werker
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Alfred L. Werker
Alfred L. Werker (December 2, 1896 – July 28, 1975) was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, ''Ridin' the Wind'' in 1925 alongside director Del Andrews. He was brought in by Fox Film Corporation executives to re-shoot and re-edit Erich von Stroheim's film '' Hello, Sister!'' ( 1933), co-starring Boots Mallory and ZaSu Pitts. Most of Werker's work is unremarkable, but a few were well received by critics. Those films included ''House of Rothschild'' (1934) and ''The Adventures of Sherlock Holmes'' (1939); the latter film is considered one of the best in the Sherlock Holmes series. During the early 1940s, he directed a number of comedies including Laurel & Hardy's '' A-Haunting We Will Go'' (1942). In the late 1940s, Werker worked for the B-picture film studio Eagle-Lion Films. Notable films from that period include the unique mystery thriller ...
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Deadwood, South Dakota
Deadwood (Lakota: ''Owáyasuta''; "To approve or confirm things") is a city that serves as county seat of Lawrence County, South Dakota, United States. It was named by early settlers after the dead trees found in its gulch. The city had its heyday from 1876 to 1879, after gold deposits had been discovered there, leading to the Black Hills Gold Rush. At its height, the city had a population of 25,000, attracting Old West figures such as Wyatt Earp, Calamity Jane, and Wild Bill Hickok (who was killed there). The population was 1,156 at the 2020 census. The entire town has been designated as a National Historic Landmark District, for its well-preserved Gold Rush-era architecture. Deadwood's proximity to Lead often prompts the two towns being collectively named "Lead-Deadwood". History 19th century The settlement of Deadwood began illegally in the 1870s, on land which had been granted to the Lakota people in the 1868 Treaty of Fort Laramie. The treaty had guaranteed owners ...
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B-picture
A B movie or B film is a low-budget commercial motion picture. In its original usage, during the Golden Age of Hollywood, the term more precisely identified films intended for distribution as the less-publicized bottom half of a double feature (akin to B-sides for recorded music). However, the U.S. production of films intended as second features largely ceased by the end of the 1950s. With the emergence of commercial television at that time, film studio B movie production departments changed into television film production divisions. They created much of the same type of content in low budget films and series. The term ''B movie'' continues to be used in its broader sense to this day. In its post-Golden Age usage, B movies can range from lurid exploitation films to independent arthouse films. In either usage, most B movies represent a particular genre—the Western was a Golden Age B movie staple, while low-budget science-fiction and horror films became more popular in th ...
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1919 In Film
The year 1919 in film involved some significant events. __TOC__ Top-grossing films (U.S.) The top three 1919 released films by box office gross in North America are as follows: Events *February 5 – Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D. W. Griffith launch United Artists. *March – Oscar Micheaux premieres ''The Homesteader'', the first feature-length race film, starring pioneering African American actress Evelyn Preer, becoming the first African American to produce and direct a motion picture. *May 13 – D. W. Griffith's first film to be released by United Artists, ''Broken Blossoms'', has its premiere in New York City. * August 29 – '' The Miracle Man'' displayed Lon Chaney's talent for make-up and made him famous as a character actor. * September 1 – United Artists release their first film, ''His Majesty, the American'' starring Douglas Fairbanks. * September 18 – Ufa-Palast am Zoo in Berlin opens rebuilt as a permanent cinema with the première o ...
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The Regenerates
''The Regenerates'' is a surviving 1917 silent film drama directed by E. Mason Hopper and starring Alma Rubens. It was produced and distributed by the Triangle Film Corporation. Cast *Alma Rubens - Catherine Ten Eyck *Walt Whitman - Mynderse Van Dyun *Darrell Foss - Pell Van Dyun *John Lince - Owen Duffy *Allan Sears - Paul La Farge *Louis Durnham - William Slade *William Brady - James Forbes *Pauline Starke - Nora Duffy Preservation status *The film is preserved in the George Eastman House collection and the Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ... collection.''Catalog of Holdings The American Film Institute Collection and The United Artists Collection at The Library of Congress'', (<-book title) p.150 c.1978 by the American Film Institute


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The Firefly Of Tough Luck
''The Firefly of Tough Luck'' is an American 1917 silent film directed by E. Mason Hopper and written by J. G. Hawks. It was produced and released by the Triangle Film Corporation, and starred Alma Rubens and Charles Gunn. Plot The Firefly (Rubens), a cabaret performer at one of New York City's biggest restaurants, finds herself out of work as businesses close along Broadway during World War I. She accepts a position as an entertainer in a desert mining town called Baxter Junction, where a surprise is in store for her. Starring * Alma Rubens as The Firefly * Charles Gunn as Danny Ward * Walt Whitman as "Tough Luck" Baxter * Darrell Foss as Bert Wilcox * Jack Curtis as Happy Jack Clarke Production The production was filmed at Triangle's Culver City studio as well as in the desert. Rubens and Whitman disliked working on location in the sun and heat of August, so Hopper tried to minimize time shooting outdoor scenes. Release The film was noted as a box-office smash. ...
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1917 In Film
1917 in film was a particularly fruitful year for the art form, and is often cited as one of the years in the decade which contributed to the medium the most, along with 1913. Secondarily the year saw a limited global embrace of narrative film-making and featured innovative techniques such as continuity cutting. Primarily, the year is an American landmark, as 1917 is the first year where the narrative and visual style is typified as "Classical Hollywood". __TOC__ Events *January – ''Panthea'' is released, the first film from the company that Joseph Schenck formed with his wife, Norma Talmadge, after leaving Loew's Consolidated Enterprises. *February – Buster Keaton first meets Roscoe "Fatty" Arbuckle in New York and is hired as a co-star and gag man. *April 9 – Supreme Court of the United States rule in Motion Picture Patents Co. v. Universal Film Manufacturing Co. which ends the Motion Picture Patents Company appeal and results in the end of the company. *April 23 – ...
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Assistant Director
The role of an assistant director on a film includes tracking daily progress against the filming production schedule, arranging logistics, preparing daily call sheets, checking cast and crew, and maintaining order on the set. They also have to take care of the health and safety of the crew.IMDB Glossary, retrieved 2015-02-10 The role of an assistant to the film director is often confused with assistant director but the responsibilities are entirely different. The assistant to the film director manages all of the directors in development, pre-production, while on set, through post-production and is often involved in both personal management as well as creative aspects of the production process. Historically, assistant directing was a stepping stone to directing work; Alfred Hitchcock was an AD, as well as Akira Kurosawa. This was when the role was more general and encompassed all aspects of filmmaking such as set design and script editing. This transition into film directing is n ...
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Film Director
A film director controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfilment of that vision. The director has a key role in choosing the cast members, production design and all the creative aspects of filmmaking. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended a film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their ...
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Lost Boundaries
''Lost Boundaries'' is a 1949 American film starring Beatrice Pearson, Mel Ferrer (in his first leading role), and Susan Douglas Rubeš. Directed by Alfred L. Werker, it is based on William Lindsay White's story of the same title, a nonfiction account of Dr. Albert C. Johnston and his family, who passed for white while living in New England in the 1930s and 1940s. The film won the 1949 Cannes Film Festival award for Best Screenplay. The use of white actors in the film's leading Black roles proved controversial. The film was banned in Atlanta, Georgia, and Memphis, Tennessee. Plot In 1922, Scott Mason Carter graduates from Chase Medical School in Chicago and marries Marcia. Both are light-skinned enough to be mistaken for whites. Scott has landed an internship, but his fellow graduate, the dark-skinned Jesse Pridham, wonders if he will have to work as a Pullman porter until there is an opening in a black hospital. When Scott goes to Georgia, the black hospital director tells ...
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Directors Guild Of America
The Directors Guild of America (DGA) is an entertainment guild that represents the interests of film and television directors in the United States motion picture industry and abroad. Founded as the Screen Directors Guild in 1936, the group merged with the Radio and Television Directors Guild in 1960 to become the modern Directors Guild of America. Overview As a union that seeks to organize an individual profession, rather than multiple professions across an industry, the DGA is a craft union. It represents directors and members of the directorial team (assistant directors, unit production managers, stage managers, associate directors, production associates, and location managers (in New York and Chicago)); that representation includes all sorts of media, such as film, television, documentaries, news, sports, commercials and new media. The guild has various training programs whereby successful applicants are placed in various productions and can gain experience working in the ...
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Locarno International Film Festival
The Locarno Film Festival is an annual film festival, held every August in Locarno, Switzerland. Founded in 1946, the festival screens films in various competitive and non-competitive sections, including feature-length narrative, documentary, short, avant-garde, and retrospective programs. The Piazza Grande section is held in an open-air venue that seats 8,000 spectators. The top prize of the festival is the Golden Leopard, awarded to the best film in the International Competition. Other awards include the Leopard of Honour for career achievement, and the Prix du Public, the public choice award. History The Festival del film Locarno kicked off on 23 August 1946, at the Grand Hotel of Locarno with the screening of the movie ''O sole mio'' by Giacomo Gentilomo. The first edition was organized in less than three months with a line-up of fifteen movies, mainly American and Italian, among which was ''Rome, Open City'' directed by Roberto Rossellini, '' And Then There Were None'' ...
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Anthony Mann
Anthony Mann (born Emil Anton Bundsmann; June 30, 1906 – April 29, 1967) was an American film director and stage actor. Mann initially started as a theatre actor appearing in numerous stage productions. In 1937, he moved to Hollywood where he worked as a talent scout and casting director. He then became an assistant director, most notably working for Preston Sturges. His directorial debut was ''Dr. Broadway'' (1942). He directed several feature films for numerous production companies, including RKO Pictures, Eagle-Lion Films, Universal Pictures, and Metro-Goldwyn-Mayer. His first major success was '' T-Men'' (1947), garnering notable recognition for producing several films in the '' film noir'' genre through modest budgets and short shooting schedules. As a director, he often collaborated with cinematographer John Alton. During the 1950s, Mann shifted to directing Western films starring several major stars of the era, including James Stewart. He directed Stewart in e ...
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