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Alesis
Alesis is an electronic music company that designs and markets electronic musical instruments, digital audio processors, audio mixers, drum amplifiers, amplifiers, digital audio interfaces, recording equipment, drum machines, professional audio, and electronic percussion products. Based in Cumberland, Rhode Island, Alesis is currently held by the inMusic Brands company, owned by businessman Jack O'Donnell. Alesis products are designed in the United States, and manufactured in China. Early years Alesis Studio Electronics was founded in Hollywood in 1984 by MXR co-founder Keith Elliott Barr. Leveraging his ability to design custom integrated circuits, Barr's company was able to introduce technologically advanced products at prices within the realm of most project studios. Alesis' first product was the XT Reverb. Introduced in 1985, the XT Reverb was an all-digital reverb that carried an unprecedented low price of $799. Barr recruited Russell Palmer as Operations Manager and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis Ion
The Alesis Ion is an analog modeling synthesizer. It was presented to the public on the Summer NAMM of 2002. Unlike the Alesis Andromeda, Alesis's analog synthesizer, its sounds are synthesized using DSP chips to mimic the sound of analog audio circuitry and components. FeaturesThe Ion has several featuresthat make it stand apart from other analog modeling synthesizers. Most importantly, it features a selection of emulations of classic analog filter models of synthesizers such as the Moog Minimoog, Oberheim's SEM, the Roland TB-303, the ARP 2600 and the Roland Jupiter 8. Besides these emulations (which carry euphemistic names due to trademark issues), it has a series of filter models that are not commonly found on most synthesizers, such as formant and comb filters. This vastly increases the sonic range; most virtual analogs have only a single multimode filter (usually featuring low-pass, high-pass and band-pass modes) which was either designed from scratch or "inspired b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis Quadrasynth
The Alesis Quadrasynth is a 76-key, 64-note polyphonic PCM sample-based digital subtractive synthesizer first introduced in 1993. It was Alesis's first major foray into synthesizer production. Function In the Quadrasynth's composite synthesis system, up to four "tones" are used to create a single "patch" or synthesizer sound. These individual "tones" are created by using 16-bit digital single-cycle waveforms or digital samples as oscillator sources, and are then processed via a digital non-resonant filter, various LFOs and envelope generators, and so on - in the usual manner. The Quadrasynth contained 16MB of ROM containing PCM-based waveforms and samples, with the option of expanding the sample base via PCMCIA expansion cards which plug into the back of the synthesizer. A "patch" on the Quadrasynth can contain 1, 2, 3 or 4 of these tones. However, polyphony decreases as more tones are used. For example, a 1-tone patch would have 64-note polyphony, a 2-tone patch would have 32 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andromeda A6
The Alesis Andromeda A6 ''(A6 is an acronym: A - A, 6 - SIX, and their consonance corresponds to "ASICs" which is an abbreviation for "Application Specific integrated Circuits")'' is a 16-voice, 16-channel multitimbral analog synthesizer by Alesis which was released in 2000 and discontinued in 2010. The Andromeda has analog oscillators and filters combined with modern digital control. It can be considered a hybrid of older and newer technologies, but its entire signal path is purely analog. The VCOs have a very practical pitch correction function, a feature missing on other old polysynths. The VCOs have FM and ring modulation and sub-oscillators. These features makes it possible to create a much wider sonic palette than usual on analog polysynths. Specifications * Polyphony: 16 voices * Oscillators: 2 oscillators (with subs) per voice, 5 waveforms available (sine, triangle, pulse, up saw, down saw) * Filter: 2-pole multimode resonating filter per voice, 4-pole lowpass reson ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alesis Fusion
Alesis Fusion is a music production workstation produced by Alesis introduced in early 2005. It uses four different types of synthesis: sample and synthesis, virtual analog, FM and physical modeling. It includes sampling capability through analog inputs and importing audio samples from a computer or memory card. Models The workstation is available in two models. The Fusion 6HD is a sixty-one note semi-weighted keyboard workstation. The Fusion 8HD is an eighty-eight note weighted keyboard workstation. The two models are identical aside from the keyboard type. It competes with the Korg Triton, the Yamaha Motif and the Roland Fantom-X The Fantom-X (Xa/X6/X7/X8/XR) is a music workstation/synthesizer produced by Roland Corporation. It was introduced in 2004 as an upgrade from the Fantom S series. The Fantom-X competes with the Korg Triton/Triton Extreme, the Yamaha Motif ES an .... References {{Reflist External links Official Alesis site Electronic Musician magazine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ADAT
Alesis Digital Audio Tape (ADAT) is a magnetic tape format used for the recording of eight digital audio tracks onto the same S-VHS tape used by consumer VCRs. Although it is a tape-based format, the term ''ADAT'' now refers to its successor, the Alesis ADAT HD24, which features hard disk recording rather than the traditional tape-based ADAT, which in turn is now considered obsolete. History The product was announced in January 1991 at the NAMM convention in Anaheim, California by Alesis. The first ADAT recorders shipped over a year later in February or March 1992. More audio tracks could be recorded by synchronizing up to 16 ADAT machines together, for a total of 128 tracks. While synchronization had been available in earlier machines, ADAT machines were the first to do so with sample-accurate timing, which in effect allowed a studio owner to purchase a 24-track tape machine eight tracks at a time. This capability and its comparatively low cost, originally introduc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
InMusic Brands
inMusic is an American enterprise that is the parent company for a family of brands of varying audio products used in the DJ, music production, live sound, musical instrument, pro audio, software, stage lighting, and consumer electronics industries. The company's corporate headquarters are located in Cumberland, Rhode Island, with additional offices in Canada, Germany, United Kingdom, Taiwan, Japan and Bulgaria. History Numark In 1992, future inMusic founder and CEO Jack O’Donnell was working as Vice President of Sales at Stanton Magnetics when he learned the assets of Numark Electronics were available for purchase. Founded in Edison, New Jersey in 1971, Numark was among the earliest DJ equipment manufacturers, and responsible for innovations like the first DJ mixer with a built-in sampler (the DM1775) and the first dual-well CD player (the CD-5020).Eisenberg, Anne"For Disc Jockeys as Well as Desk Jockeys"The New York Times, January 20, 2008. Retrieved on December 3, 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
S-VHS
, the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987, with their JVC-branded HR-S7000 VCR, and in certain overseas markets soon afterward. By the end of 1987, the first S-VHS VCR models from other competitors included Hitachi VT-2700A, Mitsubishi HS-423UR, Panasonic PV-S4764, RCA VPT-695HF, and Toshiba SV-950. Technical information Like VHS, the S-VHS format uses a ''color under'' modulation scheme. S-VHS improves luminance (luma) resolution by increasing luminance bandwidth. Increased bandwidth is possible because of the increased luminance carrier from 3.4 megahertz (MHz) to 5.4 MHz. Note also that the luminance modulator ''bandwidth'' is increased: in contrast to standard VHS' frequencies of 3.8 MHz (synch tip) to 4.8 MHz (peak white), S-VHS uses 5.4 MHz synch tip and 7.4 MHz peak white. Increased luminance bandwidth produces a 60% ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analog Modeling Synthesizer
An analog modeling synthesizer is a synthesizer that generates the sounds of traditional analog synthesizers using DSP components and software algorithms. Analog modeling synthesizers simulate the behavior of the original electronic circuitry in order to digitally replicate their tone. This method of synthesis is also referred to as ''virtual analog'' or VA. Analog modeling synthesizers can be more reliable than their true analog counterparts since the oscillator pitch is ultimately maintained by a digital clock, and the digital hardware is typically less susceptible to temperature changes. While analog synthesizers need an oscillator circuit for each voice of polyphony, analog modeling synthesizers do not face this problem. This means that many of them, especially the more modern models, can produce as many polyphonic voices as the CPU on which they run can handle. Modeling synths also provide patch storage capabilities and MIDI support not found on most true analog instruments. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Recording
In digital recording, an audio or video signal is converted into a stream of discrete numbers representing the changes over time in air pressure for audio, or chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog audio or video forms so that they can be heard or seen. In a properly matched analog-to-digital converter (ADC) and digital-to-analog converter (DAC) pair the analog signal is accurately reconstructed per the constraints of the Nyquist–Shannon sampling theorem dependent on the sampling rate and quantization error dependent on the audio or video bit depth. Because the signal is stored digitally, assuming proper error detection and correction, the recording is not degraded by copying, storage or interference. Timeline *October 3, 1938: British telephone engineer Alec Harley Reeves files at the French Patent Office ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim Electronics
Oberheim is an American synthesizer manufacturer founded in 1969 by Tom Oberheim. History and products Tom Oberheim founded the company in 1969, originally as a designer and contract manufacturer of electronic effects devices for Maestro (most notably the Maestro PS-1A Phase Shifter),, and briefly a retail dealer for ARP Instruments, eventually designing the company's first Oberheim-branded product, the Oberheim DS-2, one of the first digital music sequencers. In 1975 Oberheim introduced the Synthesizer Expander Module (SEM) to complement the DS-2 sequencer and enable a user to play one synthesizer while the DS-2 played a sequence on another. The SEM featured a two-pole filter that could operate as a low-pass, high-pass, band-pass, or band-reject filter, giving it a different sound than the Moog and ARP filters popular at the time. The company later combined multiple SEM modules with a digitally-scanned keyboard and a 2-channel voltage-controlled sequencer to create a series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line 6 (company)
Line 6 is a musical instrument and audio equipment manufacturer. Their product lines include electric and acoustic guitars, basses, guitar and bass amplifiers, effects units, USB audio interfaces and guitar/bass wireless systems. The company was founded in 1996 and is headquartered in Calabasas, California. Since December 2013, it has been a wholly owned subsidiary of the Yamaha Corporation. Origin of the company Marcus Ryle and Michel Doidic (two former Oberheim designers) co-founded Fast-Forward Designs, where they helped develop several notable pro audio products such as the Alesis ADAT, Quadraverbs and QuadraSynth, and Digidesign SampleCell. As digital signal processing became more and more powerful and affordable during the 1980s, they began developing DSP-based products for guitarists. As Ryle tells the story, the name "Line 6" came about because the phone system at Fast-Forward Designs only had 5 lines. Because the new guitar-related products were developed in secrecy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NAMM Show
The NAMM Show is an annual event in the United States that is organized by the National Association of Music Merchants (NAMM), who describe it as "the industry’s largest stage, uniting the global music, sound and entertainment technology communities". Overview The NAMM Show takes place annually in Anaheim, California, at the Anaheim Convention Center, and is one of the largest music product trade shows in the world. Its European counterpart is the '' Musikmesse'' in Frankfurt. The event attracts numerous famous musicians, many of whom are endorsed by exhibitors and come to promote their own signature models and equipment. NAMM is a trade-only business show catering to domestic and international dealers and distributors. The product exhibits are an integral part of the show, allowing the dealers and distributors to see what's new, negotiate deals and plan their purchasing for the next 6 to 12 months. Exhibitors are allotted a specific number of attendees based on the size of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
